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Nikon D90: Highly recommended by dpreview.com
The D90 viewfinder is amongst the best you'll find on any APS-C camera and it sits above the highest-resolution screen we've yet seen on a camera of this class. The buttons are well chosen and sensibly positioned, and the two-dial interface is a pleasure to use. (Buyers coming from other systems can even reverse the operation of the meter and dials to make everything that bit more familiar).
Product DetailsStyle: With 18-105mm Lens
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Product Description
Style: With 18-105mm Lens
From the Manufacturer
Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more.
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Outfit includes the 5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED lens with VR image stabilization and legendary Nikkor optical quality.
Nikon D90 DX Digital SLR Highlights
Nikon Digital SLR image quality
The D90 incorporates a newly developed DX-format CMOS image sensor with technology directly inherited from the D300, Nikon's DX-format flagship. With its 12.3 effective megapixels and extraordinarily high signal-to-noise ratio, the D90 delivers low-noise images with detail and tonal gradation beyond your expectations, while Nikon's Integrated Dust Reduction System works to free image-degrading dust particles from the sensor's optical low-pass filter.
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The D90 captures up to 4.5 images per second. Accurate 11-point autofocus is now even faster and more intelligent, aided by Nikon's exclusive Scene Recognition System. The unique Nikon 420-pixel 3D Color Matrix II Metering system, now enhanced by EXPEED image processing technologies, delivers extraordinary exposure accuracy -- immediately evident when reviewing images on the D90's super-density 3-inch 920,000-dot color LCD monitor.
New D-Movie Mode Features 720p HD cinematic quality
A new idea for D-SLRs, the D90 offers a movie function, allowing you to shoot movies in three different motion JPEG formats: 320 x 216 pixels, 640 x 424 pixels and 1,280 x 720 pixels. Now you can capture life's moving moments with added drama by using many of Nikon's NIKKOR lenses, including the AF DX Fisheye 10.5mm f/2.8G ED and the Micro-NIKKOR lenses. The shallow depth of field can give your movies a more creative and emotional impact. An additional benefit is the D90 image sensor, which is much larger than a typical camcorder for higher image quality and exceptional high ISO performance during low-light shooting.
5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR included
Famous Nikkor optical quality in a compact, versatile design, featuring Nikon VR image stabilization.
Continuous shooting as fast as 4.5 frames-per-second
The D90 captures crucial moments thanks to its impressive 0.15-second start-up time, 65-millisecond shutter-release time lag (CIPA standard) and ability to shoot at 4.5 frames a second for up to 100 shots*.
Low noise ISO sensitivity from 200 to 3200
The D90 gives you the freedom to shoot in a remarkably wide variety of lighting conditions, including dimly lit scenes, without worrying about image-degrading noise. ISO can be raised as high as Hi 1 (ISO 6400 equivalent) or lowered to Lo 1 (ISO 100 equivalent).
3-inch super-density 920,000-dot color LCD monitor
The D90's 3-in., approx. 920k-dot LCD monitor provides unprecedented quality of image display. A wide 170-degree viewing angle makes it easy to confirm focus after shooting or during Live View.
Built-in image sensor cleaning
Effective 4-frequency, ultrasonic sensor cleaning frees image degrading dust particles from the sensor's optical low pass filter.
11-point AF system with Face Priority
Thanks to Multi-CAM 1000 autofocus module, the D90's 11-point AF system has fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the center.
In addition, the D90 has versatile AF-area modes to handle most shooting situations. The center focus point can be switched from normal to wide according to the movement of the subject.
One-button Live View
With the D90's Live View function, you can shoot effectively without looking through the viewfinder. Simply press dedicated Live View button for instant access. Three contrast-detect AF modes let you focus on any point in the frame.
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Nikon 3D Color Matrix Metering II with Scene Recognition System
Nikon's renowned 420-pixel RGB 3D Color Matrix Metering II, teamed with the exclusive Scene Recognition System, evaluates images, referencing an on-board database of over 30,000 photographic scenes, for unmatched exposure accuracy.
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Advance Scene Modes
When you're not sure which camera settings are appropriate, simply rely on the Advanced Scene Modes. Just turn the mode dial to the appropriate icon: Portrait, Landscape, Close-up, Sports or Night Portrait. Unlike traditional scene modes, the D90 will automatically optimize the exposure, image processing, Active D-Lighting, and Picture Control to get the most out of your subject matter. What's more, the D90 has exceptional low-noise performance and accurately adjusts the camera settings whether VR (Vibration Reduction) is activated or not, so you can expect beautiful, crisp images, even in many low-light scenes.
