Product Details

• Actors: Omero Antonutti, Margarita Lozano
• Directors: Paulo and Vittorio Taviani
• Format: Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Language: Italian
• Subtitles: English, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 1
• Rated: Unrated
• Studio: Koch Lorber Films
• DVD Release Date: April 1, 2008
• Run Time: 105 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (18 customer reviews)
• ASIN: B00124SNJ8
• Amazon Best Sellers Rank: #118,923 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "The Night of the Shooting Stars" visit the Internet Movie Database (IMDb)

Editorial Reviews

NIGHT OF THE SHOOTING STARS - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

64 of 68 people found the following review helpful:

5.0 out of 5 stars Tuscany's war., July 31, 2003

By A Customer

This review is from: The Night of the Shooting Stars (DVD)

Quite simply the best movie produced by Italy in the post-Fellini/Antonioni era. (And never mind *Cinema Paradiso*, the movie of choice for those who drink cappuccinos after lunch.) *The Night of the Shooting Stars*, written and directed by Paolo and Vittorio Taviani, is a semi-autobiographical account of World War II shuddering to a close in the Tuscan countryside. The movie begins with the disembodied voice of a young woman, who proceeds to relate her childhood memories of war to her own child. We hear this as the camera stays glued on a static shot of an open window looking out into the dreamy blue evening. A typically fairy-tale-like Italian village is visible. This sets the stage for the impressionistic narrative that follows. Everything seems exaggerated in this movie, which is to be expected when the incidents are viewed primarily (though not exclusively) through the eyes of an impressionable six-year-old girl. The plot is simple: "San Martino (based on the real town of San Miniato between Pisa and Florence) is earmarked for destruction by the Germans. The villagers must decide whether to stay or leave. Rumors abound that the Americans are in the vicinity -- will they reach San Martino first? Or should the villagers hit the dusty roads in the countryside and find the Americans before their town is destroyed? About half stay, and half go: we follow the half that goes. There are dozens of characters who embark on the journey, so not much time can be expended on characterization. But the Tavianis cast actors of such unique physiognomy that we feel we know them at a glance. Quite often, they're presented as heroic archetypes. The camera seems to glow around the young couple freshly married with a child on the way; it closes in on the village priest so that we can see every pore of guilty conscience in his face. Larger-than-life gestures help carry the characterization along. But it's the set-pieces that astonish with their comic and/or dramatic intensity and their hyper-realism. There's a marvelous bit when the girl, watching a small-scale battle that has erupted around her, associates the combatants with the heroes from Homer that her grandfather used to tell tales about. In fact, there are so many marvelous bits that to describe more of them will ruin the movie for you, but I can't end this review without mentioning the brilliant scene involving skirmishes in a wheat field between our villagers and the local contingent of hold-out Fascists. This, more than almost any sequence in cinema, captures the horror, pity, and sadness of war, and what it can do to a community. (The San Martinians and the Fascists mostly know each other, calling out behind the rows of wheat, "I know you -- you're Carlo from Pistoia, Alfredo's cousin!" It's like the Italian version of the American Civil War.) Finally, the movie serves to remind Americans just how much we meant to other peoples on the earth, and how much they loved us. This is bittersweet for us; perhaps educational for today's crop of young Italians who almost uniformly have "PACE" flags hanging out their windows these days. Anyway, *The Night of the Shooting Stars* is a must-own masterwork, without flaw. Highest recommendation.

33 of 34 people found the following review helpful:

5.0 out of 5 stars The best movie you've never seen, January 14, 1999

By A Customer

This review is from: The Night of the Shooting Stars [VHS] (VHS Tape)

This haunting drama deserves to be viewed repeatedly for a full appreciation of its intricate relationships. Italian villagers defy the fascist Black Shirts' orders to stay in their small village (which is mined with bombs), choosing instead to seek the Yank liberators they hear are on the way. As they venture into the countryside, the townsfolk encounter beauty, bloodshed, and long-buried romance in a World War II story flavored with Italian mythology. It's the Taviani Brothers' ("Padre Padrone") masterpiece, with its mix of surreal lyricism and blunt reality. My question? When does the DVD come out?

54 of 59 people found the following review helpful:

5.0 out of 5 stars this movie and "Cinema Paradiso": a choice of dreams, January 22, 2005

By 

raul parolari (Daly City, Ca, Usa) - See all my reviews
(REAL NAME)   

This review is from: The Night of the Shooting Stars (DVD)

I was stunned by the "editorial review" above stating: "the dreamy nostalgia, while not satisfying as 'Cinema Paradiso'...". How curious for me is the fascination of the american public with "Cinema Paradiso", a mediocre, sentimental telenovela crafted to make people sigh and cry (just above the level of "The English Patient").
"The night of the shooting stars" is not about faked "dreamy nostalgia"; it is the story, beautifully told through the eyes of a young girl, of a Tuscan village in the II world war, during the German occupation (should I say "alliance"...) and the civil war (fascists-partisans), and tells a terrible choice that an entire village had to make.
There are moments in this movie that I will never forget:
- the man who, after spending the night pondering on the choice offered by the Germans (endorsed by the local priest), stands up and says: "sentite, Io dei tedeschi non mi fido..." ("look, I don't trust the Germans..."), and purely on that instinct will act, saving half of the village.
- the eyes and the face of the priest (as a reviewer says below), who realizes what he has done, too late.
- the fantastic battle in the wheat field, seen through the eyes of the girl as one in the Ilyad. And, as a reviewer says below, the people who recognize each other during the fight. Half-dream, half-reality, an incredible moment of cinema.
- the anxious wait for the arrival of the Americans, who seem always around the corner (the cruel joke from somebody, the phonograph, on that wall...).

There are fake dreams, and authentic, sincere ones; "La notte di San Lorenzo" (the beautiful Italian title) offers one whose nature you will not doubt.