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Product Details
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Product Description
From the Manufacturer
Power. Precision. Performance. The bluprint for versatility.
The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S' rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images.
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Expanded ISO sensitivities of 25,600, 51,200 and an astounding 102,400, shatter many long-standing rules of photography. Audio to accompany HD video is preserved with a built-in microphone, while high fidelity stereo sound is recorded through the external Mic input using an optional microphone. More proven technologies include Nikon's renowned 1,005-pixel RGB 3D Color Matrix Metering II, assuring exacting exposure evaluation and white balance detection. Precise image review and menu access comes to life with the D3S' tempered glass-protected and individually factory-calibrated 3-inch, 921,000-dot Live View monitor. A self-diagnostic shutter, tested to beyond 300,000 cycles, and a myriad of inherent benefits stemming from decades of Nikon design experience, round out the D3S' qualifications to meet the needs of professional photographers.
Nikon D3s Features & Highlights
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Low Noise ISO Sensitivity from 200 to 12,800
Renowned low-noise performance at 12,800, plus expanded settings to an astounding ISO 102,400 (equivalent) and ISO 100 (equivalent).
Continuous Shooting Up to 9 FPS
Secure exacting moments in time with an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images.
HD Video Capture
Record smooth 24 fps HD video, leveraging low noise D3S image quality along with high fidelity stereo sound capability.
One-button Live View with Two Shooting Modes
Two modes for studio or remote shooting--Tripod Mode offers 27x magnification for precise focus confirmation.
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3-Inch Super-density 921,000-dot VGA LCD Monitor
D3S monitors are individually calibrated during assembly to assure accuracy.
Dynamic Integrated Dust Reduction System
Ultrasonic process combats the accumulation of dust on the optical low pass filter, safeguarding image quality.
Nikon EXPEED Image Processing
Drives breathtakingly rich image fidelity, low noise and fast image processing.
Fast, Accurate 51-Point AF System
4 Dynamic modes and 15 cross-type sensors deliver AF precision and razor sharpness.
1,005-Pixel 3D Color Matrix Metering II
Nikon-pioneered RGB metering includes color information to intelligently determine more accurate exposures.
Scene Recognition System
Referencing an onboard image database, teamed with RGB metering, SRS enhances exposure and white balance evaluation and improves AF speed and accuracy.
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Rugged and Precise Magnesium Alloy Construction
Effectively protected from invasive dust, moisture and electromagnetic interference with a self-diagnostic shutter mechanism tested to exceed 300,000 cycles.
Nikon Picture Control
Four preset options and 9 customizable settings provide personalized style control.
100% Viewfinder Coverage
Dual CF Card Slots with Overflow, Backup and Copy Option
Virtual Horizon Graphic Indicator
Up to 4,300 Images per Battery Charge
Product Description
The D3S is uniquely qualified to meet the changing needs of photographers whose assignments demand 100% from them and their equipment. Leading with uncompromising FX-format multimedia versatility and engineered for demanding professional use at up to 9 fps, the D3S rugged magnesium alloy construction, comprehensively sealed against dust and moisture, delivers on its promises of superiority. Exacting moments in time are captured to an expanded buffer, allowing continuous capture of up to 82 JPEG (fine) or 36 14-bit NEF (RAW) images.
Customer Reviews
Most Helpful Customer Reviews
80 of 83 people found the following review helpful
Amazon Verified Purchase
Update: Images up to ISO 51,200 have very acceptable levels of noise (very little). Worst case, I touched up with Dfine 2.0 (noise reduction software) and they look nearly perfect. I experimented with the movie mode. The camera took some very nice looking videos in extremely low light. I don't know what ISO it used, but it must be hitting ISO 102,400 at times. The video and sound using the internal microphone are really good. I may add an external stereo mic in the future if I shoot video. I should have known, you can't shoot movies in vertical format -- of course -- but I did take some that way before I realized that format doesn't work when you play back on a TV.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
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I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.
I've now got a growing collection of images in various conditions and remain extremely pleased with this camera.
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I received my new Nikon D3S only a couple of days ago, and my early testing of this camera has already proven it to be much more than I expected. I took a few dozen test shots in nearly complete darkness and with relatively little noise the shots look like they were taken in fairly bright lighting. I am very impressed. In fact, I would even say they are unbelievable.
