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Product Description
From the Manufacturer
This high-power, high-performance 4.3x telephoto zoom with VR image stabilization lens allows better hand-held telephoto shooting ED glass.
- High-power 4.3x Telephoto Zoom-Nikkor lens approximates the picture angle performance of a 105-450mm lens on 35mm SLR
- Two Nikon Extra-low Dispersion (ED) glass elements deliver superior optical performance for both digital and 35mm photography. ED glass minimizes chromatic aberrations, contributing to superb contrast and resolution performance
- Focus as close as 4.9 ft throughout entire zoom range
- A Silent Wave Motor (SWM) enables fast and quiet auto focusing, along with quick switching between auto focus and manual operation (M/A and M)
- Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper still images and video capture
- Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens, retaining subject-working distance through the focus range
- Non-rotating front element provides for convenient use of circular polarizing filters and the Nikon Wireless Close-Up Speedlight System
- A nine-blade rounded diaphragm opening makes out-of-focus elements appear more natural
Product Description
L3)NIKON 70-300MM F4-5.6G Vr (2161)
Available Warranties for This Item
Customer Reviews
Most Helpful Customer Reviews
807 of 836 people found the following review helpful
After exhaustive research on many lens, I finally decided to plunk down the $500+ (at the time this was written) to purchase this lens. It may not be the best on the market but it compliments my Nikon 18-70mm DX lens nicely. I was looking towards Nikon's 18-200mm DX lens, however; the price pushed me to choose this one (as it was nearly half the price and my two lens can nearly cover all the range of the one 18-200mm).
QUALITY/WEIGHT:
build quality is cheap yet sturdy... the plastic is a little chinky but cuts down on the weight. My Nikon D200 has no problem handling the lens weight, however; I have heard (unconfirmed) reports that this lens is a little heavy for the lighter cameras (D80, D70, D40, ETC). The Ring Connector is metal and has a rubber gasket on the outside so as to provide minor protection (for the lens mount) from the elements.
You also have to keep this in mind, when discussing weight, quality & price; the bulk of the price of this lens is going into the glass elements (all 17 elements of them). It gets expensive when you place that many high-quality optics into a tube. I'm really not that surprised a the price, although $400 price-range would probably be more suitable for this lens
FOCUSING/LENS ATTRIBUTES:
Focusing can be quite fast... at times. You'll find, at the Max 300mm focal range, that the lens has a pretty hard time auto-focusing in on a subject. At times it would focus pretty quick, at the 300mm range, while at others it cannot focus at all. You can get around this quirk by bringing the subject into near focus (manually) then letting the auto-focus take over; it works every time. I find this focus problem disappointing especially given the price of this lens.
The quality of the Bokeh (Out of focus areas of the photograph) is very nice and pleasing. The images are sharp, vignetting (dark areas in the corner of your photos) is hard to find and lens flare rarely a problem.
VIBRATION STABILIZATION:
All I can say is that it works... it can come in handy. It's not going to stop the image guaranteed for you; it's only meant to slow down the rate at which the camera moves (vibration from holding). You can notice the difference; with it off you'll see that the image (at say 300mm) really bouncing around; then you flick on VR. It takes a sec or two but then the image smooths out, it still wobbles around, but much more slowly.
With VR enabled, you can usually go 2-3 (sometimes 4) stops down, then what you'd normally be able to do when hand holding.
THE "SHOCK" TEST:
I haven't "shock tested" my lens yet (IE dropped it) but I have heard (again unconfirmed reports here) that it holds up pretty well to a drop... although I would never recommend testing that out.
IMPORTANT NOTE:
The 70-300mm range should be noted: Although the lens states that it is a 70-300mm zoom, this lens was intended for a 35mm camera or full-frame CCD/CMOS sensor Digital Camera. All (or at least the majority) of Nikon's DSLR (D200, D80, ETC) are NOT Full-Frame sensors. They are approximately 1.5x factor of a full-frame sensor (due to the smaller sensor size).
What does this all mean?
