Night Photography: Finding your way in the dark [Paperback]

Lance Keimig (Author)

Book Description

Publication Date: July 15, 2010

Night photographers have one big thing in common: a true love of the dark. Rather than looking at night photography as an extension of daytime shooting with added complications, they embrace the unique challenges of nocturnal photography for the tremendous wealth of creative opportunities it offers. That's just what this book does. But if the idea of setting out into the deep, dark night with just your camera (and maybe a cup of coffee) gets your creative juices flowing, dive right in. Lance Keimig, one of the premier experts on night photography, has put together a comprehensive reference that will show you ways to capture images you never thought possible. If you have some experience with photography and have always wanted to try shooting at night, you'll learn the basics for film or digital shooting. If you're already a seasoned pro, you'll learn to use sophisticated techniques such as light painting and drawing, stacking images to create long star trails, and more. A chapter on the history of night photography describes the materials and processes that made night photography possible, and introduces the photographers who have defined night photography as an artistic medium. A chapter on how to use popular software packages such as Lightroom and Photoshop specifically with night time shots shows you how to make the final adjustments to your nocturnal creations. In this book you'll find history, theory, and lots of practical instruction on technique, all illustrated with clear, concise examples, diagrams and charts that reinforce the text, and inspiring color and black and white images from the author and other luminaries in the field, including Scott Martin, Dan Burkholder, Tom Paiva, Troy Paiva, Christian Waeber, Jens Warnecke and Cenci Goepel, with Foreword by Steve Harper.

Editorial Reviews

Review

"Lance Keimig, a commercial photographer and teacher of night photography at the New England School of Photography, with over twenty years of experience in this field, is changing the attitude toward night photography. His book, Night Photography: Finding Your Way in the Dark (copyright 2010), provides you with all you need to go from the uninformed, haphazard shot in the dark to an informed and systematic approach... BOOK PROS: one-of-a-kind source book for night photography; well written and easy to read; both film and digital shooting covered; many example photos; advice from multiple expert night photographers including their color and black and white examples.. I believe this book will be to night photography what Light: Science and Magic is to lighting and Digital Exposure Handbook is to exposure, the go-to source for information."--PhotoFidelity.com

About the Author

Lance has been photographing primarily at night for more than 20 years. He is a successful commercial photographer and currently teaches night photography at the New England School of Photography. He has also taught at the School of the Museum of Fine Arts and at The Photo Resource Center at Boston University. He teaches workshops around the world and regularly lectures at camera club meetings. He has curated several successful night photography exhibits and his own works are displayed in public and private collections worldwide.

Product Details

• Paperback: 280 pages
• Publisher: Focal Press; 1 edition (July 15, 2010)
• Language: English
• ISBN-10: 0240812581
• ISBN-13: 978-0240812588
• Product Dimensions: 7.5 x 0.7 x 9.2 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (51 customer reviews)
• Amazon Best Sellers Rank: #46,176 in Books (See Top 100 in Books)
  • #30 in Books > Arts & Photography > Photography > Equipment, Techniques & Reference > Lighting
  • #98 in Books > Arts & Photography > Photography > Equipment, Techniques & Reference > Reference

More About the Author

Lance Keimig is a Pembroke, Masssachusetts based photographer and educator who is best known for night photography. Keimig has been photographing at night for 25 years, and teaching night photography since 1997.

Keimig teaches workshops and classes around the country on Night Photography, digital workflow, and Adobe Lightroom. He is the founder of the Mono Lake Photo Workshops held each summer in California's Eastern Sierra. (http://www.thenightskye.com/workshops/mono-lake/) Additionally, he leads photo tours to Scotland, Ireland, and other international destinations. (http://www.thenightskye.com/tours/skye-hebrides-2012/) He has taught at the New England School of Photography in Boston since 2000, and also taught for the School of the Museum of Fine Arts in Boston, The Photographic Resource Center at Boston University, The Houston Center for Photography, and the Texas Photographic Society. Keimig is also a cofounder of The Nocturnes Night Photography Workshops in San Francisco.