I love the new "info" button. I passed over the written material before the camera arrived thinking: who cares. Well, I find it to be an extremely helpful feature. When you press the "info" button, it shows not only the exposure settings, but gives you immediate access to several of the relevant menu options that you can then immediately access and make changes. I find this to be very quick and useful.
The D3S seems a bit bigger than my Nikon D2Xs and other professional bodies I use, but it feels like it's built absolutely solid. Of course, since the D3S is an FX (full frame) sensor, I have heavier lenses attached and in my bag too. I love the D3S ergonomics and the programmable function and other buttons (programmable AE/AL and Preview button). I hate to fumble with menus in the field (sorry Canon 1ds Mark III and 5D Mark IV and others, but Nikon has you beat here), and the Nikon gives fast access to all the key settings.
I haven't done extensive image tests yet, but my first impression is the images are superb, color is very accurate and auto focus is very fast and accurate, even in what I'd call "no light." I have usable images at ISO 102,400 (an amazing seven full stops better than other pro-bodies I use). At this point, I still can't believe how good images look at ISO 102,400, and images at ISO 51,200 and 25,600 look nearly perfect with either no high ISO NR (noise reduction) or standard NR.
Looking at my images at high magnification and they appear much clearer than even higher megapixel resolution bodies I use. I am now finally convinced beyond any doubt that megapixel is more of a marketing ploy than meaningful for professional photographers and other factors are more important.
As a pro who uses high end digital bodies, this is my first choice (maybe my only choice) for most assignments. I do a fair amount of studio work and thought I might opt for the Nikon D3X or even a Canon body since high ISO is not important, but this camera is so good I may use it for all my photography work in all conditions. If I really need high-end studio shots, I'll perhaps use my Mamiya with a digital back or even rent a Hasselblad.
64 of 67 people found the following review helpful
By R. Adams
Amazon Verified Purchase
The Nikon D3s is an amazing camera and I love it. The vast majority of people looking at buying this camera are talking about it's ISO and low light abilities. Even though there is alot more to this camera than it's amazing new ISO abilities, lets start with it's most unique feature and major selling point.
How good does it's ISO get? How about 12,800! The ISO can be pushed up to 102,400 using the Hi ISO settings.
My tests - Nikon D3s combined with the Nikkor 24-70 2.8 Lens.
I tested the camera at 400 ISO, 800 ISO, 1,600 ISO, 3,200 ISO, 6,400 ISO, and 12,800 ISO both inside in low light and outside at night. I have also tested the Hi 3 or 102,400 ISO setting
The ISO settings look really great up through the 3,200 mark. After that one can a little notice grain/noise up to the 12,800 ISO point. I would not hesitate at all running this camera at 1,600 or 3,200 ISO. BTW - Pictures taken at 12,800 are usable. They look really good. But there is a little noise as I said. The 102,400 setting creates all sorts of noise/grain, but that should be expected. So far the pictures I've take at the highest setting basically turns this camera into your own "night vision" camera. It can see in very dark surroundings.
More on the D3s
- This camera is rugged. Over the holidays, I had it outside in snow storms, rain, and sub freezing temperatures. It performed flawlessly.
- Info button - New to the D3s and really nice. It displays information such as f-stop, shutter speed, mode, and remaining pictures on monitor/display screen on the back
- Live view - there are 2 setting here. One for a tripod and one for handheld use. Turn this on, and you have a view of what you see through the viewfinder on your back monitor. I personally don't use this alot, but can see why others would.
- Accurate and fast auto focus using the 24-70 2.8 lens and my 14-24 2.8 lens
- HD Video at 720p
- Amazing 9 fps. Yes, I tested this, and I love it. I shoot motorsports and was hampered by the slower D2Xs as well as the smaller buffer on the D2Xs
- Sensor cleaning - done through the menu system on the back monitor.
- Quiet mode (Which isn't that much quieter than the default sound)
- 51 point Auto Focus system
- FX metering system (remember if you use a DX lens on this camera, the FX sensor with crop your photo. It appears like a gray box inside the vewfinder cropping your edges)
My Favorite addition (actually useful and I love it) - The Virtual Horizon. This looks like something you would find in the cockpit of an airplane and not a camera, but here it is in the D3s. It is a line that gives the photographer the correct horizon. Why is this so cool? Imagine anything from nature photography in the mountains (like standing on a slope) to photographing motorsports on a banked oval track (that would be me). Here is the function that allows photos to have proper alignment. I could see this function being used both on a tripod and hand held.
