Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book) [Hardcover]

Cornell Woolrich (Author), Francis M. Nevins (Editor)

Book Description

Publication Date: December 14, 2003

Cornell Woolrich published his first novel in 1926, and for four decades his fiction riveted the reading public with mystery, suspense, and horror. America's most popular pulps—Dime Detective, Black Mask, and Detective Fiction Weekly—published hundreds of his stories. Classic films like Hitchcock's Rear Window, Truffaut's The Bride Wore Black and Mississippi Mermaid, Tournier's Black Alibi, and Siodmak's Phantom Lady, as well as dozens of other movies, were based on his work. Novels like Deadline at Dawn, Rendezvous in Black, and Night Has a Thousand Eyes have won him the epithet "father of noir." Every one of the countless many who have read and loved the work of Cornell Woolrich will welcome and applaud this publication of a new collection of tales—the first in nearly two decades—by the greatest writer of suspense fiction in the twentieth century. Woolrich lived a life of such deep despair and utter terror that he could do little except put those fears onto the printed page. In the masterfully wrought suspense of this volume's twenty stories, readers can enjoy works written at the height of Woolrich's powers, as well as many never before published in book form before now.

Product Details

• Hardcover: 272 pages
• Publisher: Carroll & Graf (December 14, 2003)
• Language: English
• ISBN-10: 0786712910
• ISBN-13: 978-0786712915
• Product Dimensions: 9.2 x 6.4 x 1.3 inches
• Shipping Weight: 1.5 pounds
• Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #1,197,601 in Books (See Top 100 in Books)

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30 of 30 people found the following review helpful:

5.0 out of 5 stars More thrilling stories from the master of suspense, January 28, 2004

By 

Claude Avary "West Coast Reader" (Los Angeles, CA USA) - See all my reviews

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This review is from: Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book) (Hardcover)

(First, a correction. There are fourteen stories in this collection, not twenty.)

Cornell Woolrich was America's best suspense author, spinning out for the pulps a string of dark noir tales that pulse with fear, dread, and paranoia. He can put the fear of death into you so that your hands shake as you read the page. But he can also move you to tears with his deep sense of human tragedy and emotional devastation. There never was anyone like him, and if you've never read him -- you have no idea what genius you are missing.

This volume contains a number of gems never before published in book form, so for Woolrich fans, this is a must buy. New readers may wish to begin with the collection "Rear Window," but will still get a great Woolrich experience with this collection.

Here are the contents:
1. Cigarette
2. Double Feature
3. The Heavy Sugar
4. Blue is for Bravery
5. You Bet Your Life
6. Death in the Yoshiwara
7. Endicott's Girl
8. Detective William Brown
9. The Case of the Killer-Diller
10. Through a Dead Man's Eye
11. The Fatal Footlights
12. Three Kills for One
13. The Death Rose
14. New York Blues

All the stories are great (the editor is a Woolrich expert and knows what works), but here are some of the stand-outs. "Endicott's Girl," which Woolrich once listed as his personal favorite story, is an emotional wringer about a cop who begins to suspect that his beloved teenage daughter is a murderer. Obsessed cops also populate "Three Kills for One" and "Detective William Brown." The first story is bizarre, disturbing, and edging on the psychotic -- I'm so glad this collection is making it easily available again. "Cigarette" will have you on the edge of your reading chair as a poison cigarette is passed from person to person -- who will finally take the fatal puff? "Double Feature" and "Death in the Yoshiwara" are action packed suspensers.

But the best tale is the last one, "New York Blues." It might have been Woolrich's last story, and it's a fitting end. It's almost abstract, plotless, but filled with pain and fear and a sense of impending doom that is impossible to shake. You will never forget this story.

Editor Francis M. Nevins offers an informative introduction which will bring new readers into Woolrich's life and world (both very depressing places). He also offers epilogues to each story to help place them in Woolrich's canon, and shed light on his work.

NIGHT AND FEAR -- buy it. Get yout friends to buy it. Let's get more Woolrich in print. And watch for his best novel, "Rendezvous in Black," coming back into print in March!

10 of 10 people found the following review helpful:

5.0 out of 5 stars Pitch black noir, June 27, 2004

By 

Jeffrey Leach (Omaha, NE USA) - See all my reviews
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This review is from: Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book) (Hardcover)

Aaahhh, Cornell Woolrich! How could anyone not love this guy? He ranks right up there with James M. Cain, Dashell Hammett, and Raymond Chandler as one of the godfathers of pitch black noir. Unfortunately, Woolrich's voluminous short stories and his many novels for the most part remain out of print. No excuse exists to merit such blatant disrespect. Happily, Woolrich biographer and all around noir fan Frances M. Nevins agrees, and that is why he assembled fourteen of the man's gems in "Night & Fear." You won't find any Woolrich novellas, like "Rendezvous in Black" or "I Married a Dead Man" here, but you will discover stories that crackle with despondency, murder, crooked cops, and suspense drawn out to knuckle cracking heights. The book also contains one of the most enthusiastic, insightful introductions I have ever seen in a fiction collection, an introduction from Nevins that puts Woolrich's life into crystal clear focus from his earliest, schmaltzy novels to his later forays into the depths of the bleakest noir and pulp fiction. If this foreword is any indication, Cornell Woolrich lived his life veering from one dank depression to another. He worshipped his mother, drank incessantly, and kept his true sexuality repressed. It was an overriding fear of his own mortality, however, that fueled his desolate visions. Sad to say, but Woolrich's miseries have given generations of fans of the genre something to sing about ever since.

