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The Nightingales of Troy [Paperback]

Alice Fulton (Author)
4.5 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

July 13, 2009

“Outstanding....Alice Fulton reveals herself to be triumphantly at home in the short story.”—Boston Sunday Globe

In 1908, Mamie Garrahan faces childbirth aided by her arsenic-eating sister-in-law Kitty, a nun who grows opium poppies, and a doctor who prescribes Bayer Heroin. "In the twentieth century, I believe there are no saints left," Mamie remarks. But her daughters and granddaughter test this notion with far-reaching consequences. Kitty's arsenic reappears sixty years later in the hands of her distraught niece. A schoolgirl's passion for the Beatles and Melville—a passion both lonely and funny—shapes her life. Each decade is illuminated by endearingly eccentric characters: an anorexic waitress falls for a wealthy college boy in the jazz age...an exuberant young nurse questions science during the Depression...a homely seamstress designs a scandalous dress in the 1950s. The Nightingales of Troy, the first fiction collection by an acclaimed American poet, creates a vividly palpable sense of time and place. Alice Fulton's memorable characters confront the deepest dilemmas with bravery and abiding love.

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Editorial Reviews

From Publishers Weekly

These 10 linked short stories by MacArthur fellow Fulton track the lives of four generations of women from Troy, N.Y., where love comes to die. The first story begins in 1908, and subsequent stories are spaced approximately a decade apart, creating a colorful patchwork of the 20th century. In Happy Dust, a young mother, sick with a wasting disease and about to give birth, finds some relief in a mysterious potion given to her by a fallen nun. A waitress in Shadow Table is asked to make a birthday dessert for her lover's long-dead younger sister. In The Real Eleanor Rigby a girl infatuated with the Beatles and Herman Melville resolves to give the fab four her first edition of Typee, only to be upstaged by her domineering mother, who scores the two of them a brief private audience with the band. Fulton's strengths are in elaborate detail and delicate construction. And many stories also contain moments of blunt violence and unthinking cruelty, providing the tension at the heart of a book that's rich with feeling for its characters yet willing to expose their faults. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

*Starred Review* Every element in this collection of scintillating linked short stories is surprising, pleasurable, and stealthily affecting. In her first fiction title, Fulton, a MacArthur fellow best known for her poetry, traces the female line in an Irish Catholic family living in her hometown of Troy, New York. The “Nightingales” (as in Florence Nightingale) is the name bestowed on the nurses in the Garrahan sisterhood––which also includes a waitress, a Melville scholar, true-grit mothers, and stalwart spinsters––by a marvelously theatrical, hard-drinking priest. The book opens in 1908 with a do-it-yourself childbirth story, and the final tale, a daughter’s good-bye to her mother, takes place in 1999. In between, Fulton displays extraordinary verve in the originality of the predicaments she creates for her irresistible characters, her evocation of the majesty of the land and the rise and decline of the town, and her ravishingly inventive language. Drawing brilliantly on the vernacular and ambience of each decade, Fulton orchestrates richly hilarious stories revolving around the sinking of the Ship of Joy, an accidental acid trip with the Beatles, and crazy battles over a burial dress, an exceptionally neurotic freeloader, adored pets, and the “Glorious Mysteries.” --Donna Seaman --This text refers to the Hardcover edition.

Product Details

  • Paperback: 256 pages
  • Publisher: W. W. Norton & Company; Reprint edition (July 13, 2009)
  • Language: English
  • ISBN-10: 0393335445
  • ISBN-13: 978-0393335446
  • Product Dimensions: 8.2 x 5.8 x 0.6 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #305,814 in Books (See Top 100 in Books)

More About the Author

Alice Fulton's first fiction collection, The Nightingales of Troy: Connected Stories, was published by W.W. Norton in 2008. Her most recent book of poems is Cascade Experiment: Selected Poems. Felt was awarded the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. This biennial poetry prize is given on behalf of the nation in recognition of the most distinguished book of poetry written by an American and published during the preceding two years. Felt also was selected by the Los Angeles Times as one of the Best Books of 2001 and as a finalist for the Los Angeles Times Book Award.

Fulton has received fellowships from the John D. and Catherine T. MacArthur Foundation, The Ingram Merrill Foundation, the Guggenheim Foundation, The Michigan Society of Fellows, the Fine Arts Work Center in Provincetown, and the National Endowment for the Arts. Her work has been included in five editions of The Best American Poetry series and in the 10th Anniversary edition, The Best of the Best American Poetry, 1988-1997. She has received Pushcart Prizes in poetry and in fiction, the Bess Hokin award from Poetry, The Elizabeth Matchett Stover Award from Southwest Review, and the Emily Dickinson and Consuelo Ford Awards from the Poetry Society of America. Poems and Fiction also have appeared in Tin House, Poetry, The New Yorker, Parnassus, The Paris Review, The New Republic, The Atlantic Monthly, and many other magazines.

