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Nikon D7000 Digital SLR: Hands-on preview by dpreview.com
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Product Description
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From the Manufacturer
You’ll see exactly what you’re capturing with the approx. 100% frame coverage viewfinder, and for those who want to shoot both stills and movies, the D7000’s D-Movie capabilities now include Full HD 1080p capture with full-time autofocus and manual exposure. All of this advanced imaging technology is kept safe beneath the magnesium alloy covering the top and rear chassis of a compact body, whose sealing has been severely tested against moisture and dust. The D7000 is ready to shoot indoors and out, and at 150,000 cycles tested, the camera’s durable shutter unit helps you keep shooting. Combine all this with the unmatched NIKKOR lens lineup and Creative Lighting System and you have everything you need to explore your imagination to its fullest. Where can creative freedom like this take you? Find out, with the D7000.
D7000 Highlights
Stunning image details: 16.2 effective megapixels
Whether you want to make large prints or crop tightly in an image, the D7000 delivers the resolution you need. At its heart is a DX-format CMOS image sensor with 16.2 effective megapixels, optimally engineered to gather more quality light through sharp NIKKOR lenses. Coupled with 14-bit A/D conversion (12-bit selectable), the D7000 produces stunning images that are richer in tone and detail than previously possible in DX format. The A/D conversion happens within the sensor, thereby maintaining exceptional image integrity without sacrificing shooting speed or energy efficiency. Combine these with the agile DX format and its signature 1.5x focal length telephoto potential and you can begin to see where this kind of shooting power can take you.
Improved image quality and speed: EXPEED 2 image processing engine
Sometimes you want to capture the subtle tones of a sunset. Other times you want to freeze the action. The D7000 delivers both, thanks to the newest generation of image processing engine, EXPEED 2, which performs multiple tasks with more speed and power. Expect smoother tonal gradations, even in difficult shadows and highlights, for a greater sense of depth in your images. Shoot continuously at 6 frames per second so you can capture the action you’ve been missing. Focusing performance such as face recognition in Live View mode is also further improved, letting you concentrate on your composition.
Standard ISO 100 to 6400, expandable to ISO 25600 equivalent
With improved pixel quality of the image sensor comes a wider ISO range from the DX-format — ISO 100 to 6400 has now become standard with the D7000, enabling you to handle a wider range of lighting situations: from the bright and sunny outdoors to low-lit evenings and interiors. Nikon’s renowned noise reduction technology has been upgraded even further. Throughout the range, the D7000 delivers sharp images with minimized color noise. And thanks to the higher processing speed, even when High ISO noise reduction is activated, you can keep shooting continuously without stress. Quality high-ISO performance can also enhance a lot for movie shooting, allowing you to capture the mood of a scene using only available light.
Capture Full HD 1080p D-Movie with full-time autofocus and manual exposure
The D7000 welcomes in a new era of movie capture: Full HD 1080p and movie editing functions for exceptional cinematic reproduction and quality. In addition to smooth-moving images, the camera can compensate for distortion and other image-degrading problems. Besides auto exposure mode, the D7000 offers manual exposure mode, which locks in the exposure value when shooting scenes with varying contrast levels, such as when panning from a bright window to a dark interior. Aside from a built-in monaural microphone, the D7000 incorporates an external microphone jack for high-quality stereo sound recording options.
Improved quality in highlight and shadow: Active D-Lighting
Nikon’s exclusive Active D-Lighting offers the ability to preserve details in the highlights and shadowy areas of images shot in high-contrast scenes.
Whether you’re dealing with bright skies and a dark foreground or deep shadows where you can’t use a flash, the EXPEED 2 image processing engine renders those scenes with smoother tones — even at its highest settings. Simply select Auto in Active D-Lighting mode and the camera can adjust to the scene’s contrast levels or bracket them into three frames of varying strength levels. Even when Active D-Lighting is activated, you can still maintain the continuous shooting rate.
Now even more precise: The Scene Recognition System
The D7000 incorporates a built-in exposure-metering sensor with a far larger pixel count than any other D-SLR camera before it. The 2,016-pixel RGB sensor reads the scene’s brightness and colors more accurately, and then applies this reading to optimize not only exposure, but also autofocus, white balance and i-TTL flash calculations — all in mere milliseconds prior to the actual exposure. With more pixels, the D7000 can recognize even smaller subjects — both moving and stationary. The newly improved Scene Recognition System delivers better photographs in every way.
Wide-area coverage, powerful 39-point AF
The D7000’s strategically positioned 39 AF points cover a significantly wide area of the frame, giving you flexible compositional possibilities. The nine AF points in the center utilize powerful cross-type sensors — especially useful when you need tack-sharp focus such as with portraits and macro work. And unlike other manufacturers’ systems, the D7000’s nine cross-type sensors work with all AF NIKKOR lenses f/5.6 or faster. The D7000 offers a variety of AF area modes, including dynamic-area AF using 9, 21, 39 points. Switch between the three, depending on the predictability of your subjects’ movement, and the selected AF point and surrounding points will track your intended subject automatically.
There is also 3D tracking, which continuously follows moving subjects within the 39 AF points, indicating the activated AF point in the viewfinder. Utilizing Nikon’s Scene Recognition System, Auto-area AF properly judges the main subject within 39 AF points and focuses on it. Therefore, no matter what the situation or composition calls for, the D7000’s autofocus system will be ready to meet your focus needs.
39-point AF & 2,016-pixel RGB sensor
Stay focused on what matters most.
Sophisticated AE with highlight analysis
After the incredibly accurate 2016-pixel RGB sensor reads a scene’s lighting information such as brightness and colors, the D7000 cross-references what it sees with imaging data from 30,000 real-world shooting situations. This way, the renowned 3D Color Matrix Metering II delivers exposure results that are faithful to how you see light and shadow interplay, even in difficult lighting situations. This intelligent metering technique also delivers exceptionally accurate i-TTL flash exposures, and it all happens within milliseconds for both speed and precision.
Informed auto white balance (AWB)
Based on its massive collection of shooting data compiled from various light sources, the D7000’s intelligent AWB algorithm renders white as truly white — even when shot under a wide range of light sources, including the difficult mercury vapor lighting. The D7000 also carries another AWB mode that maintains incandescent warmth in your images.
Contrast AF for live view and D-Movie
Live View and D-Movie users can rejoice, because with the D7000, face-priority AF is now faster and more powerful than ever. Up to 35 people can be. For moving subjects such as pets, subject-tracking AF keeps them in focus. Normal-area AF is recommended for pinpoint focus and wide-area AF for handheld shooting. All are effective both for Live View shooting and movie recording.
