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  • Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
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Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras

by Nikon
| 61 answered questions

Price: $334.00 & FREE Shipping. Details
Only 13 left in stock (more on the way).
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  • 50mm f/1.4D AF Nikkor Lens for Nikon DSLRs
  • Lens construction: 7 elements in 6 groups
  • Closest focusing: 0.45m/1.5 ft.
  • Accepts 52mm filters
  • Includes 52mm lens cap, rear cap

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4 new 38 used from $197.00 6 refurbished from $310.00

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Important Warranty Information: All Nikkor autofocus lenses from Nikon Inc. USA include four years of Nikon Extended Service Coverage at no charge. Be sure to look for the Nikon ESC certificate with every Nikkor lens purchase you make.

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Frequently Bought Together

Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras + Tiffen 52mm UV Protection Filter
Price for both: $339.99

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  • Six-Month Financing: For a limited time, purchase $149 or more using the Amazon.com Store Card and pay no interest for 6 months on your entire order if paid in full in 6 months. Interest will be charged to your account from the purchase date if the promotional balance is not paid in full within 6 months. Minimum monthly payments required. Subject to credit approval. 1-Click and phone orders do not apply. See complete details and restrictions.


Nikon 50mm f/1.4D AF Nikkor Lens: Review from dpreview.com
Read the full Nikon 50mm f/1.4D AF Nikkor lens review at dpreview.com
The AF-Nikkor 50mm 1:1.4D is Nikon's current version of their fast 'standard' prime lens, and while this specific model was introduced in 1995, the basic optical design dates back to the manual focus 50mm 1:1.4 AI of 1977. It features a traditional layout of 7 elements in 6 groups utilizing spherical surfaces only, which Nikon claims will deliver distortion-free images with superb resolution and colour accuracy, plus high contrast even at maximum aperture. The 50mm focal length classes it as a 'standard' lens on the FX format, with none of the 'perspective distortion' characteristic of wideangle or telephoto lenses, whilst on the vastly more popular and widespread DX format it behaves like a short telephoto, ideal for portraiture.

Read the full Nikon 50mm f/1.4D AF Nikkor lens review at dpreview.com


Product Details

  • Product Dimensions: 43 x 65 x 2.5 inches ; 8.2 ounces
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Shipping: Currently, item can be shipped only within the U.S.
  • ASIN: B00005LENO
  • Item model number: 1902
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (178 customer reviews)
  • Date first available at Amazon.com: October 2, 2001

Product Description

From the Manufacturer


An ideal first lens; perfect for full-length portraits, travel photography or any type of available-light shooting. Accepts 52mm filters.
  • Distortion-free, high-contrast images with superb resolution and color rendition
  • Fast enough for shooting in just about any type of light
50mm MTF Chart


Product Description

Fast enough for shooting in just about any type of light, this is an ideal first lens; perfect for full-length portraits, travel photography or any type of available-light shooting. The Nikon 50mm f/1.4D AF Nikkor lens delivers distortion-free images with superb resolution and color rendition. Accepts 52mm filters.

Customer Questions & Answers

Customer Reviews

Great lens for low light situations.
Alvis Wilson
Again, I would recommend everyone to get this lens (or the 50mm f/1.8).
Sidarta Tanu
Images are sharp, and the bokeh is beautifully creamy.
Laurence Vincent

Most Helpful Customer Reviews

385 of 390 people found the following review helpful By Rick V TOP 1000 REVIEWERVINE VOICE on February 7, 2010
Background you can skip
I realize a lot has been written everywhere about this lens. Just look at KenRockwell or DPReview and the sheer detailed reviews from fellow photographers around the internet. One thing is special about photo-ists: they are hardly fan-boys: if something is a-miss with a product then that get splattered out in gory detail, often with photo evidence... Why am I saying this? Because I think you can therefore trust the overall rating of this lens on the web. This one is often referred to as the model 1902, as well, by the way.
I wanted to add my 2 cents since I have bought several lenses in the last year that are all very similar. This review focuses on the 1.8 and 1.4 50mm lenses. The other 2 lenses are reviewed on their individual product pages. I thought some others might be trying to choose between these 2 lenses, but having a hard time determining the relatively steep price difference between the 1.4 and 1.8. I will not go into the technical differences between the 2 either as others that are more adept than me have done that and I am predominantly a person that focuses on the results and not the specs.