Well it's simple, since this is a 35mm lens and not a DX lens (ie built to account for the 1.5x factor in most nikon digitals) you have to apply the 1.5x conversion. This means that the Nikon 70-300mm on a Nikon DSLR will give an apparent zoom equivalent to a 105-450mm lens. I actually do not mind this apparent zoom and this should also cut down on vignetting; as what the lens projects onto the sensor is larger then the area of the sensor itself. In short: parts of the image spills over the sensor, since this lens was meant to project onto a full-frame sensor/35mm film.
CONCLUSION:
Pros:
Pleasing Bokeh
Fast Auto-Focus (when working properly)
Vignetting is minimal
Image Stabilization (VR)
Flare is minimal
1.5x factor (105-450mm) makes for nice zoom
Colors are very good
CONS:
Plastic Casing
Near Inability to Auto-Focus at 300mm range
Price (even though it is cheaper then the 18-200mm DX)
1.5x factor (105-450mm) might make it more zoom then you need
Lens could be faster (F/4 would have been nice)
I love this lens, even for it's quirks, however; you may want to wait till it drops in price a little more (it falls almost bi-weekly). It may not be the fastest on the market, but it's size, optics, image quality and VR make this a must have lens for Serious Nikon users!
QUALITY/WEIGHT:
build quality is cheap yet sturdy... the plastic is a little chinky but cuts down on the weight. My Nikon D200 has no problem handling the lens weight, however; I have heard (unconfirmed) reports that this lens is a little heavy for the lighter cameras (D80, D70, D40, ETC). The Ring Connector is metal and has a rubber gasket on the outside so as to provide minor protection (for the lens mount) from the elements.
You also have to keep this in mind, when discussing weight, quality & price; the bulk of the price of this lens is going into the glass elements (all 17 elements of them). It gets expensive when you place that many high-quality optics into a tube. I'm really not that surprised a the price, although $400 price-range would probably be more suitable for this lens
FOCUSING/LENS ATTRIBUTES:
Focusing can be quite fast... at times. You'll find, at the Max 300mm focal range, that the lens has a pretty hard time auto-focusing in on a subject. At times it would focus pretty quick, at the 300mm range, while at others it cannot focus at all. You can get around this quirk by bringing the subject into near focus (manually) then letting the auto-focus take over; it works every time. I find this focus problem disappointing especially given the price of this lens.
The quality of the Bokeh (Out of focus areas of the photograph) is very nice and pleasing. The images are sharp, vignetting (dark areas in the corner of your photos) is hard to find and lens flare rarely a problem.
VIBRATION STABILIZATION:
All I can say is that it works... it can come in handy. It's not going to stop the image guaranteed for you; it's only meant to slow down the rate at which the camera moves (vibration from holding). You can notice the difference; with it off you'll see that the image (at say 300mm) really bouncing around; then you flick on VR. It takes a sec or two but then the image smooths out, it still wobbles around, but much more slowly.
With VR enabled, you can usually go 2-3 (sometimes 4) stops down, then what you'd normally be able to do when hand holding.
THE "SHOCK" TEST:
I haven't "shock tested" my lens yet (IE dropped it) but I have heard (again unconfirmed reports here) that it holds up pretty well to a drop... although I would never recommend testing that out.
IMPORTANT NOTE:
The 70-300mm range should be noted: Although the lens states that it is a 70-300mm zoom, this lens was intended for a 35mm camera or full-frame CCD/CMOS sensor Digital Camera. All (or at least the majority) of Nikon's DSLR (D200, D80, ETC) are NOT Full-Frame sensors. They are approximately 1.5x factor of a full-frame sensor (due to the smaller sensor size).
What does this all mean?
Well it's simple, since this is a 35mm lens and not a DX lens (ie built to account for the 1.5x factor in most nikon digitals) you have to apply the 1.5x conversion. This means that the Nikon 70-300mm on a Nikon DSLR will give an apparent zoom equivalent to a 105-450mm lens. I actually do not mind this apparent zoom and this should also cut down on vignetting; as what the lens projects onto the sensor is larger then the area of the sensor itself. In short: parts of the image spills over the sensor, since this lens was meant to project onto a full-frame sensor/35mm film.