6 Frames Per Second Shooting up to 100 Images
Say farewell to missed opportunities. The D7000 incorporates a new driving mechanism to conduct its remarkably fast and precise mirror movements, giving you an approx. 0.052 second release time lag and an approx. 0.13 second start-up time. What’s more, you can continuously shoot at approx. 6 frames per second at both 14-bit and 12-bit A/D conversion for RAW shooting.
 | Rugged and protected: compact magnesium alloy body and sealing against dust and moisture With a top and rear cover of durable magnesium alloy, the D7000 is ready for the outdoors. Nikon engineers paid meticulous attention to where exterior parts join by employing durable sealing against moisture and dust. The compact body has also undergone severe environmental tests to prove its rugged reliability. |
 | Approx. 100% frame coverage viewfinder With approximately 100% frame coverage in the viewfinder, what you see is what you exactly capture. The specially coated glass pentagonal prism and precision-crafted finder screen offer not only a bright viewfinder image, but also enable you to easily confirm when a subject is in focus. |
 | Precision and durability: 150,000 cycles tested shutter unit The D7000 has a shutter speed range of 1/8000 to 30 seconds, with a top flash synchronization speed of 1/250 second. And just like with professional models, the shutter unit is tested for 150,000 cycles in severe conditions, proving precision and durability. |
 | Intuitive operation: strategically located dials, buttons and switches Each and every control on the D7000 has been strategically placed for streamlined operation. The exposure mode dial and release mode dial are stacked on the same axis for easier access. Two new user settings can be assigned to the exposure mode dial. The release mode dial now offers a quiet shutter release mode for near-silent operation and one-touch Live View and movie recording are now possible, thanks to a newly designed switch and button structure. |
| 921k-dots, 170-degree viewing angle, 3-inch LCD monitor The D7000 features an expansive 3-inch VGA LCD monitor with reinforced glass. Its approx. 921k-dot resolution assures clear, detailed display of images, which proves invaluable when confirming focus or assessing image sharpness. The wide 170° viewing angle and bright display make it easy to review images or confirm menu settings when shooting outdoors. Electronic Virtual Horizon Especially useful for landscape shooting, the virtual horizon indicated in the LCD lets you know when the camera is level. The virtual horizon can also be displayed during Live View shooting. Twin SD card slots (cards not included) Two memory card slots offer a number of advantages: sequential recording; recording the same images simultaneously on two cards; recording RAW and JPEG separately onto two different cards; and duplicating images from one card to another. It’s also possible to designate a specific card with more memory for use at the time of movie recording. |  |
Intelligent power management
After carefully scrutinizing every aspect of the camera’s circuitry, Nikon engineers have designed the D7000 for maximum performance with minimized power usage. With the newly designed Rechargeable Li-ion Battery EN-EL15, 1,050 frames* can be taken on a single charge.
*With EN-EL15, based on CIPA standards.
 | Nikon Creative Lighting System The D7000 has a built-in pop-up flash that covers a 16mm lens perspective without vignetting. The flash is fully compatible with the Nikon Creative Lighting System (CLS) and delivers well-balanced flash exposures thanks to the innovative i-TTL flash control. The built-in flash also offers Commander mode to trigger remote flash units when using Advanced Wireless Lighting. The dual advantages for i-TTL technology and wireless capability make sophisticated remote flash control simple and inspiring. One simple remote flash from the side using the SB-900, SB-700 or SB-600 creates more texture, dimension and mood in ways that available light cannot. For more sophisticated creative effects, the small and intelligent SB-700 has been designed to make the control of remote multiple flashes even easier. |
Picture Control: Portrait
You can transform the look of an image simply by selecting from the camera’s Picture Control menu. Choose from the following settings: Standard, Neutral, Vivid, Monochrome, Landscape, and Portrait. You can even adjust parameters such as sharpness and saturation and then save them as Custom Picture Controls.
Optional Multi-Power Battery Pack MB-D11
The dedicated battery pack MB-D11 ensures longer battery power. You can expect more than 2,010 shots*. The MB-D11 is equipped with a shutter release button, command dials and a multi-selector useful for vertical composition shooting. It also provides better camera balance when a long telephoto lens is used.
*With two EN-EL15 (one in camera and one in MB-D11), based on CIPA standards
ViewNX 2 — Your imaging toolbox
Browse and organize images easily and efficiently with ViewNX 2. This bundled, all-in-one software helps you view, edit, store, and share both photos and movies. Attach labels to your images for simpler searching and browsing, or choose from an array of editing functions such as resize, crop, rotate, straighten and auto red-eye correction. You can even delete scenes from movies taken with your D7000. ViewNX 2 also works effortlessly with Nikon’s photo-sharing website, my Picturetown, making uploading and viewing your images more enjoyable than ever.
Product Description
Meet the new Nikon D7000, a camera ready to go wherever your photography or cinematography takes you. Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16-megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera’s 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor. And with an approx. 0.052-second release time lag and approx. 6 frames-per-second shooting, you won’t miss a moment.
Recording Media: The camera records images on Secure Digital (SD) memory cards up to 2 GB in size, SDHC memory cards up to 32 GB, and SDXC cards up to 64 GB. No SD cards are included with the camera.
Supplied Accessories:
Recording Media: The camera records images on Secure Digital (SD) memory cards up to 2 GB in size, SDHC memory cards up to 32 GB, and SDXC cards up to 64 GB. No SD cards are included with the camera.
Supplied Accessories:
- Rechargeable Li-ion Battery
- QuickCharger
- Eyepiece Cap
- Rubber Eyecup
- USB Cable
- Audio Video Cable
- Camera Strap
- LCD Monitor Cover
- Body Cap
- Accessory Shoe Cover
- 2 CD-ROM
Available Warranties for This Item
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Customer Reviews
Most Helpful Customer Reviews
1,131 of 1,151 people found the following review helpful
By jpullos
Style Name:Body Only
I am a photography teacher in NYC and online. (See my Amazon profile for my website.) I teach beginner and intermediate photography students every week. I've also been a professional photographer for the last five years with images published in The New York Times, GQ, New York Magazine, Women's Wear Daily, The New York Observer, The Village Voice and Time Out New York.
(This review is for beginner photographers.)
If you're a beginner, you're most likely asking yourself: Nikon or Canon? Really, I feel confident in saying that you can't go wrong with either. I've used both brand's cameras extensively and find that they both offer amazing image quality with well-built, solid cameras that, if taken care of, will last decades. There are two differences between the cameras, though, that can be taken into consideration.
The user-interface: If cameras were computers, Nikons would be PCs and Canons would be MACs. PCs are built for people not afraid of technology whereas Macs are built for people who want things super-easy. Nikons excel at customization options which means you'll see so many more options with the Advanced features of a Nikon than you will with a Canon. Canons, on the other hand, excel at ease-of-use for beginners. Canons offer less advanced options and can be easier to learn on. This can be frustrating down the line, though, once you've learned a lot about photography. At that point you may want all of the options that Nikon offers and be frustrated with your Canon. If you're someone who really likes to delve deep into your hobbies or if you're intent on becoming a professional photographer, I'd say a Nikon would be your best bet. If you're someone who wants to learn the basics of photography and only imagine yourself being a hobbyist, Canon would be a better option for you.
