Most Helpful Customer Reviews
151 of 161 people found the following review helpful:
5.0 out of 5 stars
A dark journey on the river of dreams..., September 28, 2001
There are images in Night of the Hunter, Charles Laughton's only film as a director, that will sear themselves into your brain and haunt you the rest of your life. That's not hyperbole; this film is simply that potent. Nothing about Night of the Hunter is "realistic" or even plausible - not the plot, not the dialogue, not the behavior of the child characters, not the photography. Yet, Night of the Hunter transcends realism utterly to do something far more challenging than merely create a simulacrum of reality. It creates a waking dream - a vivid hallucination of fearsome beasts, tragic heroines, children in peril, and ultimate redemption. It succeeds as a modern fairy tale in the darkest tradition of the brothers Grimm. Even comparisons to German expressionist cinema of the silent era (apt though they are) diminish the singular, elemental power of this film. The Cabinet of Dr. Caligari and Nosferatu are stunning, but it's hard to imagine either of them getting under the skin in quite the same way. The plot centers on the evil machinations of Harry Powell (Robert Mitchum), a murderous, psychotic "preacher" who does time with bank-robber Ben Harper (Peter Graves), father of two young children (Billy Chapin - brother of Father Knows Best star Lauren, and Sally Jane Bruce). Before being taken away by the police, Harper hid the money he stole and swore his children to secrecy about its location. No one else - not even their mother Willa (wonderfully played by Shelley Winters) - knows where the money is hidden. But after Ben Harper is hanged for the murder of two bank guards killed during the robbery, Harry Powell makes it his business to find out. Thus begins a cinematic odyssey like no other, filled with stark symbolism and eerie imagery. Perhaps the most unsettling image is the celebrated shot of Willa's corpse in the river, strapped into a car, her hair billowing out in the water like the aquatic plants that surround her. It is one of the strongest images in all cinema - comparable to the baby carriage racing down the Odessa steps in Battleship Potemkin, or the eyeglasses landing on the snow-covered battlefield of Dr. Zhivago. The central sequence is a boat journey that the children take down-river in an attempt to escape the evil preacher. Though obviously filmed on a sound stage and filled with incongruous and frankly theatrical moments, the overall effect is nearly overwhelming in the way it evokes childhood fears of abandonment and pursuit. Every time I see it, I fall completely under its spell. Stanley Cortez's breathtaking black-and-white cinematography is complemented by Walter Schumann's atmospheric score. There is a moment during the river journey when Pearl (the little girl) begins singing a children's lullaby. The orchestra swells and turns the song into a dreamy, meditative piece of night music - filled with dread, sadness, and awe. It's not at all realistic, but if that scene doesn't give you chills, then you're just made of stone. It is fitting that Lillian Gish plays the children's savior, the elderly Mrs. Cooper - a righteous woman with a steely constitution. Gish was there for the birth of cinema itself. Her presence in Night of the Hunter is like seal of approval, a testimony to this film's enduring status as a classic. My only reservation with this otherwise superb DVD is the warning at the beginning that "This film has been modified from its original version. It has been formatted to fit your TV". Either that's flatly untrue (as Night of the Hunter looks perfectly at home in 4:3), or MGM has cheated us by not giving a true American classic its due.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
44 of 47 people found the following review helpful:
5.0 out of 5 stars
Love hate good evil, August 22, 2010
The best kind of horror comes not from monsters or ghosts, but from other human beings. "Cape Fear," "Heavenly Creatures," and other such movies are brilliant examples of this.
But one of the most compelling examples is "Night of the Hunter," a haunting movie that slowly descends into an exquisitely-filmed, brilliantly-acted nightmare about a malign preacher and the two children who are trying to escape. Like an old fairy tale, it's full of terror, magic, beauty and darkness.
Murderous preacher Harry Powell (Robert Mitchum) is arrested for car theft, since the police don't know that his hatred of women has led him to repeated murder. He shares a prison cell with bank robber Ben Harper (Peter Graves), who stole ten thousand dollars. Powell tries to coax the location of the money from Harper, but the thief takes it to his grave. Only his son John (Billy Chapin) knows its location.