CONCLUSION:
Pros:
Pleasing Bokeh
Fast Auto-Focus (when working properly)
Vignetting is minimal
Image Stabilization (VR)
Flare is minimal
1.5x factor (105-450mm) makes for nice zoom
Colors are very good
CONS:
Plastic Casing
Near Inability to Auto-Focus at 300mm range
Price (even though it is cheaper then the 18-200mm DX)
1.5x factor (105-450mm) might make it more zoom then you need
Lens could be faster (F/4 would have been nice)
I love this lens, even for it's quirks, however; you may want to wait till it drops in price a little more (it falls almost bi-weekly). It may not be the fastest on the market, but it's size, optics, image quality and VR make this a must have lens for Serious Nikon users!
477 of 494 people found the following review helpful
Never has my opinion of a lens changed so dramatically or so quickly as in the case of this 70-300mm VR from Nikon. My first copy, owned about a year ago, was utterly mediocre in nearly every way. It was fuzzy at 300mm, no better than reasonably sharp under 200mm, gave nice colors and decent focus performance but was no fun to use thanks to its sticky zoom ring and "hidden" focus ring.
I reviewed that lens, giving it three stars, warning that it was likely a below-average copy but that buyers should be aware that variations exist and to be sure to test a lens like this before purchase.
With that bit of history, the performance of my second copy of this lens, purchased a few weeks ago now, has stunned me. It has prompted me to sell my 80-400mm VR zoom (also an excellent lens, but less sharp, heavier and much more expensive) and has matched in most ways the performance of various pro Nikon zooms I've owned. Even at 300mm, where it is weakest, it equals at f/5.6 the sharpness of the Nikon 300mm f/4 AF at f/4, while improving on that lens' color rendition and thus exceeding it in terms of overall image quality at all apertures.
How's that for an encore?
I've had no choice but to radically alter my review. (Reader comments below as of today (1/28/10), apply to the first (three star) version of the review, and the caution that one must be aware of sample variability is as important as ever). I've decided to re-write my review based solely on the performance of my second sample, under the assumption that the second sample is representative and the first not.
The lens still has some "handling" issues that stem from its nature as a consumer-oriented lens, and it is still a "slow" lens, with a maximum aperture of f/4.5 - f/5.6 - although f/5.6 at 300mm still implies a light-transmissive opening of about 54mm, nearly as large as that of an 85mm f/1.4 (61mm). There is simply no way the lens could be faster without also making it larger, heavier and much more expensive - and such lenses already exist.
Build quality is good consumer-grade, meaning metal where necessary, plastic elsewhere, likely little or no weather-sealing and not designed to endure rough handling. That's fine - another design choice that has benefits for size, weight and cost. Not quite so fine is the still-sticky zoom ring, which takes just enough effort to turn that near 300mm your subject will tend to jump around, maybe right out of the frame, as the hand holding the lens works in opposition to the hand holding the camera. Even worse in my opinion is the lack of a smooth, front-mounted focus ring, which I find fairly important in a long zoom. Notice that all the professional lenses have the focus ring in front of the zoom ring and usually larger than the zoom ring, so that small tweaks to focus are done easily and naturally with the photographer's hands in the shooting position. The small, hidden focus ring on the 70-300 is unlikely to be used except when setting up shots of still subjects on a tripod, and that's a shame because the lens is actually even better suited to other uses.
Those deficiencies are tolerable, though, because the 70-300 VR just about re-writes the book on image quality for consumer zooms in its range. It's not just a matter of acuity, although acuity is excellent: like many of Nikon's best lenses, the 70-300VR's images exceed the level of quality implied by formal tests of it. These formal tests, and most reviews, independently consider the various easily-measurable aspects of lens performance - acuity, aberrations of various types, perhaps (though usually cursorily) color rendition; and then attempt to grade the lens based on some rational summation of its good and bad qualities. What is usually missed is that the perception of sharpness and of image quality relies on a much less linear and not easily definable combination of a lens' optical qualities. The real performance of a lens can be more than the simple sum of its parts, or it can be less - and the perception of quality and sharpness in different lenses' images can vary quite a bit between lenses that have similar measurable capabilities.