Where Nikon excels: Flash photography. I often find myself in situations where I'm shooting event photography (weddings, movie premiers, benefits and galas) where I need to use a lot of flash. For this kind of photography, I'll always prefer to be shooting with a Nikon. Nikon's flash metering (how the camera magically decides how much light to fire out of the flash) is much more consistent than Canon's. You can take a Canon and shoot the same scene three times in a row with flash and all three images will be at different brightness levels. You can do the same thing with a Nikon and all three images will be wonderfully the same. If you're somebody who plans on shooting a lot with flash (indoor photography, event photography, etc.) you'll want to consider going with Nikon.
Where Canon excels: Richness of colors. I've been in numerous situations where I've been on the red carpet taking the exact same picture as the photographer next to me. I'll have a Canon and the person next to me will have a Nikon. This has provided quite a few opportunities to compare the images side-by-side. What I've found is that the colors on the Canon's images look richer and make the image pop more. If I'm doing fine art photography (anything I'd like to someday hang in a gallery), I'll always want to be shooting with a Canon for this reason.
If you're set on Nikon, there are three cameras you should be considering and it all comes down to what your budget is:
D7000 $1,400 without lens
D5100 $750 without lens
D3100 $600 only available with lens
(current prices as of 2/19/11)
Here's what you get for spending extra money (each camera compared to the one below it):
D3100 vs. D5100:
The D3100 is an EXCELLENT camera so if you only have $550 to spend total on camera and lens then go out and buy this camera. You won't regret it. If you're considering spending more money, here's what you'll get from the D5100 in comparison:
-Better performance in low light situations.
-A higher resolution screen on the back of the camera so you can see your images more clearly and make out if they actually turned out well.
-An external mic jack. (If you're planning on shooting video with an external mic, you'll want the D5100 over the D3100.)
-A flip out screen (handy if you want to put your camera anywhere but at your eye level and be able to see what your camera is about to capture before you shoot it)
-Faster continuous shooting. If you're often shooting sports or any fast moving subject, continuous shooting allows you to capture multiple images in a single second. The D3100 shoots at three frames per second whereas the D5100 shoots at four frames per second.
-Higher ISO options. The D5100 offers one more stop of ISO than the D3100 does. If you don't know what ISO means (or what a stop is) just know that this allows you to more easily shoot images in low-light situations.
-Longer battery life. The D5100's battery will last 20% longer than the D3100
The two advantages of the D3100 over the D5100 are: less expensive and less weight. Whenever a camera is less expensive, it means you'll have more in your budget for the lens. The D3100 weighs 10% lighter and is 10% smaller than the D5100.
D5100 vs. D7000:
The D5100 is Nikon's latest and greatest and is even newer than the D7000. Phenomenal camera! If you're stuck, though, between the D5100 and the D7000, here's what you'll get by spending more money on the D7000:
-More focus points. When using auto-focus, the D7000 will have an easier time focusing on what you want it to focus on.
-60% longer lasting batteries.
-Faster continuous shooting. If you're often shooting sports or any fast moving subject, continuous shooting allows you to capture multiple images in a single second. The D5100 shoots at four frames per second whereas the D7000 shoots at six frames per second.
-Weather sealed. This means you can shoot with the D7000 in the rain.
-Two memory card slots. This is really a cool feature. The D7000 has two memory card slots which means you'll be less likely to find yourself standing in front of a gorgeous scene with no more memory left.
-Faster shutter speed. The fastest shutter speed on the D5100 is 1/4000th of a second; on the D7000: 1/8000th of a second. To be honest, I can't think of any practical reason why this would benefit you unless you're planning on shooting some really bright scenes like directly into the sun.
Advantages of the D5100 over the D7000:
-A flip out screen (handy if you want to put your camera anywhere but at your eye level and be able to see what your camera is about to capture before you shoot it)
-Smaller and lighter: The D5100 is 10% smaller and 30% lighter than the D7000. This is something to consider if you plan on carrying your camera around with you a lot.
-Less expensive so you can spend more on your lens!
If I can clarify any of this, please email me!
-JP Pullos, photography teacher, NYC and online (see my Amazon profile for my website)
(This review is for beginner photographers.)
If you're a beginner, you're most likely asking yourself: Nikon or Canon? Really, I feel confident in saying that you can't go wrong with either. I've used both brand's cameras extensively and find that they both offer amazing image quality with well-built, solid cameras that, if taken care of, will last decades. There are two differences between the cameras, though, that can be taken into consideration.
The user-interface: If cameras were computers, Nikons would be PCs and Canons would be MACs. PCs are built for people not afraid of technology whereas Macs are built for people who want things super-easy. Nikons excel at customization options which means you'll see so many more options with the Advanced features of a Nikon than you will with a Canon. Canons, on the other hand, excel at ease-of-use for beginners. Canons offer less advanced options and can be easier to learn on. This can be frustrating down the line, though, once you've learned a lot about photography. At that point you may want all of the options that Nikon offers and be frustrated with your Canon. If you're someone who really likes to delve deep into your hobbies or if you're intent on becoming a professional photographer, I'd say a Nikon would be your best bet. If you're someone who wants to learn the basics of photography and only imagine yourself being a hobbyist, Canon would be a better option for you.
Where Nikon excels: Flash photography. I often find myself in situations where I'm shooting event photography (weddings, movie premiers, benefits and galas) where I need to use a lot of flash. For this kind of photography, I'll always prefer to be shooting with a Nikon. Nikon's flash metering (how the camera magically decides how much light to fire out of the flash) is much more consistent than Canon's. You can take a Canon and shoot the same scene three times in a row with flash and all three images will be at different brightness levels. You can do the same thing with a Nikon and all three images will be wonderfully the same. If you're somebody who plans on shooting a lot with flash (indoor photography, event photography, etc.) you'll want to consider going with Nikon.
Where Canon excels: Richness of colors. I've been in numerous situations where I've been on the red carpet taking the exact same picture as the photographer next to me. I'll have a Canon and the person next to me will have a Nikon. This has provided quite a few opportunities to compare the images side-by-side. What I've found is that the colors on the Canon's images look richer and make the image pop more. If I'm doing fine art photography (anything I'd like to someday hang in a gallery), I'll always want to be shooting with a Canon for this reason.
If you're set on Nikon, there are three cameras you should be considering and it all comes down to what your budget is:
D7000 $1,400 without lens
D5100 $750 without lens
D3100 $600 only available with lens
(current prices as of 2/19/11)
Here's what you get for spending extra money (each camera compared to the one below it):
D3100 vs. D5100:
The D3100 is an EXCELLENT camera so if you only have $550 to spend total on camera and lens then go out and buy this camera. You won't regret it. If you're considering spending more money, here's what you'll get from the D5100 in comparison:
-Better performance in low light situations.