Alice Fulton's ten stories have been collected in The Nightingales of Troy. Two of these stories, "A Shadow Table" and "Queen Wintergreen," have been selected by Alice Sebold and Louise Erdrich for the Best American Short Stories. "Happy Dust," was awarded the Editor's Prize in Fiction by The Missouri Review. "The Real Eleanor Rigby," was selected for the Pushcart Prize XXIX anthology. And "Queen Wintergreen" was also anthologized in Cabbage and Bones: An Anthology of Irish Women's Writing. The Nightingales of Troy was a New & Recommended selection by The Boston Globe; a Discoveries feature by The Los Angeles Times; and a Featured Books interview in The Irish Times. For extensive excerpts from published reviews, please visit alicefulton.com.

 

Customer Reviews

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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 10 people found the following review helpful:
5.0 out of 5 stars One Hundred Years Of Attitude, July 13, 2008
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This series of connected short stories by one of America's leading poets demonstrates how an expertise at word choice and sentence-making, a sensitivity to the sound of the spoken language, and the use of idiom to carbon-date dialog, are the perfect tools for the task of writing personal fiction. Fulton's characters are developed almost entirely by what they say, either in dialog or, when they are tasked with narrating, recounting some part of the family history. The stories advance the fortunes and misfortunes of the women in the Garrahan family one decade at a time, and it is primarily the language, as spoken or recounted in thoughts, that evokes the times. For the most part this is a subtle effect, and Fulton is expert at adjusting word and syntax choices to locate her characters exactly in their times and places.
Place is also important to Fulton. The connected-stories structure is too compact to allow much ink to be spent on explication of the setting, the mid-Hudson city of Troy, New York. Instead, we learn about Troy mostly from the characters themselves, or the plot-lines. The women of the Garrahan family seem especially susceptible to a gravitational force that this city, old before its time, apparently exerts on them. (I, too, once lived in Troy, for a few years and as a student, and I can testify that my family, for one, is quite immune to its gravitational pull.)
I recently finished Andrea Barrett's "Servants Of The Map", one of my favorite short story collections of the past few years, and particularly enjoyed the conceit of the "connected" stories. There is a sense of resolution that I experienced reading the last story, the one that more or less ties up the references and relationships that were left hanging in earlier, seemingly unrelated stories. To me it's more than a short story collection - it's a new form of novel.
Alice Fulton's collection is even more straightforward and my new favorite, setting successive stories in successive decades of the Twentieth Century. The opening story is about birth and beginnings, the final story is about death and endings, and a close reading reveals many novelistic devices Fulton employs in the service of the short.
She may be a poet of the higher realms but her prose in this book is muscular and brilliantly appropriate. Beautiful sentences, beautifully crafted, never get in the way of the story she is telling; they just make the reader's experience richer and more satisfying (sorry, I am a recently quit smoker and we talk like that.)
I must add that she is also one funny poet. True, some of the women she inhabits in telling their stories are bereft of humor, but when her character is a woman of wit, she is hilarious.. This is a book that can ascend the heights of wit, and descend into deepest, desperate, darkness of the human condition, and return us to the heights, all within a few stories. I loved the roller coaster ride. Try it out.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars An English Major's dream book!, September 10, 2008
By 
Amanda H. (San Francisco, CA USA) - See all my reviews
This absorbing novel about time and love will make you lose track of time. It's both a deep and funny book. The first story hooked me, and I looked forward to following my favorite characters through the century, seeing how they changed over time. This author creates vivid, believeable characters, whether men or women. I had my favorites but every one gave me something to think about. I was fascinated by the erudite Jesuit, the dreamy bootlegger, the cranky geezer who became a clown, the gloomy disc jockey, the old sailor whose father knew Herman Melville--and most of all, The Beatles, who play quite a large part in the hilarious "The Real Eleanor Rigby." It needs its own category: seriously funny. There are so many surprises throughout as plot threads emerge and are resolved, and the writing is just gorgeous. I think I enjoyed the book so much because it's sometimes very witty and sometimes so very sad. This is a book I look forward to reading again. Highly recommended!
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1 of 1 people found the following review helpful:
4.0 out of 5 stars beautifully written, January 16, 2010
By 
Blakely (los angeles) - See all my reviews
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fulton's characters really do stay with you. i thought it was fascinating the way she shows annie in different stages of life, making it almost seem like she's a different character. i guess that would be true of any of us--if you take a snapshot of our lives once every thirty years, we would seem like a different person in each. i especially liked annie's youthful energy in the title story, although i didn't find "the real eleanor rigby" to be believable. i also enjoyed ruth, and charlotte, deeply flawed, was another one of my favorites. the nightingales is not a page turner; it's almost too subtle to make you cry, and it's not plot driven. i took me a while to finish, but i'm glad i did.
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