Auto Active D-Lighting
Details in the shadows and highlighted areas of your photos are often lost when strong lighting increases the contrast between the bright and dark areas of your image. Nikon's unique Active D-Lighting technology accurately restores these important details by localizing tone control while you shoot. Choose from four levels, including the new Extra High. Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures to get one with Active D-Lighting and one without.
Durable, high-precision shutter
Reliability is not a luxury--it's a necessity. That's why Nikon subjected numerous D90 shutter mechanisms to grueling 100,000-cycle shutter-release tests with the unit fully assembled in the camera.
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The D90 is equipped with Nikon's i-TTL flash control, renowned for consistently accurate and balanced flash exposures. The built-in flash has an 18mm lens coverage and works as a wireless commander, controlling up to two independent groups of an unlimited number of remote Speedlights and providing incredible creative lighting control--on location or in the studio.
In-camera image editing
Creative freedom stems from exclusive in-camera image editing, featuring Fisheye effect, Straighten and Distortion Control as well as D-Lighting, Red-eye Reduction, Image Overlay, Monochrome and more.
HDMI Compatible
You can enjoy both still images and movies shot with the D90 via HDMI (High-Definition Multimedia Interface) with the global-standard digital A/V signal transfer. HDMI Mini connector is employed.
GPS geo-tagging
The optional GP-1 GPS unit provides automatic real-time geo-tagging.
Product Description
Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more.What's in the box: Nikon D90 SLR Digital Camera Kit with Nikon 18-105mm VR Lens,18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens,Front & Rear Lens Caps,Lens Hood,Lens Pouch,EN-EL3e Rechargeable Lithium-ion Battery,MH-18a Quick Charger,UC-E4 USB Cable,EG-D2 Audio/Video Cable,AN-DC1 Neck Strap,BM-10 LCD Monitor Cover,BF-1A Body Cap,DK-5 Eyepiece Cap,DK-21 Rubber Eyecup,BS-1 Accessory Shoe Cap,Nikon Software Suite CD-ROM, User Guides and 1-Year Nikon U.S.A. Warranty.
Available Warranties for This Item
Style: With 18-105mm Lens
Customer Reviews
Most Helpful Customer Reviews
898 of 909 people found the following review helpful
5.0 out of 5 stars
Designed for serious shooting, but fun to use! Lots of customizations.
October 20, 2008
By Alan G.
Style Name:With 18-105mm Lens
Several months before the D90 came out, I bought a D60 to hold me over until the D90 was released. Well, I've enjoyed using both cameras, but this one is a huge step up and more suited to an advanced enthusiast, like me. It's a real pleasure to use.
ERGONOMICS - The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It's always ready and it shoots very fast. I love all the direct access buttons; they're easy to press, with good tactile feedback. And since you're not going into the menus as much, you can work faster. It's heavier than the D60, but that's OK. It's still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast "whoosh" than a "click-click". And there are so many internal customizations that you can set it up exactly as you want.
LENS - Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We've really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it's poor image quality. With computer-aided design and new technology, that's not true anymore.
IMAGE QUALITY - I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary - like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job (2010 UPDATE; After using Lightroom the past year, raw conversions are beautiful and far quicker to achieve than Capture NX). When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that's what you like.
LIGHT METER - Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I'd say when it's pushed, it's more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that's a good thing. Another website mentioned a slightly "over-enthusiatic" meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I've used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they've always made perfect sense for the situation. I've never been shocked or puzzled by the output.
LIVE VIEW - is great for the occasional high or low shot. I didn't think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn't use Live View if I were in a rush or trying to get an important shot. It's just a nice little extra.
MOVIE MODE - this is a nice novelty and may be handy in a rare moment, but I'm generally not a video camera person. I'm surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don't have a tripod and I'm just too jittery and uncreative to get good cinema-like results. Moreover, from the little I've tried it, I'm not impressed - there's no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn't purchase the camera for this feature, so I'm not disappointed.
ISO - I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn't an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or I've stabilized the camera in some way).
ACTIVE D-LIGHTING - helps camera to preserve shadow and highlight detail. More important to use when shooting JPG because the exposure has to be right at the time of shooting, when the camera creates the JPG. RAW shooters can always adjust exposure in post processing. Even though I shoot RAW, I usually leave it on Auto so I can double check the exposure details on the LCD screen. It's available in various strengths from Low to Extra High. Again, another great customization.
CONS
-At this price, Nikon should include a robust image editing software, or at least a decent discount on Capture NX2, which works great, but costs extra.
-Kit lens is thick in diameter (67mm). Also, the front glass of the lens seems somewhat exposed, as if it's not recessed that much (it's just enough for a lens cap). I worry that it'll get scratched easily. Good thing Nikon included the lens hood.