-A higher resolution screen on the back of the camera so you can see your images more clearly and make out if they actually turned out well.
-An external mic jack. (If you're planning on shooting video with an external mic, you'll want the D5100 over the D3100.)
-A flip out screen (handy if you want to put your camera anywhere but at your eye level and be able to see what your camera is about to capture before you shoot it)
-Faster continuous shooting. If you're often shooting sports or any fast moving subject, continuous shooting allows you to capture multiple images in a single second. The D3100 shoots at three frames per second whereas the D5100 shoots at four frames per second.
-Higher ISO options. The D5100 offers one more stop of ISO than the D3100 does. If you don't know what ISO means (or what a stop is) just know that this allows you to more easily shoot images in low-light situations.
-Longer battery life. The D5100's battery will last 20% longer than the D3100
The two advantages of the D3100 over the D5100 are: less expensive and less weight. Whenever a camera is less expensive, it means you'll have more in your budget for the lens. The D3100 weighs 10% lighter and is 10% smaller than the D5100.
D5100 vs. D7000:
The D5100 is Nikon's latest and greatest and is even newer than the D7000. Phenomenal camera! If you're stuck, though, between the D5100 and the D7000, here's what you'll get by spending more money on the D7000:
-More focus points. When using auto-focus, the D7000 will have an easier time focusing on what you want it to focus on.
-60% longer lasting batteries.
-Faster continuous shooting. If you're often shooting sports or any fast moving subject, continuous shooting allows you to capture multiple images in a single second. The D5100 shoots at four frames per second whereas the D7000 shoots at six frames per second.
-Weather sealed. This means you can shoot with the D7000 in the rain.
-Two memory card slots. This is really a cool feature. The D7000 has two memory card slots which means you'll be less likely to find yourself standing in front of a gorgeous scene with no more memory left.
-Faster shutter speed. The fastest shutter speed on the D5100 is 1/4000th of a second; on the D7000: 1/8000th of a second. To be honest, I can't think of any practical reason why this would benefit you unless you're planning on shooting some really bright scenes like directly into the sun.
Advantages of the D5100 over the D7000:
-A flip out screen (handy if you want to put your camera anywhere but at your eye level and be able to see what your camera is about to capture before you shoot it)
-Smaller and lighter: The D5100 is 10% smaller and 30% lighter than the D7000. This is something to consider if you plan on carrying your camera around with you a lot.
-Less expensive so you can spend more on your lens!
If I can clarify any of this, please email me!
-JP Pullos, photography teacher, NYC and online (see my Amazon profile for my website)
1,194 of 1,257 people found the following review helpful
Style Name:Body Only
This is very simple, if you are a Nikon shooter looking for a new camera then stop reading and buy this camera. It's that good.
Handling
This camera is brilliant to hold and use. Nikon has done it again and has made the user interface more usable and streamlined. What to change flash modes. Press the flash pop-up button and rotate the control wheel. Sweet. Want to change create and use a User defined mode? There are two. Set your mode up. Go to the menu and save it. To use it rotate the shooting mode dial to U1 or U2. Presto you are there. In the D300 and D700 you to have to setup things in the menu and switch in the menu. Also, there were 2 sets of things you could change and they were not all inclusive. It was all horribly confusing and I never used it. Speaking of shooting modes. There is now one position on the shooting mode dial for scene mode shooting. You change through the different scene modes with the control wheel and the type scene shows up on the back screen. Sweet. I can go on and on but needless to say Nikon have really improved their interface. One caveat, I don't think it is quite up to par with the GH1 to change exposure compensation (IMO the most important control) but still a huge step in the correct direction in handling. I like the handling of the D7000 better than either the D700/300.
Low Light Shooting
The D300 wasn't that great for Hi ISO. It shoots clean at 400 ISO and usable up to 1600. (The D90 and D300s were better) The D700 was fantastic. Clean at 1600 ISO and usable up to 6400. It opened up new worlds. The D7000 is close to the equal of the D700. Enough said. Just to give you an example. The bouquet toss at a reception is often done in poor light. By using 1600 instead of 400 you get the equivalent of 4 times more light. At ISO400 you flash may need to use 1/4 power and you can get 1 maybe 2 shots of the toss and catch before the flash needs to recharge. At ISO1600 your flash would only need to use 1/16th power and now you can get 5-6 shots. This is huge.
Picture Quality
Like all modern DSLRs it takes great pictures. I don't pixel peep so I can't really say that I notice a difference between the pictures from the D7000 and any of my 12mp cameras. It makes really nice pictures and that is all I care about.
Useful Photography Features (Not Marketing Features)
--100% view finder! Big bright with 100% coverage. No more guessing of your framing. (It is not as bright as the D700. However, it is 100% vice 95%)
--2 SD slots - When your getting paid to shoot a wedding or any gig, my card broke is not an excuse. Very useful feature. For the home user put two smaller cards rather than one big card and save some money.
--Smaller and lighter than D300, D700, D3s, D3x- When you stand on your feet for 9 hours shooting the wedding and reception, you start to feel every ounce you are carrying. Often you will be carrying two bodies with a fast tele zoom and fast wide zoom. That starts to get heavy. Light weight here we come.
--2016-Segment RGB Meter- for spot on exposure and white balance--No one touches Nikon on this and this one is fantastic.
--1/8000th -- Very useful for shooting into the sun wide open with a bright lens
--1/250 -- Could be better (1/500th for D40) but could be much worse. Auto FP helps.
--Magnesium body and better sealing -- Shoot in dusty environments without messing up the inside your camera.
--Uses the ML-L3 infra red remote -- Small and cheap. IR sensor on the front and back of the camera.
--Autofocus focus motor for non-AF-S lenses
Marketing Features that will sometimes be Useful
--16Mp -- Nikon was obviously getting creamed in the marketing wars on this. This is going to lead to bigger files requiring larger hard drives and faster computers. Occasionally it will be useful if you can't frame as close as you would like and you need to crop or you need to print big. Alien Skin Blow Up 2, Image Resizing Plug-in Software for Photoshop, Macintosh & Windows and Genuine Fractals 6 Professional Edition 1-user Full are two very nice programs that can increase the size of your photos for printing large. 16 MP is nice by not necessary.
--39 Point Auto Focus -- To me in some ways this is better than the 51 point of the D300 and D700 as that gets too unwieldy. However, you really don't even need 39. However, still useful on occasion.
--6 frames per second-- I very rarely ever put my camera in 3 frames per second. When I do so it fills the card quickly. If you are shooting the big game then 6 is nice. Or it is nice for some cool special effects shots. Other than that you won't really find yourself using it that much.
