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Technical Details
- Brand Name: Nikon
- Model: 1922
- Lens Type: normal
- Minimum focal length: 28 millimeters
- Maximum focal length: 28 millimeters
Product Details
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Product Description
Manufacturer Description
Lens-making is an art--Nikon artisans craft Nikkor optics from the finest materials, taking pride in adding their intellect and technique to bring the world's finest lenses to life. They push the leading edge of lens-making in their effort to provide the "glass" that makes the world's greatest pictures.
AF Nikkor lenses work with Nikon SLRs for optimal performance, even the very latest. The Nikon 28mm f2.8D AF Nikkor is a compact, lightweight wide-angle lens constructed with superb optical design for architecture, wedding and landscape photography. It features 74-degree (53-degree with Nikon DX format) picture coverage with edge-to-edge sharpness. It also weighs an exceptionally light 7.4 ounces and boasts a 0.85-foot close focusing distance.
Nikon Super Integrated Coating ensures exceptional performance
To enhance the performance of its optical lens elements, Nikon employs an exclusive multilayer lens coating that helps reduce ghost and flare to a negligible level. Nikon Super Integrated Coating achieves a number of objectives, including minimized reflection in the wider wavelength range and superior color balance and reproduction. Nikon Super Integrated Coating is especially effective for lenses with a large number of elements, like our Zoom-Nikkors. Also, Nikon's multilayer coating process is tailored to the design of each particular lens. The number of coatings applied to each lens element is carefully calculated to match the lens type and glass used, and also to assure the uniform color balance that characterizes Nikkor lenses. This results in lenses that meet much higher standards than the rest of the industry.
Distance information
D-type and G-type Nikkors relay subject-to-camera distance information to AF Nikon camera bodies. This then makes possible advances like 3D Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash. Note: D-type and G-type Nikkors provide distance information to the following cameras: Auto exposure; F6, F5, F100, F90X, F80, F75, F70, F65, F60, F55, F50, Pronea S, Pronea 600i, D2 series, D1 series, D100 and D70s/D70. Flash control; F6, F5, F100, F90X, F80, F75, F70, D2 series, D1 series, D100, and D70s/D70 cameras.
What's in the Box:
Lens, 72mm snap-on front lens cap, rear lens cap LF-1.
Product Description
28mm D-Series Wideangle lens for Nikon cameras
Available Warranties for This Item
Customer Reviews
Most Helpful Customer Reviews
136 of 150 people found the following review helpful
This is an undistinguished but competent lens, a viable solution for DX users looking for a "normal" lens at a bargain price, and a useful and inexpensive wide angle for FX and film shooters.
It can not be said that Nikon spared no expense in the development of this lens. They spared plenty, settling on a minimalist, simple, proven optical formula, without the close-range correction (CRC) used in some of its more-expensive contemporaries, and with an unambitious f/2.8 maximum aperture. That last detail, in today's world of small-frame DX DSLRs, becomes the lens' single major drawback. Today's zoom lenses are good enough to equal the performance of a prime in most regards, making fast apertures the last remnant of fixed-focal-length superiority in the minds of most photographers, and a prime lens as slow as an f/2.8 professional zoom is left with comparatively little to recommend it. Yet that has ironically led to this lens' one significant advantage: it has remained cheap while prices for other lenses have risen significantly, and for those whose needs it meets, it can be seen as quite a bargain.
Its performance is perfectly respectable. In fact, wide-open at normal shooting distances, it is already quite sharp, something that can not be said for many fast primes, and it manages to provide crisp, modern, contrasty color renditions, no doubt thanks to state of the art - as of its introduction - lens coatings. It has the nice, rather frictionless focus feel that was common to most early AF primes, with the easy-to-reach, front-mounted focusing ring that was a welcome holdover from manual-focus days. Many newer lenses, with focus rings hidden from easy reach (behind the zoom ring, for example) are much more difficult to use when manual focus is called for, although most do have the advantage of allowing instant manual over-ride. Like any AF-D lens, the user of this lens must flip a switch on the camera body to disengage the focus motor and switch from auto to manual focus.