The first story in the collection, the appropriately entitled "Cigarette," sets a tone that will continue to the final pages of the book. A dupe working for a crime boss must carry out a mission involving a poisoned cigarette. Predictably, the hapless hero of the story botches the job, requiring him to race around the city in a mad dash to find the tainted smoke before his malevolent boss discovers the mistake. I knew how the story would end a few pages in, but that's beside the point. What's important is seeing how Woolrich will get us there. Following closely on the heels of "Cigarette" is "The Heavy Sugar," a frightening account of an out of work transient who finds a surprise in the sugar pot at a coffee house, and who must then figure out how to contact the cops before the men responsible close in for the kill. "Death in the Yoshiwara," set in Japan, follows the exploits of a sailor turned detective as he attempts to help an American woman beat a murder rap. "The Case of the Killer-Diller," "Through a Dead Man's Eye," and "New York Blues" all deal to some extent with the most heinous of crimes and how "murder will out" every time. "Through a Dead Man's Eye" is the best story in the book as we follow the son of a cop pursuing a murderer. "New York Blues," according to the date of publication, may well be Woolrich's final story. It's a whirlwind of sight and sound as a man awaits the authorities in a secluded hotel room.

The book contains several tales labeled "Noir Cop." According to Nevins, Woolrich's police stories embody several central themes, namely that the police hold godlike powers over the rest of us. They protect each other when a fellow officer commits heinous crimes, and they never shy away from torturing a suspect or committing murder. "Blue is for Bravery" deals with a cop cracking heads after a crime lord kidnaps his family. "Endicott's Girl" is the shattering experience of a police captain who thinks his daughter committed murder, and the lengths his compatriots will go to protect their boss. In "Detective William Brown," we follow the careers of two cops, one honest and one corrupt, as a series of suspicious solutions to high profile crimes leads to an explosive revelation-and a despicable cover-up. The beginning of "Three Kills for One" takes your breath away as we follow the final moments of a man about to take the fall for a crime he didn't commit. As the story progresses, and horrible truths emerge far too late to save the innocent, a cop pursues the real criminal with a single-minded vengeance.

With the exception of a few stories, all of Woolrich's efforts in the book attain a high level of suspense guaranteed to thrill. Who can read about the boy battling the killer in an abandoned house in "Through a Dead Man's Eye" and not get a rush? The tension filled tales in this book exploded onto my consciousness with the force of a howitzer. Simultaneously, the very suspense of the stories may constitute a central weakness in the author's writings. Too many times, Woolrich turns every element of the short story into a conduit for raising suspense. Character development consequently suffers as a result. Too, the author often comes up with a central idea so brilliant, so full of potential, that the conclusion invariably acts as a let down. "Endicott's Girl," for instance, ends on a decidedly disappointing note for such a promising thesis. I can't complain too much, though. "Night & Fear" is a collection of classic noir and pulp fiction that fires on nearly every level.

"I was only trying to cheat death," Woolrich once wrote, "I was only trying to surmount for a little while the darkness that all my life I surely knew was going to come rolling in on me some day and obliterate me. I was only trying to stay alive a little brief while longer, after I was already gone." Fortunate for us that the author chose pen and paper to keep his demons at bay, isn't it? If you haven't given Cornell Woolrich a whirl, you cannot possibly know what you are missing. Hopefully, "Night & Fear" will come out in paperback soon. With any luck, more Woolrich novels and anthologies will find their way back into print in the future.

8 of 9 people found the following review helpful:

5.0 out of 5 stars A master, even when not at his best, July 17, 2004

By 

Kevin Killian (San Francisco, CA United States) - See all my reviews
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This review is from: Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book) (Hardcover)

When I was a boy I loved Cornell Woolrich and I'm old enough to remember Ellery Queen Mystery Magazine publishing "For the Rest of her Life" and "New York Blues." I was shocked when he died, straight off the twin triumphs of "The Dark Side of Love" and "Ten Faces of Cornell Woolrich." Now as I read the stories Mr. Nevins has collected for "Night and Fear," I'm a little puzzled as to why I loved him so much as a youngster, but out of respect to my memories I give this book five stars. I think frankly the collections CW published while he was alive have a bit more authenticity, even if the biography explains how different editors and publishers chose the arrangement of those books even more than did Woolrich himself. And then again Nevins really wants to sell the "Noir" angle on Woolrich, and thus downplaying the gay pastoral fabulist of something like "Stranglers Serenade" or "The Black Path of Fear." Indeed no one but a gay man could have written the famous "Black Curtain," nor the fragment of a novel that Lawrence Block later completed, "Into the Night." However that's just my two cents and reflects probably my own dark vision as much as anything of Woolrich's.

"Night and Fear" collects a whole bunch of pulp fiction that truly has some serious ups and downs, but when Woolrich is hot (as in "Cigarette" or the aforementioned "New York Blues", he is smoking! Good work to all concerned. I hope there are further collections, for the barrel has been bottomed out yet.