Video
The other thing I am not really going to dwell on is the video capabilities. In my opinion all the various video options are mostly marketing hype really targeted at a niche market. Shallow depth of field video is difficult and time consuming to shoot and edit properly. The average family home user has neither the time nor inclination to do this. With that said, it is nice to only have to carry one device to take still pictures and video. So I do enjoy that feature, however 1080 is not really necessary. In fact with up converting DVD players standard def is still very usable and takes up far less space. Suffice it to say that the video capabilities are very good and should do anything a home user would need it to do. Can be used for pro Videos as demonstrated by Chase Jarvis.
Intangibles
This is a very nice camera and it feels very solid in your hands. It feels far more substantial than the D40/D90 without feeling like a brick the way the D300/D700 do. I am sure the D300 has more marketing features than the D7000 but I would have to research them to figure out what they are.
Conclusion
In the end it all comes down to what is important to you. Smaller weight and size is becoming much more important to me and this camera is a very good trade off of features for size and weight. Anything that is missing I don't even use so I am not sure what it may be. My D700 was recently stolen and while I miss it, the D7000 is a worthy replacement for it. I opted to get the D7000 and Panasonic GH2 and save the $300 difference for a lens.
Pros
--100% view finder!
--6 fps (7D is 8. However, I think this number is overhyped in most cases. Even shooting at 3 FPS will fill up you card with photos that look remarkably similar) 8+ is needed for professionals shooting professional sports. Not enthusiast shooting High School etc.
--16mp sensor (a marketing increase but still nice to allow some room for cropping)
--14 bit photos
--39 point auto focus sensors (19 cross point) this is a bit of a marketing thing but it is still nice and it does not matter about the 51 on D300s and above. Still very nice.
--2016 scene meter - compares against data base for WB setting and color settings
--Excellent battery life
--MD-11 Optional Battery Grip
--2 SD card slots for back up redundancy or double the card space! Outstanding
--Magnesium used to make camera stronger
Cons
--16mp senor (takes up more storage on your hard drive) (12mp JPG 3mb 12 mp RAW = 12 mb 16mp JPEG = 5 mb 16 mp RAW = 16 mb. This is for 12 bit. 14 bit would require more)
--Camera heavier than it used to be
--No swivel screen - after using the GH1 extensively you really miss this when shooting at weird angles. You especially miss it for macro photography.
--No full time live view - Ditto from above. Live view is what you see is what you get. Forgot to change white balance-- you will see that when people are yellow, blue or green. Have it set in manual and blowing everything out-- you'll see that as a white screen.
Decision Matrix
Nikon
For the Nikon shooter this is a no brainer. If you are in the market for a camera, then skip the D300s. The D700 is getting long in the tooth and many people are buying the D7000 while waiting for D800. If you already own a D700 then this camera is a very good complement to it. Use the money you saved over the more expensive camera to buy a nice lens.
Here is a breakdown vs other Nikon DSLRs
D3100-- Two completely different classes with the D7000 being worth the difference in many. However at the end of the day they will both make nice pictures. Also, the lenses are more important than the camera. You can get the D3100 and 18-200mm for the same price. Something to think about.
D5000-- Good sensor and nice camera. D3100 comments also apply here.
D90--Tough choice. The best DX sensor of its generation and still better than most. If you can't quite stretch to the D7000, this is a very tempting proposition.
D300S-- Irrelevant. The D7000 has a much better sensor, is smaller, lighter, cheaper, and better metering.
Nikon D700-- Would be a good complement to the D7000. Use D7000 when you need the 1.5x crop on the long end and a deeper depth of field due to the smaller chip (about 1 stop deeper) and D700 for when you want to isolate a subject with a shallow depth of field or you want to use the full width of a wide angle such as the 14-24mm. If you don't need the shallower depth of field of a FX sensor and you have the lenses to cover the 1.5x crop then the D7000 should suit just fine. D3s and D3x -- Different leagues altogether. However, the D7000 is 90% of the camera for 1/4 to 1/6th the money.
Canon
The 7D is an outstanding camera and while I think the D7000 is a better camera (better sensor, 2 SD card slots, 2016 RGB metering, Price) it is not that much better to warrant switching if you are already invested in lenses.
Sony
The Sony SLT-A55 is a great camera but not in the league of the D7000. Read more ›
Handling
This camera is brilliant to hold and use. Nikon has done it again and has made the user interface more usable and streamlined. What to change flash modes. Press the flash pop-up button and rotate the control wheel. Sweet. Want to change create and use a User defined mode? There are two. Set your mode up. Go to the menu and save it. To use it rotate the shooting mode dial to U1 or U2. Presto you are there. In the D300 and D700 you to have to setup things in the menu and switch in the menu. Also, there were 2 sets of things you could change and they were not all inclusive. It was all horribly confusing and I never used it. Speaking of shooting modes. There is now one position on the shooting mode dial for scene mode shooting. You change through the different scene modes with the control wheel and the type scene shows up on the back screen. Sweet. I can go on and on but needless to say Nikon have really improved their interface. One caveat, I don't think it is quite up to par with the GH1 to change exposure compensation (IMO the most important control) but still a huge step in the correct direction in handling. I like the handling of the D7000 better than either the D700/300.
Low Light Shooting
The D300 wasn't that great for Hi ISO. It shoots clean at 400 ISO and usable up to 1600. (The D90 and D300s were better) The D700 was fantastic. Clean at 1600 ISO and usable up to 6400. It opened up new worlds. The D7000 is close to the equal of the D700. Enough said. Just to give you an example. The bouquet toss at a reception is often done in poor light. By using 1600 instead of 400 you get the equivalent of 4 times more light. At ISO400 you flash may need to use 1/4 power and you can get 1 maybe 2 shots of the toss and catch before the flash needs to recharge. At ISO1600 your flash would only need to use 1/16th power and now you can get 5-6 shots. This is huge.
Picture Quality
Like all modern DSLRs it takes great pictures. I don't pixel peep so I can't really say that I notice a difference between the pictures from the D7000 and any of my 12mp cameras. It makes really nice pictures and that is all I care about.
Useful Photography Features (Not Marketing Features)
--100% view finder! Big bright with 100% coverage. No more guessing of your framing. (It is not as bright as the D700. However, it is 100% vice 95%)
--2 SD slots - When your getting paid to shoot a wedding or any gig, my card broke is not an excuse. Very useful feature. For the home user put two smaller cards rather than one big card and save some money.
--Smaller and lighter than D300, D700, D3s, D3x- When you stand on your feet for 9 hours shooting the wedding and reception, you start to feel every ounce you are carrying. Often you will be carrying two bodies with a fast tele zoom and fast wide zoom. That starts to get heavy. Light weight here we come.
--2016-Segment RGB Meter- for spot on exposure and white balance--No one touches Nikon on this and this one is fantastic.
--1/8000th -- Very useful for shooting into the sun wide open with a bright lens
--1/250 -- Could be better (1/500th for D40) but could be much worse. Auto FP helps.