AUTOFOCUS TIP - I customized the D90 to autofocus using the AF-L button instead of the shutter release. Now I can focus with one press of my thumb on the AF-L button and shoot with my index finger on the shutter release. This allows me to focus first, let go, then take the shot. Since the subject is already in focus, I can take multiple shots, recompose or go vertical. I'm not forced to continually re-focus for every shot or move the AF point around in the viewfinder. This minimizes AF mishaps on unintentional subjects. And since the VR system remains off until you half-press the shutter (it activates only when you're ready to take the shot, not while you're focusing) you save on battery life as well.
Also, with the D90 set to AF-C mode (continuous autofocus) you can keep a moving subject in focus by holding down the AF-L with your thumb and shooting with your index finger. If the subject becomes still, simply let go of the AF-L button; focusing stops and is locked where you left it. Then shoot when ready. Now your D90 can act as if it's in Single or Continuous AF mode without you having to change settings all the time. This gives you more immediate control over the behavior of the AF system Try it and you won't go back!
SUMMARY - Overall I'm extremely happy with the D90! It's designed for serious shooting, but it's still fun to use; noticeably heavier than the D60, but still not a burden. You do need to be committed to carrying around a solid DSLR in the first place. Once you get used to that, you'll come to appreciate that it's more substantial because it'll be less shaky during shots. Nikon really packed it with a ton of features and customizations. Now I finally have everything I want in a DSLR, without it being overblown and overpriced. I'm actually surprising myself with some really spectacular shots.
If you have your basic photography skills down, you can make any DSLR sing, however, I believe THIS camera, because of its superb sensor and spot-on feature set, can actually help you improve your technique and get better results. You'll take more chances and push yourself farther because now you have the tools (ie. features) to help capture more difficult, more creative shots. And you didn't have to spend $3,000 to get there!
8-MONTH UPDATE: Still love this camera which hasn't lost any of its original excitement. Very reliable - never frustrating. I'm not craving an upgrade - not contemplating a switch to Canon either - I'm perfectly content. Haven't discovered any hidden quirks. In fact, the longer I use it, the more I realize how well engineered it is. The only extras I bought so far were a light monopod and a 50mm 1.8 lens.
ERGONOMICS - The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It's always ready and it shoots very fast. I love all the direct access buttons; they're easy to press, with good tactile feedback. And since you're not going into the menus as much, you can work faster. It's heavier than the D60, but that's OK. It's still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast "whoosh" than a "click-click". And there are so many internal customizations that you can set it up exactly as you want.
LENS - Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We've really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it's poor image quality. With computer-aided design and new technology, that's not true anymore.
IMAGE QUALITY - I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary - like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job (2010 UPDATE; After using Lightroom the past year, raw conversions are beautiful and far quicker to achieve than Capture NX). When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that's what you like.
LIGHT METER - Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I'd say when it's pushed, it's more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that's a good thing. Another website mentioned a slightly "over-enthusiatic" meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I've used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they've always made perfect sense for the situation. I've never been shocked or puzzled by the output.
LIVE VIEW - is great for the occasional high or low shot. I didn't think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn't use Live View if I were in a rush or trying to get an important shot. It's just a nice little extra.
MOVIE MODE - this is a nice novelty and may be handy in a rare moment, but I'm generally not a video camera person. I'm surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don't have a tripod and I'm just too jittery and uncreative to get good cinema-like results. Moreover, from the little I've tried it, I'm not impressed - there's no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn't purchase the camera for this feature, so I'm not disappointed.
ISO - I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn't an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or I've stabilized the camera in some way).
ACTIVE D-LIGHTING - helps camera to preserve shadow and highlight detail. More important to use when shooting JPG because the exposure has to be right at the time of shooting, when the camera creates the JPG. RAW shooters can always adjust exposure in post processing. Even though I shoot RAW, I usually leave it on Auto so I can double check the exposure details on the LCD screen. It's available in various strengths from Low to Extra High. Again, another great customization.
CONS
-At this price, Nikon should include a robust image editing software, or at least a decent discount on Capture NX2, which works great, but costs extra.
-Kit lens is thick in diameter (67mm). Also, the front glass of the lens seems somewhat exposed, as if it's not recessed that much (it's just enough for a lens cap). I worry that it'll get scratched easily. Good thing Nikon included the lens hood.
AUTOFOCUS TIP - I customized the D90 to autofocus using the AF-L button instead of the shutter release. Now I can focus with one press of my thumb on the AF-L button and shoot with my index finger on the shutter release. This allows me to focus first, let go, then take the shot. Since the subject is already in focus, I can take multiple shots, recompose or go vertical. I'm not forced to continually re-focus for every shot or move the AF point around in the viewfinder. This minimizes AF mishaps on unintentional subjects. And since the VR system remains off until you half-press the shutter (it activates only when you're ready to take the shot, not while you're focusing) you save on battery life as well.
