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The most helpful favorable review
The most helpful critical review
4.0 out of 5 stars
Beautiful Modern Berlin-School Horror Goodness!
Jaumet is normally making jangly and spooky synth rock as one half of Zombie Zombie, but on this record he calms down a bit and gets more into the mental game of horror music...The slow builds, the interesting noises that make you wonder...he can do it all. It is a sold record from start to finish. The sax adds a new level of creepy too, and really enriches the album...
Published 16 months ago by Ryan D. Harris
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3.0 out of 5 stars
Etienne Jaumet - Night Music
The long drone and steady beats of "For Falling Asleep" pulls you into Etienne Jaumet's NIGHT MUSIC, preparing you for the journey. Even as that track delivers some late night easy listening jazz sax into the mix, it takes that line and transforms it into a buzzing synth, adding a certain frisson. You can hear Carl Craig's hand at work here: the smoothness, the Detroitian...
Published 3 months ago by scoundrel
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3.0 out of 5 stars
Etienne Jaumet - Night Music, October 28, 2011
This review is from: Night Music (Audio CD)
The long drone and steady beats of "For Falling Asleep" pulls you into Etienne Jaumet's NIGHT MUSIC, preparing you for the journey. Even as that track delivers some late night easy listening jazz sax into the mix, it takes that line and transforms it into a buzzing synth, adding a certain frisson. You can hear Carl Craig's hand at work here: the smoothness, the Detroitian shimmer. Indeed, "Entropy" has a sleek, futuristic feel that wouldn't be out of place on a Planet E record. "Mental Vortex" and "Through the Strata" on the other hand, offer up a sort of techno-jazz fusion (the former with all electronics, the latter with what sounds like bagpipes), and the horns on "At the Crack of Dawn" feels like a dawn on a distant gas giant planet. Only five tracks, but with a surfeit of ideas.
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4.0 out of 5 stars
Beautiful Modern Berlin-School Horror Goodness!, September 17, 2010
Jaumet is normally making jangly and spooky synth rock as one half of Zombie Zombie, but on this record he calms down a bit and gets more into the mental game of horror music...The slow builds, the interesting noises that make you wonder...he can do it all. It is a sold record from start to finish. The sax adds a new level of creepy too, and really enriches the album. If you like Zombi or basically anything Steve Moore has been doing - you'll love this record. Great for the dying glow of Fall, and even better for the harsh darkness of Winter.
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