There is one other nice feature of this lens that holds up very well in today's DSLR world, and that it its 28mm focal length. While anything in the 28mm-35mm range can be considered a "normal" lens for DX, Nikon's own 35mm DX prime is a bit on the long side for many, and at 28mm this lens represents an excellent alternative. I've owned and used (and posted a review of) the 35/1.8G, and I love it, but in my opinion this is one of its drawbacks. I personally prefer the slightly wider field of view of the 28mm perspective, which in my experience is a bit handier for indoor photography in tighter spaces and a bit more natural-feeling as a "normal" lens for DX. Sigma's 30mm f/1.4 is another alternative, and faster, but I found my copy to be mediocre at wide apertures and would generally hold it to f/2.8 or so anyway, taking away much of its advantage of speed - and it is a much more expensive lens.
The 28mm begins to look like a very good choice when its workmanlike performance, its "normal" field of view, and its small size are considered against its very low current price. For DX users, this lens is not exactly a bargain when purchased new - it is more expensive than the 35mm/1.8G, for example - but used prices are a different story, and for photographers willing to buy used, it can be a bargain. For a DX shooter on a budget, who is looking for a "normal" lens and who does not already have a professional-level midrange zoom that offers an f/2.8 aperture, the 28mm can be a uniquely affordable and versatile tool for general photography. Combined with inexpensive standard and telephoto zooms, this lens can complete a modest collection of starter lenses that will leave very few types of photography off limits. In fact, somebody looking to start out in SLR photography on a budget could do a lot worse than to pick up a decent copy of this lens, a used Nikon D50/D70/D80, and begin making pictures limited in quality only by their own talents.
My rating of three stars for this lens should not be considered negative. I don't think a higher rating is justified, and I don't believe in rating lenses on a sliding scale depending on their price - a four star lens is a four star lens, whether it sells for $150 or ten times that. It is up to the reader to make their own judgement as to whether the price makes the lens a more or less compelling purchase. This lens does exactly what it is supposed to do, and it does it well. The basis for my rating is as follows: the lens performs competently, but not spectacularly, as a 28mm prime. By itself, that would probably justify four stars, but it's only fair to also take into account its very modest design capabilities. Its slow speed in particular, compared with other lenses of its type, reduces its appeal; and the lack of a sophisticated, highly corrected optical formula is a factor as well. This lens, while possibly a bargain and a fine choice for many photographers, is practically the definition of average in terms of performance, and that's how I rate it.
Miscellaneous notes:
- Vs. Nikon's 35mm f/1.8G: The 35/1.8 is a bit sharper, but the 28/2.8 is sharp as well. With mostly minor distinctions, these lenses do pretty much the same things on DX, and the 28mm can be picked up on the used market for much less than the 35mm sells for. The real distinctions between these lenses are the price, the speed, and the focal length. While most will understandably settle on the 35mm, for many photographers the 28mm could be the better choice.
- Vs. Sigma's 30mm f/1.4: My copy of the Sigma was mediocre at wide apertures, removing most of its advantage over the 28mm Nikkor. It is much heavier, much more expensive to buy either new or used, and has very close to the same field of view. If speed is paramount, it is the obvious choice - otherwise the Nikon's price and overall performance make it the better buy (with the Nikon 35/1.8G probably better still).
- For FX: It's tougher to make an argument for this lens on FX. FX shooters are less likely to be bargain hunters, and there are better choices almost regardless of one's criteria for selecting a lens. I can envision a narrow niche for an FX shooter who wants an unobtrusive, lightweight lens and a moderate wide-angle view; and in such a case, this lens' low purchase price makes it a perfectly satisfactory option. Sigma's 30mm and Nikon's 35/1.8G are DX lenses and are therefore removed from consideration for FX shooters. The obvious alternatives on FX would be Nikon's 35mm f/2D or 24mm f/2.8D - but in reality, for most FX users the real alternative will be an f/2.8 midrange zoom.
- Buying new vs buying used: Good lenses tend to hold their value very well, and they last a long time. Consequently the market for used lenses is vibrant and relatively efficient. In the case of this lens, the disparity between the new purchase price and the current used market value is high, and I would advise any prospective purchaser of this lens to find a good used copy from a reputable source, such as many of the used vendors right here on Amazon. Be sure to price-check against other vendors to ensure you're getting a fair price, of course. Buying used avoids the large one-time depreciation from buying new and will probably allow the user to re-sell the lens at some time in the future with little or no loss of value. This is a good strategy for any cost-conscious photographer.
Other Lenses:
I've had the opportunity to own and use many different Nikon lenses and have posted my impressions of some of them here on Amazon. For those interested, here are short summaries. I have used all these lenses on Nikon DX-sized DSLRs, most recently my current D90. Refer to the full reviews for further detail.