*Update on pictures*
- Having spent more time photographing in low light, the 12,800 ISO setting is mind blowing.
- Pictures outside at night - I took pictures of dark lawns, streets, and some holiday lights. Contrast is good as is saturation. There is some grain/noise, but it is uniform and not that bad.
- Pictures in dimly lit rooms - less noise and the colors and saturation are great. These images were sharp too. I toggled between manual mode and program mode to fool with the depth of field and bokeh. The brighter the room, the less the noise/grain. (Again these are ALL situations that would have required a flash with any other camera)
- Pictures of stars - Yup. Stars in the sky. I was actually able to hand hold this camera, aim it in the sky and snap a picture of stars. The picture didn't look that great, but considering I did it on a whim it was still really neat. (The camera picked up alot of haze in the sky. I think away from the city, the photos would be a lot better)
I've now taken well over 1,000 pictures with the D3s and it is easily the best camera I have owned. I am really impressed
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Update on one D3s issue - DPreview forums have reported numerous instances of D3s with a slow focus problem. They say it is a firmware bug. I have NOT had any issues and I am 2,000+ photos into my D3s. That includes many lowlight shoots.
How good does it's ISO get? How about 12,800! The ISO can be pushed up to 102,400 using the Hi ISO settings.
My tests - Nikon D3s combined with the Nikkor 24-70 2.8 Lens.
I tested the camera at 400 ISO, 800 ISO, 1,600 ISO, 3,200 ISO, 6,400 ISO, and 12,800 ISO both inside in low light and outside at night. I have also tested the Hi 3 or 102,400 ISO setting
The ISO settings look really great up through the 3,200 mark. After that one can a little notice grain/noise up to the 12,800 ISO point. I would not hesitate at all running this camera at 1,600 or 3,200 ISO. BTW - Pictures taken at 12,800 are usable. They look really good. But there is a little noise as I said. The 102,400 setting creates all sorts of noise/grain, but that should be expected. So far the pictures I've take at the highest setting basically turns this camera into your own "night vision" camera. It can see in very dark surroundings.
More on the D3s
- This camera is rugged. Over the holidays, I had it outside in snow storms, rain, and sub freezing temperatures. It performed flawlessly.
- Info button - New to the D3s and really nice. It displays information such as f-stop, shutter speed, mode, and remaining pictures on monitor/display screen on the back
- Live view - there are 2 setting here. One for a tripod and one for handheld use. Turn this on, and you have a view of what you see through the viewfinder on your back monitor. I personally don't use this alot, but can see why others would.
- Accurate and fast auto focus using the 24-70 2.8 lens and my 14-24 2.8 lens
- HD Video at 720p
- Amazing 9 fps. Yes, I tested this, and I love it. I shoot motorsports and was hampered by the slower D2Xs as well as the smaller buffer on the D2Xs
- Sensor cleaning - done through the menu system on the back monitor.
- Quiet mode (Which isn't that much quieter than the default sound)
- 51 point Auto Focus system
- FX metering system (remember if you use a DX lens on this camera, the FX sensor with crop your photo. It appears like a gray box inside the vewfinder cropping your edges)
My Favorite addition (actually useful and I love it) - The Virtual Horizon. This looks like something you would find in the cockpit of an airplane and not a camera, but here it is in the D3s. It is a line that gives the photographer the correct horizon. Why is this so cool? Imagine anything from nature photography in the mountains (like standing on a slope) to photographing motorsports on a banked oval track (that would be me). Here is the function that allows photos to have proper alignment. I could see this function being used both on a tripod and hand held.
*Update on pictures*
- Having spent more time photographing in low light, the 12,800 ISO setting is mind blowing.
- Pictures outside at night - I took pictures of dark lawns, streets, and some holiday lights. Contrast is good as is saturation. There is some grain/noise, but it is uniform and not that bad.