Also, with the D90 set to AF-C mode (continuous autofocus) you can keep a moving subject in focus by holding down the AF-L with your thumb and shooting with your index finger. If the subject becomes still, simply let go of the AF-L button; focusing stops and is locked where you left it. Then shoot when ready. Now your D90 can act as if it's in Single or Continuous AF mode without you having to change settings all the time. This gives you more immediate control over the behavior of the AF system Try it and you won't go back!
SUMMARY - Overall I'm extremely happy with the D90! It's designed for serious shooting, but it's still fun to use; noticeably heavier than the D60, but still not a burden. You do need to be committed to carrying around a solid DSLR in the first place. Once you get used to that, you'll come to appreciate that it's more substantial because it'll be less shaky during shots. Nikon really packed it with a ton of features and customizations. Now I finally have everything I want in a DSLR, without it being overblown and overpriced. I'm actually surprising myself with some really spectacular shots.
If you have your basic photography skills down, you can make any DSLR sing, however, I believe THIS camera, because of its superb sensor and spot-on feature set, can actually help you improve your technique and get better results. You'll take more chances and push yourself farther because now you have the tools (ie. features) to help capture more difficult, more creative shots. And you didn't have to spend $3,000 to get there!
8-MONTH UPDATE: Still love this camera which hasn't lost any of its original excitement. Very reliable - never frustrating. I'm not craving an upgrade - not contemplating a switch to Canon either - I'm perfectly content. Haven't discovered any hidden quirks. In fact, the longer I use it, the more I realize how well engineered it is. The only extras I bought so far were a light monopod and a 50mm 1.8 lens.
541 of 551 people found the following review helpful
5.0 out of 5 stars
You can tell the D90 was designed by photographers and not just engineers! Wonderful user interface and image quality!
September 28, 2008
Style Name:Body Only
I am far from a professional photographer, but I take it as seriously as possible while still referring to it as a hobby. I take mostly pictures of people at events and many of my baby son without flash in low light situations.
I had been using a Nikon D40x for 1 year and very early reached my limitation with that camera. The Nikon D40x has very nice image quality, but the camera's interface is not suited for a more serious shooter who wants quick single button or dial access to such shooting parameters such as white balance, shooting mode, metering mode, etc. I also felt very limited by the D40x not having an in-body focus motor that would allow me to use non AF-I/AF-S lenses (which are lenses without the focus motor built-in).
The Nikon D40x limitations were severe enough that I was about to consider purchasing a Canon 40D until the Nikon D90 appeared just in time.
PROS:
1. Fantastic set of separate buttons on the camera to control parameters like ISO, white balance, metering, autofocus, image quality, shooting mode, etc.
2. Two command dials
3. High resolution 920K pixel LCD screen (like the one on the Nikon D300)
4. 12.3 megapixel CMOS sensor
5. Low noise high ISO capability (for low light shooting) I can shoot ISO 1600 with good image quality with this camera, while on my D40x I could only shoot with ISO 400 and obtain acceptable IQ. I will even use ISO 3200 frequently with very usable results!
6. Separate top-viewing LCD screen in addition to the rear high res screen, to show shooting parameters constantly
7. In-body focus motor which allows the use of Nikon's non AF-I/S lenses, including wonderful and CHEAP prime lenses such as the Nikkor 50mm 1.8 (~$100 lens!)
8. Continuous shooting of 4.5 frames per second
9. Small size, although larger than the D40/D40x/D60, it is still substantially smaller in the hand than the D300/D3
10. 720p 24fps MPEG video shooting capability with incredible ability to use depth of field that I cannot achieve with my Sony High-Def camcorder.
11. Eleven auto-focus points (not as nice as the 51 points on the D300, but substantially better than my D40x with its 3 points)
12. GPS option
13. HDMI output
14. Enormous number of options to customize camera and shooting settings to fit your style of shooting
15. Fantastic image quality right out-of-box if you don't want to do any post processing
16. Terrific build quality
17. Top notch camera ergonomics (but this will be a very personal opinion that differs for each shooter)
CONS:
1. "Rolling shutter" phenomenon while recording video: The D90 CMOS sensor has the same problem that other CMOS video recorders have when recording video. If you move the camera, especially horizontally, you get a "jelly" or "rubberbanding" effect where the image wobbles significantly. It is nice to have the video features, which looks very sharp at 720p, but it is NOT a substitute for a video camera. If you use a tripod, and do not do quick zooms/pans, the video quality is excellent. Without a tripod, however, you may get nauseous watching a wobbly video. The sound is also in monoaural.
2. 1/200 flash synch: Not a problem for me, but it might be for you.
