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Night at Birdland 2
 
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Night at Birdland 2 [Live]

Clifford Brown, Art Blakey, Horace Silver, Art Blakey and the Jazz MessengersAudio CD
4.9 out of 5 stars  See all reviews (15 customer reviews)


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MP3 Download, 7 Songs, 2001 $7.93  
Audio CD, Original recording reissued, Original recording remastered, 2001 $9.99  
Audio CD, Live, 1990 --  
Audio Cassette, 1990 --  

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Product Details

  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Format: Live
  • Label: Blue Note Records
  • ASIN: B000005H51
  • Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #257,307 in Music (See Top 100 in Music)

 
1. Wee-Dot
2. If I Had You
3. Quicksilver [Alternate Master][Version]
4. The Way You Look Tonight
5. Lou's Blues
6. Now's the Time
7. Confirmation

 

Customer Reviews

15 Reviews
5 star:
 (13)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (15 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
5.0 out of 5 stars Hard Bop Genesis, December 18, 2001
By 
G B (Connecticut) - See all my reviews
This 1954 live recording is a momentous one in jazz history -- it's one of the first recordings in a style that would be known as hard bop. Blakey's quintet, a clear forerunner of his Jazz Messengers, approaches the classic bop style, mixes in some soul and gospel, and cranks up the energy. Art Blakey's turbocharged drumming, Horace Silver's funky, blues-drenched playing, and the formidable frontline of trumpet wizard Clifford Brown and Bird disciple Lou Donaldson set the mold for the style.

Highlights of Volume 2 are a blistering interpretation of the Kern-Fields classic "The Way You Look Tonight" and two Charlie Parker tunes, "Confirmation" and "Now's The Time". Clifford Brown really burns on these tunes. If you like this CD, be sure to buy Volume 1 as well as the two Bohemia recordings of Blakey a year later.

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7 of 7 people found the following review helpful:
5.0 out of 5 stars A great night for jazz, March 14, 2005
By 
Bomojaz (South Central PA, USA) - See all my reviews
This second volume of the Art Blakey Quintet live at Birdland (2/21/54) is just as good as volume 1. Clifford Brown, alto man Lou Donaldson, Horace Silver, and Curly Russell join Blakey for some swinging hard bop performances. "Wee-dot" is a fast blues, as is "Lou's blues," which might be just a tad too frantic. All the playing is exceptional, though, on every track. Should be had with volume 1, and both CDs are must-have deals.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars Pressure Cooker, January 21, 2005
Be careful folks, this one can scorch your knickers! Everyone here is in tip-top shape and there are times when this one is a full-blown show of pure firepower.

It also slows down nicely though when it does pull back to the mid and slow tempos. Actually the mid-tempo stuff here is my favorite. Lou Donaldson purely shines here. He really should be more well-known. His playing is an absolute joy from beginning to end and, at least for me, he is the true star of this release. Of course there is also no lack of material here to please the Clifford Brown crowd, either. Sometimes upper-register pyrotechnics types of trumpet players seem to kill my ears. It's not my most favored style, but I still can't help but marvel at the lines Brownie blows here. When listening to him, I get the feeling that audience members probably broke out into a sweat just from hearing and seeing him play.

Even though Jazz at Massey Hall (whether partial or the complete one) is often viewed as a high-water mark in bebop, I'd tend to go with this disc as a better example of what it's all about. The sonic quality of this recording is fuller, richer, and I just think the performance is better, too. This disc has hard-bop-lengthed solos, but bebop style and freneticism... along with the killer slower stuff, as I mentioned earlier.

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