Keimig is the curator of Darkness, Darkness, a traveling exhibit of Night Photography and was the curator of the Three Columns Gallery at Harvard University from 2005 to 2011. His photographs are held in numerous collections including The Art Complex Museum In Duxbury, MA, The Boston Athenaeum, The Boston Public Library, The Grace Museum in Abilene, TX, State Street Bank, Fidelity Investments, Paramount Partners, Hitachi, Rayovac, 3 Com, and other corporate and private collections. His workshop and tours website is: www.thenightskye.com, and his portfolio site can be seen at www.lancekeimig.com.

Most Helpful Customer Reviews

72 of 76 people found the following review helpful

5.0 out of 5 stars An extremely valuable resource for learning night photography techniques August 21, 2010

By J. Reifer

Format:Paperback|Amazon Verified Purchase

I am a dedicated night photographer and photography workshop instructor who has written extensively on the topic of night photography. I own or have read most books published on night shooting, and at long last there is a book I can recommend wholeheartedly -- Night Photography: Finding your way in the dark by Lance Keimig.

This book covers the technical aspects of night photography with great clarity and understanding, and includes many beautiful example images. Lance also touches on the more elusive why of night photography and mentions two key points: night photography is an experience that can lead to a heightened sense of awareness, and is a pursuit that often contends with a great deal of mystery.

Chapter one contains a very informative and well written history of night photography that includes some superb images. Even those of you who know your photo history quite well will likely learn something new and find photographers you'd like to further investigate.

The second chapter proceeds to a discussion of gear, including a list of key digital camera features for night photography. There is an excellent discussion on using manual focus lenses for easier focusing and perspective control. The night photography equipment checklist is a great resource for packing your gear. The tripod section is short, and I recommend Thom Hogan's guide to tripods as a supplement. The chapter concludes with a well-written essay on the important topic of location access issues by my friend and legendary night photographer Troy Paiva.

Chapter three is an overview of the basics of night photography technique, including the most in-depth discussion anywhere on how to focus at night. Focusing is one of the most frequently asked questions at my night photography workshops, and the information in this chapter is superb. Other important topics include controlling dynamic range, lighting types, color temperature, and how to minimize flare.

The next chapter covers film-based night photography, and will be of particular interest to those who shoot black and white. Lance's many years of experience with film are apparent in his excellent advice on film choice, reciprocity failure, and contrast control techniques. The chapter concludes with an essay by Tom Paiva on the merits of shooting color film in a large format camera at night.

The zone system technique of exposing for the shadows and developing for the highlights has strong parallels with digital night photography, which is the topic of chapter five. The explanation of histograms and optimizing night exposures to achieve the maximum tonal range is particularly lucid. This discussion also includes important information on white balance and camera settings for minimizing noise. The chapter finishes with an essay by Christian Waeber on shooting night scenes with people at high ISO settings.

Chapter six covers post-processing, and is primarily focused on Adobe Lightroom. If you use a Photoshop/Bridge workflow instead, most of the Lightroom information can be easily adapted to working in Adobe Camera Raw. The Lightroom workflow contains a nice balance of information that's geared towards adjusting night images.

Chapter seven includes three High Dynamic Range (HDR) imaging techniques: manual Photoshop layer blending by Christian Waeber, a overview of Photomatix with HDR expert Dan Burkholder, and a brief look at the Enfuse plugin for Lightroom. Enfuse allows you to create natural looking HDR images right inside Lightroom.

The following chapter covers moonlight and star trails, and is an extremely valuable resource for photographers interested in creating long exposures away from the lights of the city. The discussion of exposure determination through high ISO testing is particularly useful. There is also excellent advice on capturing star trails and strategies to keep noise at bay by stacking multiple star trail images. The final chapter covers light painting and includes some wonderful example images, along with information on light sources, color temperature, and gels.

The night photography book that I always wished I could recommend to workshop students is finally a reality. Night photography: Finding your way in the dark is highly recommended. Congratulations to Lance Keimig, Scott Martin, and the other expert contributors for a job well done.

Note: This review originally appeared on my night photography blog, where additional links to the photographers are included:
[...]