3. No weather sealing: This is found on the Nikon D300/D3 and even on similarly priced models from other camera companies
4. The buffer will fill up after about 8 continuous RAW + JPG (FINE) shots. This number differs depending on the shooting parameters that you will choose. If you shoot primarily JPG, the buffer seems to allow a very large number of continuous shots, but I have not quantified this for JPG only.
TIPS:
1. Get the FREE Nikon ViewNX software from Nikon's site as your 1st step in your workflow. This will let you examine your RAW images that you can process for either Nikon CaptureNX2 to do further RAW processing or just export to JPG or TIFF for a JPG/TIFF editor such as PhotoShop.
2. Recommend buying the Nikon CaptureNX2. It is a RAW converter (if you shoot in RAW) that will read the camera settings properly for export to JPG or TIFF. Capture NX2, however, is not as slick as the Adobe products and Capture NX2 requires a fairly powerful computer, otherwise it can run pretty slowly on a PC > 3 years old.
3. If you use JPEGs out-of-camera, consider increasing the sharpness above the default 3 or 4. Nikon uses a very conservative sharpening default setting. Nikon has also decided to change the default JPEG images to match the higher end D3/D700/D300 cameras which produce more neutral images. Consequently, the D90 images that are less punchy than the D40/D40x/D60/D80, so you may also want to turn up the in-camera saturation and contrast.
The Nikon D90 has all of the interface features that serious and even professional photographers need with wonderful image quality.
I had been using a Nikon D40x for 1 year and very early reached my limitation with that camera. The Nikon D40x has very nice image quality, but the camera's interface is not suited for a more serious shooter who wants quick single button or dial access to such shooting parameters such as white balance, shooting mode, metering mode, etc. I also felt very limited by the D40x not having an in-body focus motor that would allow me to use non AF-I/AF-S lenses (which are lenses without the focus motor built-in).
The Nikon D40x limitations were severe enough that I was about to consider purchasing a Canon 40D until the Nikon D90 appeared just in time.
PROS:
1. Fantastic set of separate buttons on the camera to control parameters like ISO, white balance, metering, autofocus, image quality, shooting mode, etc.
2. Two command dials
3. High resolution 920K pixel LCD screen (like the one on the Nikon D300)
4. 12.3 megapixel CMOS sensor
5. Low noise high ISO capability (for low light shooting) I can shoot ISO 1600 with good image quality with this camera, while on my D40x I could only shoot with ISO 400 and obtain acceptable IQ. I will even use ISO 3200 frequently with very usable results!
6. Separate top-viewing LCD screen in addition to the rear high res screen, to show shooting parameters constantly
7. In-body focus motor which allows the use of Nikon's non AF-I/S lenses, including wonderful and CHEAP prime lenses such as the Nikkor 50mm 1.8 (~$100 lens!)
8. Continuous shooting of 4.5 frames per second
9. Small size, although larger than the D40/D40x/D60, it is still substantially smaller in the hand than the D300/D3
10. 720p 24fps MPEG video shooting capability with incredible ability to use depth of field that I cannot achieve with my Sony High-Def camcorder.
11. Eleven auto-focus points (not as nice as the 51 points on the D300, but substantially better than my D40x with its 3 points)
12. GPS option
13. HDMI output
14. Enormous number of options to customize camera and shooting settings to fit your style of shooting
15. Fantastic image quality right out-of-box if you don't want to do any post processing
16. Terrific build quality
17. Top notch camera ergonomics (but this will be a very personal opinion that differs for each shooter)
CONS:
1. "Rolling shutter" phenomenon while recording video: The D90 CMOS sensor has the same problem that other CMOS video recorders have when recording video. If you move the camera, especially horizontally, you get a "jelly" or "rubberbanding" effect where the image wobbles significantly. It is nice to have the video features, which looks very sharp at 720p, but it is NOT a substitute for a video camera. If you use a tripod, and do not do quick zooms/pans, the video quality is excellent. Without a tripod, however, you may get nauseous watching a wobbly video. The sound is also in monoaural.
2. 1/200 flash synch: Not a problem for me, but it might be for you.
3. No weather sealing: This is found on the Nikon D300/D3 and even on similarly priced models from other camera companies
4. The buffer will fill up after about 8 continuous RAW + JPG (FINE) shots. This number differs depending on the shooting parameters that you will choose. If you shoot primarily JPG, the buffer seems to allow a very large number of continuous shots, but I have not quantified this for JPG only.
TIPS:
1. Get the FREE Nikon ViewNX software from Nikon's site as your 1st step in your workflow. This will let you examine your RAW images that you can process for either Nikon CaptureNX2 to do further RAW processing or just export to JPG or TIFF for a JPG/TIFF editor such as PhotoShop.
