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The sound quality is top notch (although it would have been nice if they had used the HDCD format or 24 bit remastering for that extra detail and warmth). There is a noticable difference between the domestic version of NS and this fine import. Rumor has it (Buddah Records wouldn't confirm it but I hear they are working on the masters as we speak) that Buddah Records will be reissuing Son of Dracula next year with a number of previously unreleased bonus tracks. While SOD wasn't Harry's best album (it did feature the terrific Daybreak though), the opportunity to hear unreleased tracks makes me water at the mouth.
Finally the guy is getting his due. Harry we miss you!
take an incredibly emotive, beautiful voice with a four octave range,
blend with a set of eclectic songs that blend humor, pathos, heartache and love.
Cook with a band that included Klaus Voorman ("one" of the "5th" Beatles), Jim Gordon (fantastic session drummer, Derek & the Dominoes), Jim Keltner (if you don't know, don't ask, just listen), Cris Spedding (McCartney, Elton John, etc).
Top with one of the great producers of the '70s, Richard Perry, and you have one hell of a confection.
If you have a good stereo, and want to be blown away, buy this and put it on. Jump Into the Fire alone is worth the price of admission. Without You is simply one of the most breathtaking songs and arrangements, EVER. For those who think it's a bit overwrought, I suggest a steady diet of Mariah Carey.
Thirty-two minutes of pure music & pure genius.
Quick, who wrote `Without You'? Although the song was written by Badfinger, Nilsson's rendition is the definitive version. It's also the emotional core of Nilsson Schmilsson. Nilsson's pained and lonesome delivery and soaring vocals are unforgettable. In contrast to `Without You,' the most vigorous rocker is `Jump In The Fire.' Klaus Voorman's out-of tune bass lines thunder through Nilsson's impassioned singing. `Early In The Morning' is such a convincing blues number, it's easy to forget that Nilsson is singing. `Down' is a majestic acoustic ballad reminiscent of Nilsson's light and whimsical material. Nilsson's love and respect for Randy Newman is clear on the piano-based `I'll Never Leave You.' The vocal harmonies are tearful.
Harry Nilsson was one of several singer/songwriters of the early nineteen-seventies who defied the trend toward hard rock, and instead centered his vision on romantic sentimentality.
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