From Publishers Weekly
In this absorbing volume, Wong (A Suitcase of Seaweed and Other Poems) and Paschkis (Play All Day) examine the familiar yet surprising qualities of dreams. The poems recall a weightless feeling of flying, an anxious sense of being late or an unexpected visit from a dead or living acquaintance ("I had forgotten you, friend./ Is that why you came/ into my dream?"). "Gently Down the Stream" alludes to the phrase "life is but a dream" and describes swimming in clear water; the accompanying illustration pictures a sinuous orange-and-turquoise fish with a peaceful human face. Wong seldom abides scary dreams, but she does include "a news-at-seven true nightmare," which Paschkis supplements with beastly imagery of snakes and howling sleepers. Paschkis's gouaches at times suggest an illuminated manuscript, elements from medieval tapestries or elaborate Arts and Crafts-era wallpaper. The artist responds to each poem with a multicolor image framed within a monochromatic, repetitive motif. She creates a host of weird creatures, from a hunched man in a long-nosed white mask to a turnip-headed being with pea-pod arms; to indicate the mysterious workings of the imagination, she shows strange flowers sprouting from a restful figure. Paschkis's swirling imagery and Wong's quiet yet haunting words skillfully simulate the reveries they recount. Ages 7-10.
Copyright 2000 Reed Business Information, Inc.
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From School Library Journal
Grade 3-6-In the title poem, Wong compares the bed in which dreams happen with the tangled roots and blooms of a garden bed. The 14 poems that follow are about the people who appear in dreams, eating, swimming, flying, running, and falling. The poems use sound qualities-repetition, alliteration, and occasional rhyme-to capture each dream. Even poems about nightmares and anxieties are couched in gentle language that evokes wonder and thoughtfulness rather than fear. Paschkis's paintings highlight the gardening metaphor. The selections are set against background frames of earth-toned colors, filled with animals, humans, and plants reminiscent of the organic creatures of Hieronymus Bosch. The frames are symmetrically balanced to enclose a small painting on the left-hand page and a similarly shaped space for the poem on the right. Pictures of children of many cultural backgrounds add to the universal quality of the book, as does the last poem, "There Is a Place," which suggests that a storyteller lies inside each of us and comes out as we sleep. Children will enjoy capturing their own dreams and giving them shape and meaning after they have experienced these poems. This is a particularly fine collection for libraries in which young writers and painters are encouraged.
Barbara Chatton, College of Education, University of Wyoming, Laramie Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.