2. Recommend buying the Nikon CaptureNX2. It is a RAW converter (if you shoot in RAW) that will read the camera settings properly for export to JPG or TIFF. Capture NX2, however, is not as slick as the Adobe products and Capture NX2 requires a fairly powerful computer, otherwise it can run pretty slowly on a PC > 3 years old.
3. If you use JPEGs out-of-camera, consider increasing the sharpness above the default 3 or 4. Nikon uses a very conservative sharpening default setting. Nikon has also decided to change the default JPEG images to match the higher end D3/D700/D300 cameras which produce more neutral images. Consequently, the D90 images that are less punchy than the D40/D40x/D60/D80, so you may also want to turn up the in-camera saturation and contrast.
The Nikon D90 has all of the interface features that serious and even professional photographers need with wonderful image quality.
410 of 417 people found the following review helpful
Style Name:Body Only|Amazon Verified Purchase
There are plenty of reviews out there, and I don't want to be redundant. So here are some helpful points that I had a hard time ferreting out when doing my research before pulling the trigger on this purchase, given that I was upgrading from a D60 and that I am, like many who are reading reviews on this product, not a professional:
1. I owned the D40, then the D60. So this is my third Nikon. I had trouble deciphering how my lenses, purchased for the D40/D60, would behave when used in this new model. The answer is that the D90 handles all of them perfectly. This includes lenses that have the HSM built in (the Hyper Sonic Motor is packaged in the lens, because the D40/D60 range doesn't have a built in auto-focus motor) as well as those with no internal motor. The D90 has an internal focus motor, so all lenses built for Nikon cameras will auto-focus, including the Nikon 50mm f1.8 lens that I had to manually focus in the D60.
2. The D90 is heavier, but certainly not uncomfortable to hold or carry. Weight will not be a discouraging factor in purchasing this camera.
3. The D90 takes different batteries, so any spares you have for the earlier models will not work on it. Battery life is truly outstanding. I am not even going to buy a spare battery.
4. The user interface is completely different from the D40/D60. I found it intuitive however. The functionality is just superb, much easier and more flexible. This is a pro level camera with the ease of use of a high end amateur camera.
5. Live view is a great enhancement. Really.
Overall, there is nothing I can say negative about the D90. It's everything I was hoping it would be, and it's so worth the money to upgrade. I'm selling the D60 for half what I paid - and doing it gladly - because the D90 is worth more than it's being sold for. I absolutely highly recommend it.
I also thought I would offer some lens advice, because I had trouble finding a reviewer that just cut to the chase and said "look, just do this." So, look, just do this: I do NOT recommend the kit lenses that you can obtain bundled with the D90. Get the body only, and buy yourself that Nikon 50mm f1.8 (Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras). It's a no-brainer at the price point, and the images I have already achieved have been just excellent. For the rest of your lenses, I highly recommend Sigma. I own the 18-200 (Sigma 18-200mm f/3.5-6.3 DC Lens for Nikon Digital SLR Cameras), the 10-20 (Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Nikon Digital SLR Cameras), and the 150-500 (Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras). I cannot say enough positive things about the quality of the lenses or the images. Pack the 50mm and the 18-200 superlens for normal occasions. If you can stand the extra weight, you absolutely cannot go wrong with the 10-20 for landscapes, it just pulls in everything and the quality is shocking. The 150-500 is enormous, you are not going to want to carry that thing around, but when you need it, you really need it. I captured images of my son playing in a soccer game that blew me away; could not have gotten the shots without the big lens. Get the lenses in the order I have specified if you cannot afford them all.
I have just learned all this over the past 2 years. I am no expert but I have discovered the joy of capturing great images that you just cannot get from a point-and-shoot. I think once you see the quality you can achieve with a better camera, you will be thrilled with the decision to spend the money and the energy. And Nikon has truly produced the best camera at this price point in the world. It's a pro camera with an amateur price and it's very easy to use. Words really don't do it justice; you need to experience it to understand.
Any questions, please send me a comment. Happy to help!
Update - 16 Jul 2009:
I have now taken well over 4,000 images with the D90 and can confirm that it's still all I had hoped it would be. Every time I think of something I wish I could adjust, I find that the D90 has the adjustment capability in the menu somewhere. The active D-lighting is spectacular. The noiseless photos in low-light conditions have blown me away. I don't see myself upgrading from this camera for a very long time. My technique for most situations has become as follows: snap a few images using the Auto settings. Then switch to full manual and start playing with the depth of field by adjusting ISO, aperture, and shutter speed to fit the situation. Half the time, the Auto photos are so good that I can't do much to top them in manual mode!