Whatever the explanation, the 70-300 VR is a genuinely excellent lens in terms of image quality. Even in comparison to some of the best and most expensive professional lenses I've used, the 70-300 VR more than holds its own. Between 70mm and 200mm, I don't believe I have ever used a significantly sharper lens. Some might have an edge at one setting or another, but overall, within that range, I would put the 70-300VR up against any Nikon or third-party f/2.8 professional zoom and challenge anybody to see a difference in the resulting image. If there is one, my guess is that it would probably be in the 70-300's favor, because although most of these lenses are similar in terms of acuity once f/4.5 is reached, they vary in their rendition of color, and in that area the 70-300 excels.
To be sure, the 70-300 is not likely to produce a BETTER image at f/5.6, say, than one of Nikon's top pro zooms at the same aperture: those lenses are excellent, as well. But neither will the more expensive lens produce a better image, at least not without opening it up and taking advantage of its expensive larger aperture, which the 70-300 lacks. That is one trick that the 70-300 VR can not match, and probably the only reason for most people to consider paying up for the more expensive alternatives.
Towards 300mm the performance of the 70-300 VR drops off slightly - but only slightly. It's still worthy of superlatives, because it manages to almost match the performance of Nikon's 300mm primes in terms of pure acuity while retaining the outstanding color rendition and small-scale contrast that gives its images the snap and pop that distinguishes them from those of lesser lenses. Not only do I not hesitate to use this lens at 300mm, I do it at every opportunity. I know the images I get will look just as good, in any non-trivial way, as those at shorter focal lengths or made with any other lens I've had the opportunity to use. That's a giant leap away from what I said about the first sample of this lens I owned, by the way: watch those sample variations!
I now give this lens a five star rating. Despite its minor issues with feel and handling, it offers such exceedingly good performance, and is so impressively superior to any of its competition within its price and focal length range, that I can not give it any less. It becomes for me, along with the 16-85mm VR, the 85mm f/1.4 and a couple of others, one of the few standout lenses that I will always be happy to have on my camera, confident that any just about any photograph taken with them will have first-rate, no-excuses image quality that for practical purposes could not have been exceeded. Remember, though, that my initial review of this lens gave it three stars. That is a BIG difference between samples: take care to ensure that you get a good one. If you do, it won't disappoint.
Notes:
VR - This lens has Nikon's VR vibration reduction system. It is very good. Although not the upgraded VR implementation later introduced as VRII, this lens' VR does seem to offer subjectively improved VR performance than some early iterations of the VR technology, such as that found on the 70-200mm VRI and 80-400mm VR lenses; and it also seems to me to be a step more advanced than the VR found on some of the lower-cost lenses, notably the 55-200mm and 18-105mm VR lenses. As to VR itself, any variety, the secret is long-since out: it's a revelation. Don't even consider buying a lens in this range without VR unless you have a specialized use in mind that doesn't require it. That might include tripod-only use or sports photography. VR makes a lens like this easily hand-holdable in normal lighting conditions, and hand-holdable in low light with some care. That by itself is a revolutionary improvement in the accessibility of telephoto photography to photographers at every level, and also to the quality of the resulting images. Anybody who grew up using non-VR telephoto lenses knows you're almost always on the margins of camera shake when using them, often having to chuck three out of every four photos to get one good one. VR cures that completely.
Focusing - Fast and accurate. Nikon's top-level pro AF-S lenses have exceedingly quick, snappy focusing, and the 70-300 doesn't quite match them, but it is generally only one full step behind - a fraction longer to lock on; still quick. It is much quicker than the other consumer-grade AF-S lenses and also faster than the older screw-drive pro lenses, even on a pro body (with a couple of exceptions, perhaps). Out beyond 200mm it does drop off, as less light is reaching the focus sensors and the acuity has dropped a bit. For tracking motion out beyond 200mm, it will not come close to matching the pro lenses. In these cases I find the quickest way to lock focus is to back off the zoom, lock on, and then re-zoom. Cumbersome, unfortunately.