Sigma 30mm f/1.4 HSM: *** Poor focusing consistency and below average large-aperture acuity combine for disappointing real-world performance. Fast max aperture, very capable if used with appropriate care.
Nikon 35mm f/1.8 AF-G: ****1/2 Terrific lens at a bargain price. Not without flaws, but excellent in all important respects. A pleasure to use.
Nikon 35mm f/2 AF-D: **** Sharp, especially at large apertures, moderate contrast. Classic "normal" lens for DX but consider new 35mm f/1.8 AF-S instead.
Nikon 50mm f/1.8 AF-D: *** My sample was unacceptably poor at large apertures. Perhaps a below-average sample. Focal length not ideally suited to DX.
Nikon 85mm f/1.8 AF-D ****1/2 Very good short-to-moderate telephoto on DX. Acceptable at large apertures, very sharp stopped-down, moderate contrast. Potentially excellent for portrait use.
Nikon 16-85mm VR ***** Very sharp at all settings, excellent contrast, very useful zoom range including true wide-angle at 16mm. Excellent VR. Best-kept secret for DX users.
Nikon 28-200mm AF-G *** Of two samples, one was excellent and one poor, so watch for sample variations. Very good contrast. Not ideal hand-held due to lack of VR. Not ideal for tripod use due to design.
Nikon 55-200mm VR **** Very good lens, very good sharpness and contrast, no fatal flaws. Cheap feel and feature-challenged, but has effective VR. A bargain.
Nikon 70-300mm VR *** My sample had very poor performance above 200mm, good to very good elsewhere. Good contrast, generally very good focus performance. Good sports/action lens. Not good where critical sharpness is desired. Possibly a below-average sample.
It can not be said that Nikon spared no expense in the development of this lens. They spared plenty, settling on a minimalist, simple, proven optical formula, without the close-range correction (CRC) used in some of its more-expensive contemporaries, and with an unambitious f/2.8 maximum aperture. That last detail, in today's world of small-frame DX DSLRs, becomes the lens' single major drawback. Today's zoom lenses are good enough to equal the performance of a prime in most regards, making fast apertures the last remnant of fixed-focal-length superiority in the minds of most photographers, and a prime lens as slow as an f/2.8 professional zoom is left with comparatively little to recommend it. Yet that has ironically led to this lens' one significant advantage: it has remained cheap while prices for other lenses have risen significantly, and for those whose needs it meets, it can be seen as quite a bargain.
Its performance is perfectly respectable. In fact, wide-open at normal shooting distances, it is already quite sharp, something that can not be said for many fast primes, and it manages to provide crisp, modern, contrasty color renditions, no doubt thanks to state of the art - as of its introduction - lens coatings. It has the nice, rather frictionless focus feel that was common to most early AF primes, with the easy-to-reach, front-mounted focusing ring that was a welcome holdover from manual-focus days. Many newer lenses, with focus rings hidden from easy reach (behind the zoom ring, for example) are much more difficult to use when manual focus is called for, although most do have the advantage of allowing instant manual over-ride. Like any AF-D lens, the user of this lens must flip a switch on the camera body to disengage the focus motor and switch from auto to manual focus.
There is one other nice feature of this lens that holds up very well in today's DSLR world, and that it its 28mm focal length. While anything in the 28mm-35mm range can be considered a "normal" lens for DX, Nikon's own 35mm DX prime is a bit on the long side for many, and at 28mm this lens represents an excellent alternative. I've owned and used (and posted a review of) the 35/1.8G, and I love it, but in my opinion this is one of its drawbacks. I personally prefer the slightly wider field of view of the 28mm perspective, which in my experience is a bit handier for indoor photography in tighter spaces and a bit more natural-feeling as a "normal" lens for DX. Sigma's 30mm f/1.4 is another alternative, and faster, but I found my copy to be mediocre at wide apertures and would generally hold it to f/2.8 or so anyway, taking away much of its advantage of speed - and it is a much more expensive lens.
