Amazon.com Review
"The problem was how whenever he turned to any kind of schoolwork, he couldn't seem to think. His brain seized up, it seemed to shut, click! like a great stupid padlock snapping into place." Luke Leman is about to fail twelfth grade--again. Harassed by the assistant principal, ignored by his father, and worried over by his mother, Luke has slipped into an inner world of his own making where concentration is impossible and sleep is elusive. He obsesses over missed assignments and longs for his younger days when the mantle of meeting all his father's high expectations didn't weigh so heavily on his shoulders. To his anxious mother and his girlfriend, Carolyn, he mentions the sound of the night train, the one that comes long past midnight when he should be asleep but never is. When they insist there is no train, Luke worries that he has finally lost his mind. When he goes out one night to find out if the train really exists, he discovers that the sanity he seeks may cost him his life.
Even though it is frustrating that Australian young-adult author Judith Clarke never pinpoints exactly what event precipitated Luke's spiral of failure, she still paints an effectively bleak, evocative picture of adolescent depression. Sympathetic teen readers will immediately understand what Luke is going through and wonder why all the clueless adults in Luke's life either dismiss or ignore his obvious signs of distress. Night Train is an excellent book for use in high school discussions of teen depression. (Ages 13 and older) --Jennifer Hubert
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Australian writer Clarke's (The Heroic Life of Al Capsella) uneven novel opens with Luke Lemans's youngest sister frantic to see him; her family dodges her questions regarding his whereabouts, prompting her to surreptitiously follow themAto a funeral parlor. The rest of the novel is told in flashback through the perspectives of various characters, as Luke finds himself in danger of flunking his senior year in high schoolAfor the second time. Luke signals for help and is repeatedly rebuffed. An underdeveloped theme that emerges late in the novel involves the appearance of the Night TrainAa train that runs long after train service has stopped and that seemingly only Luke can hear. Though the constantly shifting points of view detract from the tension of Luke's growing desperation, at the root of this tale is the compelling idea of one person's power to reach outAto make a difference in, or even potentially save, someone's life. Clarke shows how quickly those opportunities are lost (e.g. his English teacher thinking,"She should have told him not to worry, that it wasn't the end of the world if he failed. She should have. As Rosa turned into her gate she felt a chilling sense of something missed, slipped sadly from her hand. Let go"). Luke, painted as naturally bright, sensitive, compassionate and lost, is surrounded by a largely sympathetic group of charactersAeach hurt, concerned and frustrated by his behavior and their inability to help him. Ages 12-up. (June)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.