--Magnesium body and better sealing -- Shoot in dusty environments without messing up the inside your camera.
--Uses the ML-L3 infra red remote -- Small and cheap. IR sensor on the front and back of the camera.
--Autofocus focus motor for non-AF-S lenses
Marketing Features that will sometimes be Useful
--16Mp -- Nikon was obviously getting creamed in the marketing wars on this. This is going to lead to bigger files requiring larger hard drives and faster computers. Occasionally it will be useful if you can't frame as close as you would like and you need to crop or you need to print big. Alien Skin Blow Up 2, Image Resizing Plug-in Software for Photoshop, Macintosh & Windows and Genuine Fractals 6 Professional Edition 1-user Full are two very nice programs that can increase the size of your photos for printing large. 16 MP is nice by not necessary.
--39 Point Auto Focus -- To me in some ways this is better than the 51 point of the D300 and D700 as that gets too unwieldy. However, you really don't even need 39. However, still useful on occasion.
--6 frames per second-- I very rarely ever put my camera in 3 frames per second. When I do so it fills the card quickly. If you are shooting the big game then 6 is nice. Or it is nice for some cool special effects shots. Other than that you won't really find yourself using it that much.
Video
The other thing I am not really going to dwell on is the video capabilities. In my opinion all the various video options are mostly marketing hype really targeted at a niche market. Shallow depth of field video is difficult and time consuming to shoot and edit properly. The average family home user has neither the time nor inclination to do this. With that said, it is nice to only have to carry one device to take still pictures and video. So I do enjoy that feature, however 1080 is not really necessary. In fact with up converting DVD players standard def is still very usable and takes up far less space. Suffice it to say that the video capabilities are very good and should do anything a home user would need it to do. Can be used for pro Videos as demonstrated by Chase Jarvis.
Intangibles
This is a very nice camera and it feels very solid in your hands. It feels far more substantial than the D40/D90 without feeling like a brick the way the D300/D700 do. I am sure the D300 has more marketing features than the D7000 but I would have to research them to figure out what they are.
Conclusion
In the end it all comes down to what is important to you. Smaller weight and size is becoming much more important to me and this camera is a very good trade off of features for size and weight. Anything that is missing I don't even use so I am not sure what it may be. My D700 was recently stolen and while I miss it, the D7000 is a worthy replacement for it. I opted to get the D7000 and Panasonic GH2 and save the $300 difference for a lens.
Pros
--100% view finder!
--6 fps (7D is 8. However, I think this number is overhyped in most cases. Even shooting at 3 FPS will fill up you card with photos that look remarkably similar) 8+ is needed for professionals shooting professional sports. Not enthusiast shooting High School etc.
--16mp sensor (a marketing increase but still nice to allow some room for cropping)
--14 bit photos
--39 point auto focus sensors (19 cross point) this is a bit of a marketing thing but it is still nice and it does not matter about the 51 on D300s and above. Still very nice.
--2016 scene meter - compares against data base for WB setting and color settings
--Excellent battery life
--MD-11 Optional Battery Grip
--2 SD card slots for back up redundancy or double the card space! Outstanding
--Magnesium used to make camera stronger
Cons
--16mp senor (takes up more storage on your hard drive) (12mp JPG 3mb 12 mp RAW = 12 mb 16mp JPEG = 5 mb 16 mp RAW = 16 mb. This is for 12 bit. 14 bit would require more)
--Camera heavier than it used to be
--No swivel screen - after using the GH1 extensively you really miss this when shooting at weird angles. You especially miss it for macro photography.
--No full time live view - Ditto from above. Live view is what you see is what you get. Forgot to change white balance-- you will see that when people are yellow, blue or green. Have it set in manual and blowing everything out-- you'll see that as a white screen.
Decision Matrix
Nikon
For the Nikon shooter this is a no brainer. If you are in the market for a camera, then skip the D300s. The D700 is getting long in the tooth and many people are buying the D7000 while waiting for D800. If you already own a D700 then this camera is a very good complement to it. Use the money you saved over the more expensive camera to buy a nice lens.
Here is a breakdown vs other Nikon DSLRs
D3100-- Two completely different classes with the D7000 being worth the difference in many. However at the end of the day they will both make nice pictures. Also, the lenses are more important than the camera. You can get the D3100 and 18-200mm for the same price. Something to think about.
D5000-- Good sensor and nice camera. D3100 comments also apply here.
D90--Tough choice. The best DX sensor of its generation and still better than most. If you can't quite stretch to the D7000, this is a very tempting proposition.
D300S-- Irrelevant. The D7000 has a much better sensor, is smaller, lighter, cheaper, and better metering.
Nikon D700-- Would be a good complement to the D7000. Use D7000 when you need the 1.5x crop on the long end and a deeper depth of field due to the smaller chip (about 1 stop deeper) and D700 for when you want to isolate a subject with a shallow depth of field or you want to use the full width of a wide angle such as the 14-24mm. If you don't need the shallower depth of field of a FX sensor and you have the lenses to cover the 1.5x crop then the D7000 should suit just fine. D3s and D3x -- Different leagues altogether. However, the D7000 is 90% of the camera for 1/4 to 1/6th the money.
Canon
The 7D is an outstanding camera and while I think the D7000 is a better camera (better sensor, 2 SD card slots, 2016 RGB metering, Price) it is not that much better to warrant switching if you are already invested in lenses.
Sony
The Sony SLT-A55 is a great camera but not in the league of the D7000. Read more ›
446 of 469 people found the following review helpful
By James Sabo
Style Name:Body Only
Just take it for granted that this takes amazing pictures under all conditions, including low light, and that it contains all the manual controls that you'd ever want.
Instead, here's some things that the camera does that you might not have heard about:
* Built-in EyeFi support
If you've used EyeFi SD cards before, you probably assumed that it would work with the D7000, since the D7000 now uses SD cards instead of CF. But not only do you not have to mess around with SD-to-CF adapters, the camera is actually EyeFi aware-- you can choose to have it upload or not upload on a slot-by-slot basis (so you might have it automatically upload the RAW files you saved to an EyeFi Pro card in slot 1, but not bother to upload the JPEGs you saved to the EyeFi Explorer card in slot 2), and there is also an icon that appears on the Info display to indicate that there are files waiting to upload, that the upload is in progress or disabled, etc.
The Nikon Wifi adapter is going for $400. A 4GB, class 6 EyeFi card goes for $40. If you really want to move RAW files, snag the Pro version for $80. Yes, the Nikon adapter does things that EyeFi can't, but if you just want to get your files onto a PC without pulling the card, why spend 10X the money?
You're stuck with the usual limitations of the EyeFi card, but I fully expect to use this feature a LOT with studio portraits-- yeah, it only takes 10 seconds to pull the card and have Windows recognize that you added it, then another 5 seconds to eject the card and stick it back in the camera. But if you just want a quick check that your exposure or focus is where you want it, wouldn't you rather just hit a single key and see your last shot, then get right back into the flow? You may want to drop your JPEG file sizes to speed up the transfer.