The primes I own:
85mm 1.8
35mm 1.8
50mm 1.8 ( http://www.amazon.com/Nikon-50mm-Nikkor-Digital-Cameras/dp/B00005LEN4/ref=sr_1_2?ie=UTF8&s=electronics&qid=1265596625&sr=8-2 )
50mm 1.4 (this one)

About this lens
I bought this lens especially for portraiture. I am a hobbyist but my camera is glued to me (a D90) and I tend to shoot lots of shots indoors, capturing casual moments of my kids, pets and so on. Probably very similar to any other proud dad and hubby.
Initially I did not want to shell out for the 50mm 1.4 and decided to get the well respected 50mm 1.8. I loved the 1.8 from the start.
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659 of 673 people found the following review helpful By Sidarta Tanu TOP 500 REVIEWERVINE VOICE on October 10, 2006
I don't even know where to start. This lens produces sharp pictures and great color and contrast. This lens is perfect for low light and/or action/sport photography (as this lens is famous for being one of the fastest lens together with its brother 50mm f/1.8). This lens is also perfect for portrait and other general purposes (macro etc). This is definitely a very versatile lens.

However, I think you should really consider buying the f/1.8 first before thinking to buy this f/1.4 lens (mainly because it is more than twice the price of the f1/8 and most of the time the f/1.8 version is fast enough in my opinion). Some examples where the faster f/1.4 lens might make a difference: low light wedding/concert or indoor sports photography (where the light is often low from the camera perspective) such as hockey, track and field, skating, gymnastic, basketball etc.

As much as I want to encourage everyone to buy this lens right away, let me mention some of the limitation that you would see (which I think will be helpful to go over before deciding to buy this lens):

First, being a prime lens, you will need to move your feet a lot to compose your picture. If you are used to zoom lens, don't underestimate this limitation. It takes me a while to get used to it, and sometime I still find people looking at me wondering why I am moving forward and backwards. the good news is that most of the time, they don't think I'm weird, but they are actually wondering if I'm a professional photographer.

Secondly, the focal range of 50mm, which is considered the normal lens and great for portrait lens.
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357 of 373 people found the following review helpful By Aneel Nazareth on November 30, 2004
I've been using this lens extensively with my D70. It lets me shoot without a flash in low-light situations where other photographers are complaining about not even being able to focus. I'm often able to even turn off the autofocus light, which allows for very natural pictures: the subject isn't hit with an anti-redeye flash or focusing beam, so they don't flinch and change expression. It produces excellent portraits, with the background artistically blurred.

Are there shots that I've gotten with this lens that I couldn't have gotten with the ($99) 50/1.8? Yes, a few. Most of them were from weddings (indoor, flash inappropriate, motion), or at night with no light sources within 20ft. For the vast majority of my pictures, though, the slower lens would have been more than adequate (even in dim light, I'm often shooting at f/2-f/4). If I had to choose between the two today, I'd probably get the cheaper lens.
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36 of 37 people found the following review helpful By Anne e Nonomous on August 11, 2007
Yes, the f/1.8 is a real bargain - but it's a bit soft when shooting wide open. It's still soft at f/2, but pretty decent by f/2.8. The Nikkon f/1.4, on the other hand, is decent at f/1.4 and quite sharp at f/2.0. I often need to shoot at f/2, so I've sold my f/1.8 and purchased the faster lens. For me, it's worth the extra $$$.
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68 of 75 people found the following review helpful By Kate Stokes VINE VOICE on June 15, 2007
Verified Purchase
If you are looking at this then you have probably looked at the 50mm f/1.8 lens as well--for one third the price of this one. That lens is a great value to be sure, but don't buy the hype about the f/1.8 being enough. I shoot indoors a lot and can't always use a flash, and I don't like using flashes anyway.

Much more often than not, my camera automatically goes straight to f/1.4 when in autofocus mode shooting indoors. That being the case, then obviously the f/1.8 would not be quite fast enough. It might seem like a small difference to some, but small differences in lighting can make or break a picture.

Let me also just say that it is not doing this lens justice to merely say that you can shoot without a flash with this lens. It is better than that. I am not a fan of flashes. This is just a personal preference of course, but I think flashes add a certain staged look to pictures, and also they tend to give that "flash-y" look to the picture where everything is saturated in brilliant light. With this lens, it is better than having a flash because the lighting is full, bright, and adequate without looking like there is a spotlight on everyone. I wish I could show you guys the pictures this thing takes indoors in low light without a flash. It is really amazing. Even one of my friends who knows nothing about this stuff commented on how amazing the pictures looked--in a lighting sense--knowing that a flash was not used.

In addition, I am several situations where flashes would be distracting or annoying to other people in the room. People tend to get more nervous when they see a $400 flash going off every minute or two in the corner of their eye because they think you might zero in on them next.
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