Bokeh - Quite good with this lens, a surprising deviation from most of Nikon's consumer lenses. It is better to my eyes than that of any of the lenses mentioned below except the 70-200 VR and possibly the 300mm lenses. Bokeh is important in a lens like this: at 300mm, even with an f/5.6 max aperture, it's easy to generate a great deal of background blur. That produced by the 70-300 VR is smooth, not likely to be distracting and adds to my confidence in recommending it vs. more expensive, professional zooms.
Vs. 80-400mm VR - The 80-400 VR is a great lens, but it is a full technological generation behind the 70-300 VR. It is a pro-level lens in terms of feel and build quality, and it is nicer to use. Read more ›
I reviewed that lens, giving it three stars, warning that it was likely a below-average copy but that buyers should be aware that variations exist and to be sure to test a lens like this before purchase.
With that bit of history, the performance of my second copy of this lens, purchased a few weeks ago now, has stunned me. It has prompted me to sell my 80-400mm VR zoom (also an excellent lens, but less sharp, heavier and much more expensive) and has matched in most ways the performance of various pro Nikon zooms I've owned. Even at 300mm, where it is weakest, it equals at f/5.6 the sharpness of the Nikon 300mm f/4 AF at f/4, while improving on that lens' color rendition and thus exceeding it in terms of overall image quality at all apertures.
How's that for an encore?
I've had no choice but to radically alter my review. (Reader comments below as of today (1/28/10), apply to the first (three star) version of the review, and the caution that one must be aware of sample variability is as important as ever). I've decided to re-write my review based solely on the performance of my second sample, under the assumption that the second sample is representative and the first not.
The lens still has some "handling" issues that stem from its nature as a consumer-oriented lens, and it is still a "slow" lens, with a maximum aperture of f/4.5 - f/5.6 - although f/5.6 at 300mm still implies a light-transmissive opening of about 54mm, nearly as large as that of an 85mm f/1.4 (61mm). There is simply no way the lens could be faster without also making it larger, heavier and much more expensive - and such lenses already exist.
Build quality is good consumer-grade, meaning metal where necessary, plastic elsewhere, likely little or no weather-sealing and not designed to endure rough handling. That's fine - another design choice that has benefits for size, weight and cost. Not quite so fine is the still-sticky zoom ring, which takes just enough effort to turn that near 300mm your subject will tend to jump around, maybe right out of the frame, as the hand holding the lens works in opposition to the hand holding the camera. Even worse in my opinion is the lack of a smooth, front-mounted focus ring, which I find fairly important in a long zoom. Notice that all the professional lenses have the focus ring in front of the zoom ring and usually larger than the zoom ring, so that small tweaks to focus are done easily and naturally with the photographer's hands in the shooting position. The small, hidden focus ring on the 70-300 is unlikely to be used except when setting up shots of still subjects on a tripod, and that's a shame because the lens is actually even better suited to other uses.
Those deficiencies are tolerable, though, because the 70-300 VR just about re-writes the book on image quality for consumer zooms in its range. It's not just a matter of acuity, although acuity is excellent: like many of Nikon's best lenses, the 70-300VR's images exceed the level of quality implied by formal tests of it. These formal tests, and most reviews, independently consider the various easily-measurable aspects of lens performance - acuity, aberrations of various types, perhaps (though usually cursorily) color rendition; and then attempt to grade the lens based on some rational summation of its good and bad qualities. What is usually missed is that the perception of sharpness and of image quality relies on a much less linear and not easily definable combination of a lens' optical qualities. The real performance of a lens can be more than the simple sum of its parts, or it can be less - and the perception of quality and sharpness in different lenses' images can vary quite a bit between lenses that have similar measurable capabilities.