Disclosure: I received a review copy of this book from the publisher. I also purchased an additional copy for students to refer to at my night photography workshops. I hope you enjoy the book!

76 of 85 people found the following review helpful

4.0 out of 5 stars Great book, but too much fluff. Lightroom-centric. September 19, 2010

By Richard C. Drew TOP 500 REVIEWERVINE™ VOICE

Format:Paperback|Amazon Vine™ Review (What's this?)

As an overall read on night photography, it gets 5 stars. As a reference or "how-to" it gets 3 stars. So I rated it at 4 stars.

After reading the first few pages, I found myself thinking "Man, it's night photography, not some mystical, soul-seeking walk-about into the mysteries of the dark side of humankind."

Most books have a single paragraph dedication. The author manages to stretch it to 20 pages with a forward, acknowledgments, biographies, and introduction. Save all the self promotion and congratulations for the back of the book. Between that and some of the other reviews here, one really has the impression that there's a small hard-core community out there that spends way too much time out in the dark :)

When I see a book on photography - any type of photography - I expect to see EVERY photo include a table of settings and a description, enabling the reader to replicate the effect. Too many are just eye candy - no explanation whatsoever. Many have just partial information, for example, just a camera make and f-stop - almost as if they were trying to hide how it was done.

26 pages on the history of night photography, while interesting, could have been compacted down to 5 pages, and the rest used for more practical examples. The author also clearly prefers film to digital, even going as far as stating that digital is better to preview the shot, and film to capture it. That's a personal opinion, not a fact. It all depends on the digital camera resolution / sensor size, and film camera model and film format / size. Then, strangely enough, he dedicates most of the book to digital photography.

The chapter on equipment was well done, and had some great suggestions. Again, a little too much time was spent on trivialities. The history of Canon vs Nikon autofocus, for example.

The basics chapter was one of the best in the book. But I still have to nit-pick. Lots of example photographs. Almost none had shooting details. Where most people would simply state that the photographer should be aware of moon position and fullness, to check the weather, and watch for events, such as meteor showers or eclipses, the author has to go all mystical on us. It's "understanding and awareness of the lunar cycle" and "heightened awareness." I suppose that's just his style, but it becomes overpowering after awhile. Occasionally the author seems to forget he already made a point, so repeats it later. For example, one paragraph begins with an explanation of flashlight use, including details on it being a focusing aid. The same paragraph ends with an explanation that flashlights also aid in focusing. The editor should have fixed these annoyances.

I quickly skimmed the 28 pages on film photography. I stopped using film 10 years ago.

There were 25 pages for digital photography, with a plethora of information. The real meat came in the next chapter, "Workflow" - it was much more than just workflow. Plenty of examples - but it's all Lightroom. If you don't own Lightroom, it cam be a "here's how it's done in software you don't own" example - figure it out for your software. Personally, I think the chapter should have given the same examples in Lightroom AND PhotoShop AND Adobe Bridge.

The chapter on HDR was decent enough, but entirely based once again in Lightroom. TONS of photos. Not a single one had details.

The Moonlight and Star trails chapter was also a great read, but again, all Lightroom. By this time I was getting the feeling that the author really did not like (or know how to use) PhotoShop.

Painting With Light was interesting, but again there were a lot of photos, all without details.

My overall impression is that the book was put together as much as a showcase for cool photos as a reference. If you're looking for a "how-to" step-by-step guide, you'll be disappointed. You'll see plenty of examples but few details.

If you're a digital photographer and don't own Lightroom, you'll still walk away with some new ideas, but will leave wondering why they did not provide the examples for Bridge or PhotoShop. I don't think the author decided on an audience before planning the book. He'll start an area by covering some obvious basics, then assume you can figure out the more advanced stuff for yourself. Others are the opposite. After reading the book (for the 2nd time) I still came away with the feeling it was unfinished with no specific audience.

So who can benefit from reading the book? Anyone interested in an overall picture (pun intended) of night shooting. You'll walk away with plenty of new ideas, some inspiration, and techniques. Just don't expect any hand-holding - unless you use LightRoom.