The 28mm begins to look like a very good choice when its workmanlike performance, its "normal" field of view, and its small size are considered against its very low current price. For DX users, this lens is not exactly a bargain when purchased new - it is more expensive than the 35mm/1.8G, for example - but used prices are a different story, and for photographers willing to buy used, it can be a bargain. For a DX shooter on a budget, who is looking for a "normal" lens and who does not already have a professional-level midrange zoom that offers an f/2.8 aperture, the 28mm can be a uniquely affordable and versatile tool for general photography. Combined with inexpensive standard and telephoto zooms, this lens can complete a modest collection of starter lenses that will leave very few types of photography off limits. In fact, somebody looking to start out in SLR photography on a budget could do a lot worse than to pick up a decent copy of this lens, a used Nikon D50/D70/D80, and begin making pictures limited in quality only by their own talents.
My rating of three stars for this lens should not be considered negative. I don't think a higher rating is justified, and I don't believe in rating lenses on a sliding scale depending on their price - a four star lens is a four star lens, whether it sells for $150 or ten times that. It is up to the reader to make their own judgement as to whether the price makes the lens a more or less compelling purchase. This lens does exactly what it is supposed to do, and it does it well. The basis for my rating is as follows: the lens performs competently, but not spectacularly, as a 28mm prime. By itself, that would probably justify four stars, but it's only fair to also take into account its very modest design capabilities. Its slow speed in particular, compared with other lenses of its type, reduces its appeal; and the lack of a sophisticated, highly corrected optical formula is a factor as well. This lens, while possibly a bargain and a fine choice for many photographers, is practically the definition of average in terms of performance, and that's how I rate it.
Miscellaneous notes:
- Vs. Nikon's 35mm f/1.8G: The 35/1.8 is a bit sharper, but the 28/2.8 is sharp as well. With mostly minor distinctions, these lenses do pretty much the same things on DX, and the 28mm can be picked up on the used market for much less than the 35mm sells for. The real distinctions between these lenses are the price, the speed, and the focal length. While most will understandably settle on the 35mm, for many photographers the 28mm could be the better choice.
- Vs. Sigma's 30mm f/1.4: My copy of the Sigma was mediocre at wide apertures, removing most of its advantage over the 28mm Nikkor. It is much heavier, much more expensive to buy either new or used, and has very close to the same field of view. If speed is paramount, it is the obvious choice - otherwise the Nikon's price and overall performance make it the better buy (with the Nikon 35/1.8G probably better still).
- For FX: It's tougher to make an argument for this lens on FX. FX shooters are less likely to be bargain hunters, and there are better choices almost regardless of one's criteria for selecting a lens. I can envision a narrow niche for an FX shooter who wants an unobtrusive, lightweight lens and a moderate wide-angle view; and in such a case, this lens' low purchase price makes it a perfectly satisfactory option. Sigma's 30mm and Nikon's 35/1.8G are DX lenses and are therefore removed from consideration for FX shooters. The obvious alternatives on FX would be Nikon's 35mm f/2D or 24mm f/2.8D - but in reality, for most FX users the real alternative will be an f/2.8 midrange zoom.
- Buying new vs buying used: Good lenses tend to hold their value very well, and they last a long time. Consequently the market for used lenses is vibrant and relatively efficient. In the case of this lens, the disparity between the new purchase price and the current used market value is high, and I would advise any prospective purchaser of this lens to find a good used copy from a reputable source, such as many of the used vendors right here on Amazon. Be sure to price-check against other vendors to ensure you're getting a fair price, of course. Buying used avoids the large one-time depreciation from buying new and will probably allow the user to re-sell the lens at some time in the future with little or no loss of value. This is a good strategy for any cost-conscious photographer.
Other Lenses:
I've had the opportunity to own and use many different Nikon lenses and have posted my impressions of some of them here on Amazon. For those interested, here are short summaries. I have used all these lenses on Nikon DX-sized DSLRs, most recently my current D90. Refer to the full reviews for further detail.
Sigma 30mm f/1.4 HSM: *** Poor focusing consistency and below average large-aperture acuity combine for disappointing real-world performance. Fast max aperture, very capable if used with appropriate care.
Nikon 35mm f/1.8 AF-G: ****1/2 Terrific lens at a bargain price. Not without flaws, but excellent in all important respects. A pleasure to use.
Nikon 35mm f/2 AF-D: **** Sharp, especially at large apertures, moderate contrast. Classic "normal" lens for DX but consider new 35mm f/1.8 AF-S instead.
Nikon 50mm f/1.8 AF-D: *** My sample was unacceptably poor at large apertures. Perhaps a below-average sample. Focal length not ideally suited to DX.
Nikon 85mm f/1.8 AF-D ****1/2 Very good short-to-moderate telephoto on DX. Acceptable at large apertures, very sharp stopped-down, moderate contrast. Potentially excellent for portrait use.