Upon his release, Powell arrives in Harper's town, claiming that he wants to "bring this small comfort to [Ben's] loved ones." Everyone is taken in by him, including his new wife -- Ben's gullible widow, Willa (Shelley Winters). When she vanishes, John and his little sister Pearl (Sally Jane Bruce) must escape their evil stepfather -- even though he's determined to hunt them down and find the money.
When it was first released, "Night of the Hunter" flopped completely. Not very surprising -- the 1950s audiences weren't ready for the unconventional villains, rich symbolism, or the fact that an actor had dared to stray into a director's chair. Fortunately, it lived on as a cult film, and is now regarded as a classic.
It's especially sad that Laughton never directed again, because this is simply astonishing. It feels like a fairy tale, with Powell as the wicked witch, and the children as the protected innocents who are helped by a "fairy godmother." Laughton also loads it down with sexual and religious symbolism -- the LOVE and HATE tattoos, the switchblade, the eerie sacrifice scene.
Best of all is the cinematography. Beauty and horror are inextricably tied together: the dead Willa with "her hair waving soft and lazy like meadow grass under flood water," or the little river animals watching the children escape under a starlit sky. But there are also moments of pure terror, such as the preacher's shadow falling over the kids, or calling out as they're hiding, "I'm out of patience, children. I'm coming to find you now..."
Robert Mitchum played another evil stalker several years later in the superb "Cape Fear," but this performance is even better. His Powell is a seething mass of murderous fervour and sexual hatred -- his intense eyes are enough to give you goosebumps. He's also backed by some excellent performances -- Chapin is amazing as the little boy determined to obey his father and somehow stop Powell. Bruce and Winters turn in some solid performances, and veteran Lillian Gish has a good supporting role as the kindly Rachel.
And at long last, this movie is getting the Criterion treatment! It's getting a cleaned-up, high-def digital transfer, audio commentary with the assistant director and some film experts, interviews with a Charles Laughton expert and the cinematographer, a trailer, a movie-length collection of archival material, a documentary with the producer and some other experts, sketches by Davis Grubb, and TV episodes centering on the movie. Plus, y'know, the required essay booklet.
As chilling and compelling as when it was first released, "Night of the Hunter" is a vibrant, primal experience, and nobody has quite come close to what it portrays.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
60 of 66 people found the following review helpful:
5.0 out of 5 stars
"Wherefore By Their Fruits, Ye Shall Know Them...", June 14, 2004
From the novel by Davis Grubb - the first and only film directed and purportedly written by the flamboyant and swashbucking actor, Charles Laughton. In Robert Mitchum's biography, he stated that Laughton found the script by James Agee (co-writer of the African Queen) totally unacceptable. Laughton paid off Agee, sent him packing and rewrote virtually the entire script himself, uncredited. This 1955 melodrama cum Grimm's Fairy Tale is brilliantly directed, acted, scored and the cinematography by Stanley Cortez is breathtakingly creepy and beautiful all at the same time. Mitchum plays the sexually repressed, thieving, lying, cheating and quite sociopathic Rev. Harry Powell. The ol' Rev. got caught in a stolen vehicle while watching a "hootchie cootchie" dancer in a burlesque establishment and is sentenced to 30 days in the state penitentiary. It just so happens as fate takes a turn that the scheming Rev's bunkmate is in the clink for killing two men and robbing a bank of over $10,000.00 that has never been recovered. The Rev. tries to get the "sinner" to tell him where the money is hidden but the man won't budge. The man is hanged for his crime, the Rev. is let out of jail and goes to find the man's wife, played by Shelley Winters, his two young children and , of course, the loot! The Rev. even marries the young widow to get to the money and many evils ensue... Lillian Gish turns in a wonderful performance as a benefactor of the children. I don't want to spoil the premise of the movie as other reviewers have done. Just know that it's a horror/fairytale/melodrama/satire all rolled into a great piece of filmaking! If you liked Mitchum in "Cape Fear" you will love him as the sociopathic Rev. Powell! Happy Watching!
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
|
![[Start the discussion]](http://g-ecx.images-amazon.com/images/G/01/x-locale/communities/discussion_boards/start-new-discussion-sec._V192250339_.gif){kind=small}