As an aside, the book is beautifully produced - it's coffee-table book quality with brilliant colors and heavy, high-quality paper.

26 of 29 people found the following review helpful

5.0 out of 5 stars Excellent guide to the path in the dark August 15, 2010

By S. Gilbert

Format:Paperback|Amazon Verified Purchase

I have been a night photographer for five years and have been a fan of the Nocturne website and Lance's website [...]. I was a bit apprehensive when I ordered his book "Night Photography: Finding Your Way in the Dark, as I have pretty much every book regarding night photography in my photo library and all of them have omissions in information or are either focused on a photographer's exposure times or exclusively digital. First, I was pleasantly surprised at the dimensions of the book, it is 9" x 7.5" with embossed lettering and a beautiful night image of a scene in Scotland. The size makes it very easy to read or put in your gear bag. Lance begins with the history of night photography and photographers which is appreciable as we all stand on the shoulders of those giants, and some of the more contemporary photographers I was compelled to look up their work.

Lance then discusses in depth the night photographer's gear and the inherent challenges of nightwork (possible trespassing, police, dogs, etc.), in my case in the desert it is scorpions and rattlesnakes.
The discussion then continues to different types of focusing including tips on blind focusing, dynamic range, light sources, flare, temperature, etc.
There is a sizable chapter on film photography which I appreciate as I shoot film. He gives several suggestions on developers and recipes, as well as highlighting Tom Paiva's thoughts on large format color film night photography. Much of the book then progresses to digital capture, RAW workflow, HDR (excellent chapter on shooting the scene and about tone mapping, and Lightroom workflow), moonlight exposure, star trails, light painting, stacking, and interspersed throughout the book are exquisite night photos from a variety of night photographers as well as Lance's distinctive images. I particularly liked Scott Martin's explanation of his shoot of the Pearl Brewery Tanks with the subsequent photos regarding the different light painting setups.

I agree with the reviewer that it would have been a wonderful addition to have a removable night exposure guide that one could keep in a backpack.
However, I do not agree with a reviewer's contention that this book needed to discuss pre-visualization of a night photograph. I think so many night photographers are trying to emulate Michael Kenna but only Kenna can do Kenna. Many night photographers, myself included, scout out possible interesting venues during the daylight hours, dusk, or during a full moon. I bracket a lot and do a lot of darkroom work, and I think it is beyond the scope of any night photography book to theorize night pre-visualization as the effects of night photography are exclusive to the photographer. I think visualization occurs with lots of experimentation with one's camera and workflow, whether it is film or digital. I love the enigmatic nature of night photography and how different photographers express their vision or produce a photograph that makes one wonder how it happened. Case in point, Steve Harper's incredible photograph, "Self, Sutro Bath Ruins" , page 25. Wow.

I think Lance Keimig has produced an excellent reference and resource about night photography, a book I have read cover to cover twice, and just perhaps I will try night time digital again because of his clear explanations and inspiring photos. I don't have a problem with any book discussing Photoshop or Lightroom as those two programs are pretty much de rigueur for any serious photographer, and the programs are always being updated and improved upon.
I also like the fact he gives digital exposure times for Canon and other native ISO 100 cameras and Nikon and other native ISO 200 cameras so one can refer to the chart if they do not own one of those two brands. As a Canon owner I think it's a thoughtful touch. Some books focus on Nikon and leave Canon owners to their own devices and vice versa.

If I could add a couple of things it might be the detachable exposure guide and perhaps a little more on hybrid routines (scanning film for digital workflow especially black and white as I'm never happy with the tones I get from my negatives in scanning) but in conclusion I think this is a well-written and very informative book. If one is a daytime photographer, this comprehensive book will encourage one to explore the nocturnal world and its beautiful mystery, as well as dedicating a gear bag for night time excursions. It's a wonderful thing to be in the dark with only the stars for company, it makes one slow down and think about what is truly meaningful.
As Lance succinctly states "Night transforms our experience of the world from one of routine certainty to one of mysterious unknowing. This is the essence of what makes night photography special". That sums it up perfectly.