Whatever the explanation, the 70-300 VR is a genuinely excellent lens in terms of image quality. Even in comparison to some of the best and most expensive professional lenses I've used, the 70-300 VR more than holds its own. Between 70mm and 200mm, I don't believe I have ever used a significantly sharper lens. Some might have an edge at one setting or another, but overall, within that range, I would put the 70-300VR up against any Nikon or third-party f/2.8 professional zoom and challenge anybody to see a difference in the resulting image. If there is one, my guess is that it would probably be in the 70-300's favor, because although most of these lenses are similar in terms of acuity once f/4.5 is reached, they vary in their rendition of color, and in that area the 70-300 excels.
To be sure, the 70-300 is not likely to produce a BETTER image at f/5.6, say, than one of Nikon's top pro zooms at the same aperture: those lenses are excellent, as well. But neither will the more expensive lens produce a better image, at least not without opening it up and taking advantage of its expensive larger aperture, which the 70-300 lacks. That is one trick that the 70-300 VR can not match, and probably the only reason for most people to consider paying up for the more expensive alternatives.
Towards 300mm the performance of the 70-300 VR drops off slightly - but only slightly. It's still worthy of superlatives, because it manages to almost match the performance of Nikon's 300mm primes in terms of pure acuity while retaining the outstanding color rendition and small-scale contrast that gives its images the snap and pop that distinguishes them from those of lesser lenses. Not only do I not hesitate to use this lens at 300mm, I do it at every opportunity. I know the images I get will look just as good, in any non-trivial way, as those at shorter focal lengths or made with any other lens I've had the opportunity to use. That's a giant leap away from what I said about the first sample of this lens I owned, by the way: watch those sample variations!
I now give this lens a five star rating. Despite its minor issues with feel and handling, it offers such exceedingly good performance, and is so impressively superior to any of its competition within its price and focal length range, that I can not give it any less. It becomes for me, along with the 16-85mm VR, the 85mm f/1.4 and a couple of others, one of the few standout lenses that I will always be happy to have on my camera, confident that any just about any photograph taken with them will have first-rate, no-excuses image quality that for practical purposes could not have been exceeded. Remember, though, that my initial review of this lens gave it three stars. That is a BIG difference between samples: take care to ensure that you get a good one. If you do, it won't disappoint.
Notes:
VR - This lens has Nikon's VR vibration reduction system. It is very good. Although not the upgraded VR implementation later introduced as VRII, this lens' VR does seem to offer subjectively improved VR performance than some early iterations of the VR technology, such as that found on the 70-200mm VRI and 80-400mm VR lenses; and it also seems to me to be a step more advanced than the VR found on some of the lower-cost lenses, notably the 55-200mm and 18-105mm VR lenses. As to VR itself, any variety, the secret is long-since out: it's a revelation. Don't even consider buying a lens in this range without VR unless you have a specialized use in mind that doesn't require it. That might include tripod-only use or sports photography. VR makes a lens like this easily hand-holdable in normal lighting conditions, and hand-holdable in low light with some care. That by itself is a revolutionary improvement in the accessibility of telephoto photography to photographers at every level, and also to the quality of the resulting images. Anybody who grew up using non-VR telephoto lenses knows you're almost always on the margins of camera shake when using them, often having to chuck three out of every four photos to get one good one. VR cures that completely.
Focusing - Fast and accurate. Nikon's top-level pro AF-S lenses have exceedingly quick, snappy focusing, and the 70-300 doesn't quite match them, but it is generally only one full step behind - a fraction longer to lock on; still quick. It is much quicker than the other consumer-grade AF-S lenses and also faster than the older screw-drive pro lenses, even on a pro body (with a couple of exceptions, perhaps). Out beyond 200mm it does drop off, as less light is reaching the focus sensors and the acuity has dropped a bit. For tracking motion out beyond 200mm, it will not come close to matching the pro lenses. In these cases I find the quickest way to lock focus is to back off the zoom, lock on, and then re-zoom. Cumbersome, unfortunately.
