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Nightmare Alley (New York Review Books Classics) Paperback – April 6, 2010

45 customer reviews

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Product Details

  • Series: New York Review Books Classics
  • Paperback: 304 pages
  • Publisher: NYRB Classics; Reissue edition (April 6, 2010)
  • Language: English
  • ISBN-10: 1590173481
  • ISBN-13: 978-1590173480
  • Product Dimensions: 5.1 x 0.8 x 8 inches
  • Shipping Weight: 10.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Best Sellers Rank: #326,450 in Books (See Top 100 in Books)
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Most Helpful Customer Reviews

33 of 36 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on June 6, 2002
Format: Paperback
Although largely forgotten today, Gresham's NIGHTMARE ALLEY was one of the great bestsellers of the 1940s--a grotesque tale of the rise of a Stanton Carlisle, a carny worker who moves up from bilking rubes at a traveling ten-in-one show to become a fake spiritualist bilking the rich and famous in an church elaborately rigged to support his fake senances. But success is fleeting, and Stan falls prey to the very insecurities that have driven him to success. When it comes, his fall has all the horror of being dropped into a blast furnace.
Gresham writes in a tough-voiced pulp fiction tone that lingers over the most unsavory aspects of the story--sometimes to the point of nausea--and the result is a harsh vision of the world as a "nightmare alley," a one-way run with unseen hounds hell after you and death when you meet the brick wall at the end. The characters are memorable: the glib-tongued Stan, embroiled in his own Freudian hell; the hardknocks but likeable Zeena, a carny psychic who starts Stan on his career; the pretty but stupid Molly, who becomes Stan's unwilling partner in crime; and, always lurking somewhere in the background, the carny geek, the ultimate portrait in degredation and desperation, a monsterous man-made grotesque whose image frames the novel.
The novel is deliberately disorienting, and each new section of the book is heralded by the use of a Tarot card to remarkable effect. NIGHTMARE ALLEY is powerful stuff, and it shouldn't be read on an empty stomach. Recommended, but brace yourself: when you pick up the book you'll find yourself on an express elevator, and it's straight down all the way.
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15 of 15 people found the following review helpful By A Customer on June 30, 2000
Format: Paperback
Gresham writes a suspenseful and "not so nice" story about Stanton Carlisle -- a young man who starts his working career in freak / carnival show. Stanton and his friends travel around the country bilking people into believing that Stan can predict the future. Gresham reveals the tricks of the trade as he shows how fortunetellers and mind readers conduct their business.
Stanton wants the big time action and he has the ability to go far. He is glib, charismatic and a skilled cold fortuneteller. After marrying fellow carnival worked Molly, he and she go to work acquiring larger targets. After becoming a mail-order minister, they conduct seances and allow rich people to communicate with the dead. Stanton and Molly and rewarded handsomely. However, even that isn't enough as Stan pushes his luck and goes after a major capitalist in order to clear huge amounts of money.
The gritty writing is similar James M. Cain's (Double Indemnity and The Postman Always Rings Twice) and is unafraid to reveal the characters' seedier nature. The format of the book is also clever -- showing Stanton's rise to power (and ultimate demise) through the use of tarot cards at the start of each chapter. My only complaint was that it was sometimes hard to follow. I found that at the start of almost every chapter I felt a sense of disorientation until I figured out what was going on. The continuity was weak. However, I liked the book tremendously -- especially when it revealed Stanton's ruses.
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18 of 19 people found the following review helpful By A Customer on April 11, 1999
Format: Paperback
Follows the 20-or-so year career of Stanton Carlisle, from carny sleight-of-hand artist, to vaudeville mentalist, to (in)famous spiritualist, as he squares his broad shoulders and strides proudly through life, taking what he wants - and revenging some old injuries - until, in search of that one really big score, he falls in with a partner even more ruthless than himself. The title refers to the key to any good con, every man's flight from his innermost fears. Carlisle learns early to "find out what they're afraid of." Supporting characters are (mostly) colorful and real. The narrative changes moods at times, from straight journalistic style to stream-of-consciousness a-la the young John Dos Passos, all used effectively. This novel is available with five others of its kind in "Crime Novels, American Noir of the 30s and 40s," published by Library of America, and worth every cent of the $35 list price.
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8 of 8 people found the following review helpful By gtra1n VINE VOICE on May 18, 2010
Format: Paperback Verified Purchase
This amazing, grim novel is the ideal noir, in film or literature. If you like the tropes, gestures and sheer style of noir, then you can't go wrong with this book, because they are there in almost every line, every element of plot, especially the long denoument which is both foreseeable and satisfying. This is a great novel of the kind and of the period. If you giggle at the dialogue of "The Big Sleep," then you'll find this book satisfying.

If you're a different sort of reader though, who loves the beauty of the dialogue of "The Big Sleep," for whom noir is as much about ideas and a point of view, then you'll find this book a masterpiece. It's easy to call the book cynical, but it's not at all - the main character is cynical, and he both exploits that cynicism and is trapped by it, and his cynicism reflects that found in American society. Noir stories improvise their own sets of morals and values and, if the stories work, those ideas makes sense in the context, and in "Nightmare Alley" they work brilliantly and with great power. The book is as grim as it gets, but the power of Gresham's writing makes it almost relentlessly gripping; his lines and dialogue are excellent, and so is his structure. The pacing is excellent, the characterizations are not just effective but creatively done - these are real people, even the minor figures - and the overall shape, the way Gresham places his chapters, is terrific. His subject and context may be pulpy, but the writing is deeply skillful and without cliché. And what is perhaps most exciting and satisfying is that Gresham goes, without fear and sensationalism, so deeply into the possibilities of human cynicism and depravity, far deeper than even Jim Thompson, and that is what noir is all about. In it's own way, this is a great American novel.
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