* In-camera RAW file processing
The camera contains a ton of built-in settings-- in addition to the basics like Standard, Normal, Landscape, etc, you also get all the various Scene modes, which are basically variations on those main settings.
RAW processing allows you to see how the shot would have looked had you used one of those other modes. In other words, you shoot in Normal, which basically applies no processing to the image, then select the RAW file, and choose how you'd like to adjust it. You can change the white balance settings, exposure, basic picture setting (landscape, portrait, etc), noise reduction, color space, and dynamic lighting. With the exception of the advanced details on the basic picture settings, you see a preview of how your change will affect the picture.
If you like it, just hit EXEcute and it writes out a JPEG to your card. Don't like it, just back out and nothing's saved.
This means that you don't have to worry that shooting in Vivid is going to result in an oversaturated image, or you can punch something up even more after the fact. The only real drawback here to me is that it is going to kick out a JPEG, so if you're planning on doing further editing in Photoshop, this may not be the best route. But if you're just looking to go right from the camera to the web, or want to get an idea of how playing with custom settings will affect your shots, this is a massive shortcut to taking and then deleting a ton of shots. (And keep in mind that Photoshop will allow you to mess with most of these settings when importing RAW files anyway, and the plugin D7000-compatible RAW plugin had a release candidate posted yesterday, so you can finally open your RAW shots.)
And a related feature that's in most other Nikons, but that you might not know about-- you can define your own basic picture settings. Want something that's super-saturated and super-contrasty? Just hit a few buttons, choose a name, and you're done. On the older Nikons, you had to edit the basic profile itself, now, you can use one as a starting point and adjust from there. Much cleaner.
* User-defined settings on the control knob
Not as hidden as the first two, but I can't emphasize how cool this feature is. Here's the situation I was in last night-- I was shooting a singing contest in a dimly-lit venue. I was allowed to use a flash, but I didn't want to constantly be blasting the singers while they were performing.
I defined one setting as shutter priority, 1/60th, ISO Hi 2, center-weighted metering & focus, no flash. The second setting was automatic, ISO auto, full metering and autofocus, flash enabled. I'd take a couple shots in U2 with the flash, close the flash down and switch to U1 and shoot a half a dozen shots, then switch back to U2 and use the flash for a couple more shots. There was no fumbling for controls, no worrying that I changed the shutter speed without realizing it when changing between Auto and S-- every time I went from U2 to U1, all my settings were reset to where I put them before the event started.
I don't think I ever felt as confident about my camera settings in a rapidly changing situation as I did last night-- with just a simple twist of a knob, I was able to change to a completely different shooting configuration with absolute confidence that it was what I wanted.
To me, the utility of this is almost endless-- I'll probably set up one setting for studio portraits, and the other for landscape stuff. If I was still shooting news, I'd probably be swapping between flash and no-flash configurations. For sports, I'd change between action modes and post-game portraits.
The only thing that would make this even better would be if I could import and export settings for later use-- even if you use the "Save/Load" settings option to back up your current configuration to a memory card, it doesn't appear that this information is stored. However, it may be a bug in the Load settings feature, as a number of my settings were incorrectly reset when I tried to load in settings. Either way, it would work better if I could treat these like custom basic picture settings, saving them by name and loading them at will.
* Built-in interval timer shooting
Want to take time-lapse pictures? Just set up your camera on the tripod, specify when you want it to start, how many pictures to take overall, and how many pictures to take each interval and walk away. When it's time to start taking pictures, the camera will automatically focus and shoot, then go back to waiting for the next shot. No messing around with tethering, 3rd party software, whatever-- it's all in the camera, and it's all super-easy to set up. You'll find yourself taking pictures of your living room just to see what your cat actually does all day while you're at work.
* Zoom in live view
This might just be "new to me," but I found it to be very cool for manually adjusting focus when on a tripod-- frame your basic shot, then change to live view. From there, zoom in with the magnifying glass key, and move around the image with the navigation pad until you find the point you want to focus on, then manually focus. Since you can zoom into a tiny portion of the overall image, you can see that you're getting exactly the focus point you want before you take the shot. One gotcha that I always forget, though-- don't forget to pick your aperture BEFORE going into live view, as you can't change it once live view has started.
* Adjustable shooting rate
Again, might be "new to me," but in addition to blasting away at 6fps, you can manually adjust that from 1 to 5 FPS in order to get a different effect. You obviously need to be using a fast enough shutter speed to support your choice-- if you're at 1/2 a second, you're not going to shoot faster than 2FPS.
As I mentioned in one of my other reviews, I used to be a semi-pro photographer-- I was the photo editor for both a weekly and a daily paper, I've shot tons of sports and news photos, and landscape photography is my hobby. I've recently gotten back into portrait photography as well. While I never owned as many cameras as a true pro would have (that semi- means that I never made enough money at it to be able to really spring for equipment), I have shot with a lot of other people's equipment, and I can honestly say that this is the best camera I've ever used.
Instead, here's some things that the camera does that you might not have heard about:
* Built-in EyeFi support
If you've used EyeFi SD cards before, you probably assumed that it would work with the D7000, since the D7000 now uses SD cards instead of CF. But not only do you not have to mess around with SD-to-CF adapters, the camera is actually EyeFi aware-- you can choose to have it upload or not upload on a slot-by-slot basis (so you might have it automatically upload the RAW files you saved to an EyeFi Pro card in slot 1, but not bother to upload the JPEGs you saved to the EyeFi Explorer card in slot 2), and there is also an icon that appears on the Info display to indicate that there are files waiting to upload, that the upload is in progress or disabled, etc.
The Nikon Wifi adapter is going for $400. A 4GB, class 6 EyeFi card goes for $40. If you really want to move RAW files, snag the Pro version for $80. Yes, the Nikon adapter does things that EyeFi can't, but if you just want to get your files onto a PC without pulling the card, why spend 10X the money?
You're stuck with the usual limitations of the EyeFi card, but I fully expect to use this feature a LOT with studio portraits-- yeah, it only takes 10 seconds to pull the card and have Windows recognize that you added it, then another 5 seconds to eject the card and stick it back in the camera. But if you just want a quick check that your exposure or focus is where you want it, wouldn't you rather just hit a single key and see your last shot, then get right back into the flow? You may want to drop your JPEG file sizes to speed up the transfer.
* In-camera RAW file processing
The camera contains a ton of built-in settings-- in addition to the basics like Standard, Normal, Landscape, etc, you also get all the various Scene modes, which are basically variations on those main settings.