Bokeh - Quite good with this lens, a surprising deviation from most of Nikon's consumer lenses. It is better to my eyes than that of any of the lenses mentioned below except the 70-200 VR and possibly the 300mm lenses. Bokeh is important in a lens like this: at 300mm, even with an f/5.6 max aperture, it's easy to generate a great deal of background blur. That produced by the 70-300 VR is smooth, not likely to be distracting and adds to my confidence in recommending it vs. more expensive, professional zooms.
Vs. 80-400mm VR - The 80-400 VR is a great lens, but it is a full technological generation behind the 70-300 VR. It is a pro-level lens in terms of feel and build quality, and it is nicer to use. Read more ›
63 of 63 people found the following review helpful
By Frank H
I needed more reach than I have with my 18-200 VR, and was
not able to obtain the 80-400VR, so I got this lens thinking
I could get rid of it if I didn't like it. I am very happy
that I did!
I am extremely impressed with this lens. It appears to me
that the VR is actually better than on my 18-200VR. The lens
has superior balance, size and weight for handheld nature
photography. Lens flare (when I could get it to appear) was
acceptable, the contrast is tremendous, and the bokeh was
quite pleasant. Auto-focus is very accurate and quick. In
addition, the lens was extraordinarily sharp all the way
to 300mm.
not able to obtain the 80-400VR, so I got this lens thinking
I could get rid of it if I didn't like it. I am very happy
that I did!
I am extremely impressed with this lens. It appears to me
that the VR is actually better than on my 18-200VR. The lens
has superior balance, size and weight for handheld nature
photography. Lens flare (when I could get it to appear) was
acceptable, the contrast is tremendous, and the bokeh was
quite pleasant. Auto-focus is very accurate and quick. In
addition, the lens was extraordinarily sharp all the way
to 300mm.
Most Recent Customer Reviews
5.0 out of 5 stars
Awesome lens for the price
I've owned this lens for about a year now. I bought this lens mainly for sunsets/sunrises, wildlife photography, Focusing is fast and accurate and I love that it has the vibration... Read more
Published 13 days ago by Kaua'i Rider
5.0 out of 5 stars
beautiful color and very sharp, better than 18-200
I traded my 18-200 for two zooms including this lens. I'm glad I did it. It looks to me all-purpose lens is just like an advanced point and shoot. Read more
Published 17 days ago by Dan InGold
5.0 out of 5 stars
wow
Better than most lenses of similar value and performed better than expected for the price i got it for. Thanks.
Published 29 days ago by Agradut
3.0 out of 5 stars
Loneger lens
This is a less expensive way to obtain the extra reach from your lens' arsenal. It is not the sharpest of lenses, but then it doesn't cost what the high-end lenses cost either. Read more
Published 29 days ago by David Bozsik
2.0 out of 5 stars
Soft Focusing Lens
I'm not sure if newer copies have QC problems but unfortunately the 70-300mm didn't live up to expectations on my DX bodies. Read more
Published 1 month ago by SierraBear
3.0 out of 5 stars
Returned the lens
I tried this lens on a Nikon D800 and above 200 mm the pictures were just too soft for me. Though much more expensive, I am instead using the 70-200 mm f/2.8 VR II with a 1. Read more
Published 1 month ago by kim davidson
4.0 out of 5 stars
Great Lens
Great lens for the price. Can get a little fuzzy at 300mm but for the price you can't beat it.
Published 2 months ago by Donald W. Ritchey
5.0 out of 5 stars
excellent lens
works great with my F1 mirrorless with the FT-1 adapter (make sure your firmware is up to date)
many of its auto focus features still work with the F1
many of its auto focus features still work with the F1
Published 2 months ago by wyldwyll
5.0 out of 5 stars
Nikon
Great lens for the price. There are better lens but the price is several $ 100.00 more. I'm enjoying it very much.
Published 3 months ago by Hankie1970
5.0 out of 5 stars
Awesome lens...
I used to own the non-VR version and was disappointed...the control I have now hand holding in low-light situations is incredible. Read more
Published 3 months ago by me