Update - 20 Jan 2010:
Over 10,000 photos taken with my D90. No new lenses purchased since last update. I have yet to find a situation the D90 cannot handle deftly. Over Christmas, I took a family photo of my wife's entire extended family, over 40 people involved. It was indoors, at night, with only weak overhead lights and the lights from the Christmas tree behind the group. I used an ISO of 3500, my small Nikon 50mm lens at 1.8 aperture, and my remote control (so I could be in the photo too!) Under these low light conditions, with no flash, I was able to capture 50 images in a very short time, and miraculously got several with everyone smiling and no one blinking, and out of these one was perfect! The group included several young kids who hate standing still, to name one challenge! The output was startling; in the natural light, its almost ethereal. I'm the new family hero. The reality is that this single photo is irreplaceable and worth more than the camera and lens. It could not have been accomplished with a lesser camera/lens combination, including the previous Nikons I have owned. I would venture to say that no other camera in the price range could touch what I did with the D90 in this situation. Over and over, the camera proves its worth to me. In the end, what is one fabulous photograph of your child, your vacation, or your life's important events worth?
Update - 27 April 2010:
I noticed that I forgot to mention another very useful addition to the D90 - the remote control. This device allows you to remotely trigger the shutter and I find I use it for group shots much more often than the timer, especially because I can trigger multiple shots without returning to the camera. It's very inexpensive and small (I keep it in the little pouch that it comes with, threaded into the strap, so it's always there when I need it.) Here is the item: Nikon ML-L3 Wireless Remote Control for Nikon D40, D40x, D60, D80 & D90 Digital SLR Cameras. Highly recommended!
Update - 13 May 2010:
My D90 was stolen two weeks ago. What a bummer. Anyhow, I decided to upgrade to the D700, but not because there's anything wrong with the D90. I loved it. The D700 has the FX size sensor, whereas the D90 has the DX size sensor, which is smaller. The real benefit of the FX sensor is better sensitivity, meaning higher shutter speeds at a given aperture. Of course, the D700 is more sophisticated in nearly every way, but it's also heavier and more complex to operate. It's also over $2,000 for the body only. I sprang for it. But even so, after considering carefully all the current offerings, my conclusion is that for the money, there is still no better camera than the D90.
Update - 15 Feb 2011:
I highly recommend Thom Hogan's "Complete Guide" series for the Nikon D90 (and for any other Nikons). I bought the one for the D700 and it's just incredibly useful, way more easy to understand and more thorough than the Nikon documentation. It's really essential reading; you get the why, not just the how, and practical advice on settings you should use for different situations. Thom really helped me understand why it's worth shooting in RAW (I now onluy shoot in RAW), and what tradeoffs are worth making and when (ISO vs shutter speed vs aperture). You can only get them off his website so google it. bythom dot com is the address BTW. (I don't know the guy and am not getting a kickback, I swear!!!!)
Also, I'm really enjoying having a good quality wide angle zoom, anyone who hasn't obtained one yet for their setup, I think you ought to look into it closely. I find myself using it more and more.
1. I owned the D40, then the D60. So this is my third Nikon. I had trouble deciphering how my lenses, purchased for the D40/D60, would behave when used in this new model. The answer is that the D90 handles all of them perfectly. This includes lenses that have the HSM built in (the Hyper Sonic Motor is packaged in the lens, because the D40/D60 range doesn't have a built in auto-focus motor) as well as those with no internal motor. The D90 has an internal focus motor, so all lenses built for Nikon cameras will auto-focus, including the Nikon 50mm f1.8 lens that I had to manually focus in the D60.
2. The D90 is heavier, but certainly not uncomfortable to hold or carry. Weight will not be a discouraging factor in purchasing this camera.
3. The D90 takes different batteries, so any spares you have for the earlier models will not work on it. Battery life is truly outstanding. I am not even going to buy a spare battery.
4. The user interface is completely different from the D40/D60. I found it intuitive however. The functionality is just superb, much easier and more flexible. This is a pro level camera with the ease of use of a high end amateur camera.
5. Live view is a great enhancement. Really.
Overall, there is nothing I can say negative about the D90. It's everything I was hoping it would be, and it's so worth the money to upgrade. I'm selling the D60 for half what I paid - and doing it gladly - because the D90 is worth more than it's being sold for. I absolutely highly recommend it.