Nikon 16-85mm VR ***** Very sharp at all settings, excellent contrast, very useful zoom range including true wide-angle at 16mm. Excellent VR. Best-kept secret for DX users.
Nikon 28-200mm AF-G *** Of two samples, one was excellent and one poor, so watch for sample variations. Very good contrast. Not ideal hand-held due to lack of VR. Not ideal for tripod use due to design.
Nikon 55-200mm VR **** Very good lens, very good sharpness and contrast, no fatal flaws. Cheap feel and feature-challenged, but has effective VR. A bargain.
Nikon 70-300mm VR *** My sample had very poor performance above 200mm, good to very good elsewhere. Good contrast, generally very good focus performance. Good sports/action lens. Not good where critical sharpness is desired. Possibly a below-average sample.
30 of 32 people found the following review helpful
By CC
This is my second copy of this lens. I sold my first one when I went digital and didn't think I would need it anymore. However I found zoom lens were sometimes to large or slow and found myself wanting a fixed prime lens for my Nikon D300. So I bought another one a few months ago and love it. It is the equivalent of a 42mm on my D300 and it stays on the camera most of the time. It is sharp, has beautiful colors and is lightweight. I use it mostly for landscape photography and set the aperture and focus manually for the greatest depth of field.
A very well made lens.
A very well made lens.
11 of 11 people found the following review helpful
By Paul Garland
Amazon Verified Purchase
Despite the many mediocre reviews of this prime lens, I like it. Zoom lenses are labor savers, and I own many. But in general prime lenses are sharper.
I am using this on the Nikon D700 full frame (FX) camera, and I am happy with its performance.
I am using this on the Nikon D700 full frame (FX) camera, and I am happy with its performance.
Most Recent Customer Reviews
2.0 out of 5 stars
Mediocre Image Quality and Sharpness on a D800
I was rather disappointed with the 28mm f/2.8 as a whole. The IQ, contrast, and sharpness are subpar from the perspective of a Nikon traditionalist. Read more
Published 2 months ago by PhotoBuff
5.0 out of 5 stars
Surprisingly good!
I bought my 28mm F2.8 lens second hand for about 120 dollars and it came looking brand new with a filter! I used it on my (second hand) D700. Read more
Published 3 months ago by Lucio Soso
5.0 out of 5 stars
Simply Awsome
I bought this for macro. It is not a macro lens, but with extension tubes, a ring flash, and if you like reversal rings you can get some great objects. Seriously awsome. Read more
Published 14 months ago by Stephen Pellerine
3.0 out of 5 stars
Not Bright Enough.
I started with the 50mm 1.8 and f1.4. Then got this 28mm f2.8. Almost all of my night photos were blurry. 2.8 is just not bright enough. I was spoiled by my 1.8 and 1.4. Read more
Published 23 months ago by Deal or No Deal
3.0 out of 5 stars
Back-focuses
Back-focuses too much. I was really trying to like this lens, as it had pretty good reviews here and all. Read more
Published on January 7, 2011 by David Devine
3.0 out of 5 stars
Ok lens
The lens worked fine out of the box. But we sent it back because you have to be so close to get a picture of your subject. Right up in their face. Read more
Published on January 2, 2011 by Jack Johnson
3.0 out of 5 stars
This item is NOT 'Like New'
I brought this item and it was described 'Like New'. When I got this item, I was a little bit disappointed. Read more
Published on November 26, 2010 by Ken
4.0 out of 5 stars
Can not beat some of recent zooms
I wanted to buy a "normal" or slightly shorter fixed lens for my Nikon D80 as a lightweight "all-in-one" setup. Read more
Published on August 7, 2010 by 6x9
3.0 out of 5 stars
Good for DX format, okay for FX
DX side:
I wanted a nice normal, prime, fast lens for my DX-format camera. This was a strong contender due to a 42mm effective focal length with 1.5x crop factor. Read more
I wanted a nice normal, prime, fast lens for my DX-format camera. This was a strong contender due to a 42mm effective focal length with 1.5x crop factor. Read more
Published on August 31, 2009 by HOV600R
4.0 out of 5 stars
High-quality workhorse
This is a great choice for a full-frame camera like the D700 or D3X. Nice and sharp, decent curvature and distortion, and high contrast in the face of backlighting that would give... Read more
Published on April 30, 2009 by Paul Grupp