- Pictures in dimly lit rooms - less noise and the colors and saturation are great. These images were sharp too. I toggled between manual mode and program mode to fool with the depth of field and bokeh. The brighter the room, the less the noise/grain. (Again these are ALL situations that would have required a flash with any other camera)
- Pictures of stars - Yup. Stars in the sky. I was actually able to hand hold this camera, aim it in the sky and snap a picture of stars. The picture didn't look that great, but considering I did it on a whim it was still really neat. (The camera picked up alot of haze in the sky. I think away from the city, the photos would be a lot better)
I've now taken well over 1,000 pictures with the D3s and it is easily the best camera I have owned. I am really impressed
---------------------------
Update on one D3s issue - DPreview forums have reported numerous instances of D3s with a slow focus problem. They say it is a firmware bug. I have NOT had any issues and I am 2,000+ photos into my D3s. That includes many lowlight shoots.
48 of 52 people found the following review helpful
I initially started this comment as a reply to someone who asked why anyone would need a camera that goes higher than 12,000 ISO unless you wanted to take pictures in a closet, especially since you can get a much less expensive consumer-level DSLR with more mega pixels and higher resolution video. I decided to post my response here with the hope than someone else might find it to be useful:
For the past couple of years, I have been using a Nikon D80, which from all the reviews I have read competes fairly well with other cameras in this class. I am not a professional photographer, but I enjoy photography enough that the limitations this consumer-level DSLR seems to have became a source of frustration to me.
I recently upgraded to a D3S, and I am absolutely amazed at the difference between the two cameras. The D3S is ten times the camera--and not because of the marginal difference in mega pixels.
It's not all about being able to take pictures in near darkness either. I take a lot of wildlife pictures with a solid, f 4.5 70-300mm zoom lens (popular because of its good price/performance tradeoff), and with my D80, if I am zoom out much at all, it has to be a bright sunny day to get really good pictures. Cloud cover and even shade results in quite a bit of color noise and a loss of detail, even at ISO settings as low as 400, and I almost always have to shoot with the aperture wide open to mitigate these problems, which, of course, limits my flexibility in terms of depth of field and tends to wash out bright areas. It is also very difficult to stop the motion of things like birds in flight with the low ISO settings that are required to avoid color noise and loss of detail. This is a very frustrating tradeoff to have to make.
With my D80, I have also noticed that the shading gradation of things like fog and shadows in snow is fairly limited--to the point where pictures of things with subtle shading almost always look washed out or have very little detail. The D3S, on the other hand, has an amazing amount of detail no matter what the subject is, no matter how subtle the shading and despite poor lighting conditions. (For the first time ever, I have been able to take pictures of things like fog rolling over a lake and have it show up just the way my eyes see it! No more blending of subtle shades into a single patch of white.)
My D80 also struggles to be consistent with color balance and metering. The D3S is almost always dead on in terms of color balance and metering and is faster and more consistently accurate with its auto focus.
The fact that the D3S's image sensor does such a great job in low light situations has opened up new possibilities for me. I can even stop down my slow f 4.5 300mm zoom lens significantly at any focal length and get outstanding results, even on a cloudy day. Think about the possibilities this opens up in terms of lens choices. As an amateur, I simply cannot afford the 10K-a-pop, fast professional lenses, but now I can get great pictures with slower, less expensive lenses, and I can actually extend the capabilities of the lenses I have with things like teleconverters and still get good results. In this sense, the D3S is a bargain.
I have mostly mentioned the quality of the pictures this camera takes, and I do not intend to go into its rich feature set and build quality (other comments below have already done this), but I did want to tell you about some of the considerable advantages I have found with the D3S and tell you about the outstanding results that I have been getting. I am amazed at the quality of the pictures this camera takes, and I am thrilled with the way this camera performs! This camera is in an entirely different class than the consumer-level DSLRs I have used in the past.
For the past couple of years, I have been using a Nikon D80, which from all the reviews I have read competes fairly well with other cameras in this class. I am not a professional photographer, but I enjoy photography enough that the limitations this consumer-level DSLR seems to have became a source of frustration to me.
I recently upgraded to a D3S, and I am absolutely amazed at the difference between the two cameras. The D3S is ten times the camera--and not because of the marginal difference in mega pixels.