I also thought I would offer some lens advice, because I had trouble finding a reviewer that just cut to the chase and said "look, just do this." So, look, just do this: I do NOT recommend the kit lenses that you can obtain bundled with the D90. Get the body only, and buy yourself that Nikon 50mm f1.8 (Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras). It's a no-brainer at the price point, and the images I have already achieved have been just excellent. For the rest of your lenses, I highly recommend Sigma. I own the 18-200 (Sigma 18-200mm f/3.5-6.3 DC Lens for Nikon Digital SLR Cameras), the 10-20 (Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Nikon Digital SLR Cameras), and the 150-500 (Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras). I cannot say enough positive things about the quality of the lenses or the images. Pack the 50mm and the 18-200 superlens for normal occasions. If you can stand the extra weight, you absolutely cannot go wrong with the 10-20 for landscapes, it just pulls in everything and the quality is shocking. The 150-500 is enormous, you are not going to want to carry that thing around, but when you need it, you really need it. I captured images of my son playing in a soccer game that blew me away; could not have gotten the shots without the big lens. Get the lenses in the order I have specified if you cannot afford them all.
I have just learned all this over the past 2 years. I am no expert but I have discovered the joy of capturing great images that you just cannot get from a point-and-shoot. I think once you see the quality you can achieve with a better camera, you will be thrilled with the decision to spend the money and the energy. And Nikon has truly produced the best camera at this price point in the world. It's a pro camera with an amateur price and it's very easy to use. Words really don't do it justice; you need to experience it to understand.
Any questions, please send me a comment. Happy to help!
Update - 16 Jul 2009:
I have now taken well over 4,000 images with the D90 and can confirm that it's still all I had hoped it would be. Every time I think of something I wish I could adjust, I find that the D90 has the adjustment capability in the menu somewhere. The active D-lighting is spectacular. The noiseless photos in low-light conditions have blown me away. I don't see myself upgrading from this camera for a very long time. My technique for most situations has become as follows: snap a few images using the Auto settings. Then switch to full manual and start playing with the depth of field by adjusting ISO, aperture, and shutter speed to fit the situation. Half the time, the Auto photos are so good that I can't do much to top them in manual mode!
Update - 20 Jan 2010:
Over 10,000 photos taken with my D90. No new lenses purchased since last update. I have yet to find a situation the D90 cannot handle deftly. Over Christmas, I took a family photo of my wife's entire extended family, over 40 people involved. It was indoors, at night, with only weak overhead lights and the lights from the Christmas tree behind the group. I used an ISO of 3500, my small Nikon 50mm lens at 1.8 aperture, and my remote control (so I could be in the photo too!) Under these low light conditions, with no flash, I was able to capture 50 images in a very short time, and miraculously got several with everyone smiling and no one blinking, and out of these one was perfect! The group included several young kids who hate standing still, to name one challenge! The output was startling; in the natural light, its almost ethereal. I'm the new family hero. The reality is that this single photo is irreplaceable and worth more than the camera and lens. It could not have been accomplished with a lesser camera/lens combination, including the previous Nikons I have owned. I would venture to say that no other camera in the price range could touch what I did with the D90 in this situation. Over and over, the camera proves its worth to me. In the end, what is one fabulous photograph of your child, your vacation, or your life's important events worth?
Update - 27 April 2010:
I noticed that I forgot to mention another very useful addition to the D90 - the remote control. This device allows you to remotely trigger the shutter and I find I use it for group shots much more often than the timer, especially because I can trigger multiple shots without returning to the camera. It's very inexpensive and small (I keep it in the little pouch that it comes with, threaded into the strap, so it's always there when I need it.) Here is the item: Nikon ML-L3 Wireless Remote Control for Nikon D40, D40x, D60, D80 & D90 Digital SLR Cameras. Highly recommended!
Update - 13 May 2010:
My D90 was stolen two weeks ago. What a bummer. Anyhow, I decided to upgrade to the D700, but not because there's anything wrong with the D90. I loved it. The D700 has the FX size sensor, whereas the D90 has the DX size sensor, which is smaller. The real benefit of the FX sensor is better sensitivity, meaning higher shutter speeds at a given aperture. Of course, the D700 is more sophisticated in nearly every way, but it's also heavier and more complex to operate. It's also over $2,000 for the body only. I sprang for it. But even so, after considering carefully all the current offerings, my conclusion is that for the money, there is still no better camera than the D90.
Update - 15 Feb 2011:
I highly recommend Thom Hogan's "Complete Guide" series for the Nikon D90 (and for any other Nikons). I bought the one for the D700 and it's just incredibly useful, way more easy to understand and more thorough than the Nikon documentation. It's really essential reading; you get the why, not just the how, and practical advice on settings you should use for different situations. Thom really helped me understand why it's worth shooting in RAW (I now onluy shoot in RAW), and what tradeoffs are worth making and when (ISO vs shutter speed vs aperture). You can only get them off his website so google it. bythom dot com is the address BTW. (I don't know the guy and am not getting a kickback, I swear!!!!)
Also, I'm really enjoying having a good quality wide angle zoom, anyone who hasn't obtained one yet for their setup, I think you ought to look into it closely. I find myself using it more and more.
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