RAW processing allows you to see how the shot would have looked had you used one of those other modes. In other words, you shoot in Normal, which basically applies no processing to the image, then select the RAW file, and choose how you'd like to adjust it. You can change the white balance settings, exposure, basic picture setting (landscape, portrait, etc), noise reduction, color space, and dynamic lighting. With the exception of the advanced details on the basic picture settings, you see a preview of how your change will affect the picture.
If you like it, just hit EXEcute and it writes out a JPEG to your card. Don't like it, just back out and nothing's saved.
This means that you don't have to worry that shooting in Vivid is going to result in an oversaturated image, or you can punch something up even more after the fact. The only real drawback here to me is that it is going to kick out a JPEG, so if you're planning on doing further editing in Photoshop, this may not be the best route. But if you're just looking to go right from the camera to the web, or want to get an idea of how playing with custom settings will affect your shots, this is a massive shortcut to taking and then deleting a ton of shots. (And keep in mind that Photoshop will allow you to mess with most of these settings when importing RAW files anyway, and the plugin D7000-compatible RAW plugin had a release candidate posted yesterday, so you can finally open your RAW shots.)
And a related feature that's in most other Nikons, but that you might not know about-- you can define your own basic picture settings. Want something that's super-saturated and super-contrasty? Just hit a few buttons, choose a name, and you're done. On the older Nikons, you had to edit the basic profile itself, now, you can use one as a starting point and adjust from there. Much cleaner.
* User-defined settings on the control knob
Not as hidden as the first two, but I can't emphasize how cool this feature is. Here's the situation I was in last night-- I was shooting a singing contest in a dimly-lit venue. I was allowed to use a flash, but I didn't want to constantly be blasting the singers while they were performing.
I defined one setting as shutter priority, 1/60th, ISO Hi 2, center-weighted metering & focus, no flash. The second setting was automatic, ISO auto, full metering and autofocus, flash enabled. I'd take a couple shots in U2 with the flash, close the flash down and switch to U1 and shoot a half a dozen shots, then switch back to U2 and use the flash for a couple more shots. There was no fumbling for controls, no worrying that I changed the shutter speed without realizing it when changing between Auto and S-- every time I went from U2 to U1, all my settings were reset to where I put them before the event started.
I don't think I ever felt as confident about my camera settings in a rapidly changing situation as I did last night-- with just a simple twist of a knob, I was able to change to a completely different shooting configuration with absolute confidence that it was what I wanted.
To me, the utility of this is almost endless-- I'll probably set up one setting for studio portraits, and the other for landscape stuff. If I was still shooting news, I'd probably be swapping between flash and no-flash configurations. For sports, I'd change between action modes and post-game portraits.
The only thing that would make this even better would be if I could import and export settings for later use-- even if you use the "Save/Load" settings option to back up your current configuration to a memory card, it doesn't appear that this information is stored. However, it may be a bug in the Load settings feature, as a number of my settings were incorrectly reset when I tried to load in settings. Either way, it would work better if I could treat these like custom basic picture settings, saving them by name and loading them at will.
* Built-in interval timer shooting
Want to take time-lapse pictures? Just set up your camera on the tripod, specify when you want it to start, how many pictures to take overall, and how many pictures to take each interval and walk away. When it's time to start taking pictures, the camera will automatically focus and shoot, then go back to waiting for the next shot. No messing around with tethering, 3rd party software, whatever-- it's all in the camera, and it's all super-easy to set up. You'll find yourself taking pictures of your living room just to see what your cat actually does all day while you're at work.
* Zoom in live view
This might just be "new to me," but I found it to be very cool for manually adjusting focus when on a tripod-- frame your basic shot, then change to live view. From there, zoom in with the magnifying glass key, and move around the image with the navigation pad until you find the point you want to focus on, then manually focus. Since you can zoom into a tiny portion of the overall image, you can see that you're getting exactly the focus point you want before you take the shot. One gotcha that I always forget, though-- don't forget to pick your aperture BEFORE going into live view, as you can't change it once live view has started.
* Adjustable shooting rate
Again, might be "new to me," but in addition to blasting away at 6fps, you can manually adjust that from 1 to 5 FPS in order to get a different effect. You obviously need to be using a fast enough shutter speed to support your choice-- if you're at 1/2 a second, you're not going to shoot faster than 2FPS.
As I mentioned in one of my other reviews, I used to be a semi-pro photographer-- I was the photo editor for both a weekly and a daily paper, I've shot tons of sports and news photos, and landscape photography is my hobby. I've recently gotten back into portrait photography as well. While I never owned as many cameras as a true pro would have (that semi- means that I never made enough money at it to be able to really spring for equipment), I have shot with a lot of other people's equipment, and I can honestly say that this is the best camera I've ever used.
Most Recent Customer Reviews
3.0 out of 5 stars
I do more for fun with my d200
I still have more FUN with D200. I got used to all the little things I can do with my D200. D7000 is good for low light and working.
Published 7 hours ago by JC Ferguson
5.0 out of 5 stars
Gogo Gadget
This is a great value camera. The lens has its aberration issues at the max wide angle applications but otherwise is very good. Read more
Published 1 day ago by Dred
5.0 out of 5 stars
Amazing
I upgraded from a Nikon D3000 and I have wanted this camera sence I was 16. it's amazing with a 50mm f/1.8 , brilliant low lighting and stunning sharpness.
Published 2 days ago by alessander
4.0 out of 5 stars
Worth the price!!
Sharp images with an awesome zoom makes this camera the best choice for a amateur to professional photographers. Best camera choice for this price!!
Published 4 days ago by Vaishak Mahesh
5.0 out of 5 stars
Nikon D7000
This camera on my wish-list for some time. No problems when buying refurbished Nikon, looked brand new and works great.
Published 12 days ago by Rimgaudas
5.0 out of 5 stars
Great Camera, Great Price
Super fast camera, the image quality beats , which I initially planned on buying. Matching up Canon 5D Mark II image quality, only with this price. Read more
Published 12 days ago by MTA
5.0 out of 5 stars
d7000
Have not used it much but love it so far, would recomend to others non pros. Can't wait to take more pics with it.
Published 15 days ago by normalguy75
5.0 out of 5 stars
Fantastic Camera kit
This kit is a great buy! I had an older camera D80 with a 18-200 vr lens that was stolen from me. This camera kit was my replacement. WOW what a difference. Read more
Published 23 days ago by Michael Hernandez
1.0 out of 5 stars
Backfocus! Poor excuse for a DSLR
Wow, this camera i'm sure would be great, except the dumb thing can't Autofocus to save its life.
I tried Nikon's spiffy AF fine-tune feature and some focus points are now in... Read more
I tried Nikon's spiffy AF fine-tune feature and some focus points are now in... Read more
Published 24 days ago by T. Fox
1.0 out of 5 stars
Like New item defective the first day
Very disappointing to wait and get a defective product the very first day of use. Nikon D7000 with the release shutter which stays high after shooting. Read more
Published 29 days ago by Philippe Goldmann
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