It's not all about being able to take pictures in near darkness either. I take a lot of wildlife pictures with a solid, f 4.5 70-300mm zoom lens (popular because of its good price/performance tradeoff), and with my D80, if I am zoom out much at all, it has to be a bright sunny day to get really good pictures. Cloud cover and even shade results in quite a bit of color noise and a loss of detail, even at ISO settings as low as 400, and I almost always have to shoot with the aperture wide open to mitigate these problems, which, of course, limits my flexibility in terms of depth of field and tends to wash out bright areas. It is also very difficult to stop the motion of things like birds in flight with the low ISO settings that are required to avoid color noise and loss of detail. This is a very frustrating tradeoff to have to make.
With my D80, I have also noticed that the shading gradation of things like fog and shadows in snow is fairly limited--to the point where pictures of things with subtle shading almost always look washed out or have very little detail. The D3S, on the other hand, has an amazing amount of detail no matter what the subject is, no matter how subtle the shading and despite poor lighting conditions. (For the first time ever, I have been able to take pictures of things like fog rolling over a lake and have it show up just the way my eyes see it! No more blending of subtle shades into a single patch of white.)
My D80 also struggles to be consistent with color balance and metering. The D3S is almost always dead on in terms of color balance and metering and is faster and more consistently accurate with its auto focus.
The fact that the D3S's image sensor does such a great job in low light situations has opened up new possibilities for me. I can even stop down my slow f 4.5 300mm zoom lens significantly at any focal length and get outstanding results, even on a cloudy day. Think about the possibilities this opens up in terms of lens choices. As an amateur, I simply cannot afford the 10K-a-pop, fast professional lenses, but now I can get great pictures with slower, less expensive lenses, and I can actually extend the capabilities of the lenses I have with things like teleconverters and still get good results. In this sense, the D3S is a bargain.
I have mostly mentioned the quality of the pictures this camera takes, and I do not intend to go into its rich feature set and build quality (other comments below have already done this), but I did want to tell you about some of the considerable advantages I have found with the D3S and tell you about the outstanding results that I have been getting. I am amazed at the quality of the pictures this camera takes, and I am thrilled with the way this camera performs! This camera is in an entirely different class than the consumer-level DSLRs I have used in the past.
Most Recent Customer Reviews
5.0 out of 5 stars
Perfection
Newer cameras will always be released with new gizmos no doubt.
This camera is the ultimate gear if you shook weddings, obviously great for portraits and other stuff too... Read more
This camera is the ultimate gear if you shook weddings, obviously great for portraits and other stuff too... Read more
Published 7 months ago by Stanislaus Martins
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Published 10 months ago by Jeffrey Shapiro
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I'm rating my D3s as 4.5 based on my passed experience with the D7000. I've also used the Canon 5D MK II for a few events. Read more
Published 12 months ago by MiddleEastern
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Published 17 months ago by James M. Worthington
5.0 out of 5 stars
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This camera is flat-out amazing. It truly shoots in the dark. I shoot a lot of events and I hate working with a flash on my camera. Read more
Published 17 months ago by JohnInCO
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D3S even better
Okay I jumped on the upgrade tread mill. I traded my D3 in on the D3S and am not one bit sorry. What did I gain? I gained a video camera even though I rarily use that feature. Read more
Published 18 months ago by G. Patrick Byers
5.0 out of 5 stars
More than outstanding in low/normal/high lighting
I have been a Nikonian for a while. I started with a D70, D70s, D200, D300s and now I finally could afford to buy the D3s. Read more
Published 18 months ago by Jose Sanabria
1.0 out of 5 stars
System failure on the repair end
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Published 20 months ago by Frank Dobbs
5.0 out of 5 stars
Low-Light High-ISO All-Star Digital Cameras
Nikon D3s
12 Megapixels
Among currently available full-frame digital cameras, Nikon swept the top three positions, starting with the $5,200, 12MP D3s. Read more
12 Megapixels
Among currently available full-frame digital cameras, Nikon swept the top three positions, starting with the $5,200, 12MP D3s. Read more
Published 20 months ago by Tatiana Nicholas
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The best money can buy todate
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I normally do landscape photography and I do some portraiture as well. Read more
I normally do landscape photography and I do some portraiture as well. Read more
Published 21 months ago by Anthony Loh
