Customer Reviews

Nina's Tragedies

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Israeli Writer/director Savi Gavison has a unique concept about the discoveries and joys and travails of coming of age and he makes this tender little story come to life with simplicity and honesty and a large dose of human kindness. The multiple awards this movie garnered are very well deserved: perhaps now that it is readily available on DVD will hopefully bring it to the attention of a larger audience.

HA-ASONOT SHEL NINA (NINA'S TRAGEDIES) takes us on a journey with teenager Nadav (a quietly superb Aviv Elkabeth) whose home life is stressful: his mother Alona (Anat Waxman) has thrown out her husband and takes on lovers like flies to flypaper. Alona's sister Nina (the luminously beautiful Ayelet Zurer) - Nadav's aunt - has relationship troubles with her intended husband Haimon (Yoram Hattab) yet finally marries him, much to the dissatisfaction of Nadav who is privately in love with Nina (his first sensation of attraction and lust). Nadav has a friend Menahem (Dov Navon) with whom he spends his time as a peeping tom, watching the vagaries of his mother and Nina. After Nina's marriage, Haimon is killed in the ongoing violence in Tel Aviv and Nina is destroyed emotionally: Alona sends the more than willing Nadav to live with his aunt, an act that only enforces his passion for Nina. But soon Nina begins to see visions of Haimon running naked in the streets (!) and is befriended by a handsome Avinoam (Alon Abutbul) whose girlfriend Lihi (Osnat Fishman) is a successful artist. Nina and Avinoam have a passionate but brief affair (causing deep bitterness in the jealous Nadav), but the affair is ended when Nina 'sees' the face/ghost of Haimon at her window and Nina longs for the return of Haimon, knowing now that she is pregnant with his child. Navad engages Menahem to help him resolve Nina's new tragedy, but Menahem has found a girlfriend Galina (Jenya Dodina) and has his own 'tragedy' when Galina returns to her ex-lover Alex (Yoram Hattab again!), and it is Menahem's tragedy that leads Navad to the discovery that the very strange Alex is the 'ghost' of Haimon that Nina has been seeing. The story becomes more complex as Nina delivers her baby, Navad's father is taken back by his mother when his diagnosis of cancer is made known, and the mixed set of tragedies intertwine for an ending that surprises everyone.

If the plot sounds convoluted, it is! But the fact that the story is from the obsessively maintained diary of Nadav makes it all connect in the loveliest of ways. The cast is outstanding and the tenor of the times in Tel Aviv is accurately and realistically portrayed and for once allows the constant conflict to be simply background for a story that deals with equally traumatic personal issues - at least in the eyes of an impressionable young teenager. There is much wisdom here, but there is also considerable fine entertainment in a film that sees human foibles as comic as they are tragic. Watching NINA'S TRAGEDIES is a complete pleasure. In Hebrew with English subtitles. Grady Harp, November 07

Note: Hebrew with English subtitles.

I have absolutely no idea why the '03 Israeli film `Nina's Tragedies' is promoted as a bittersweet comedy. There isn't a single comic element to be found anywhere in this production. It is however a tender, poignant and introspective examination of love, loss, and grief and how one family's responses to those emotions are viewed and interpreted through the eyes and mind of a sensitive teenage boy named Nadav (Aviv Elkabeth).

The central focus of Nadav's attention is centered on the love of his life, his Aunt Nina (Ayelet Zurer). After the death of Nina's husband Nadav moves in with his Aunt to provide company and solace in the days that follow the tragic event. With trusted diary in hand Nadav chronicles the events that take place in the days that follow and thus the story unfolds.

There is definitely a similarity in mood and storyline presentation with the '00 Italian film `Malena' starring Monica Bellucci. Both Ayelet and Bellucci play the part of sympathetic Madonna-like figures to perfection as they live out their tragic existence in quiet and lonely desperation. Surely a formula for success, smoldering sensuality and vulnerability are a combination that no man can resist.

The overall impact of the film is somewhat dampened by an upbeat twist at the very end that is inconsistent with the storyline but nevertheless director and writer Savi Gavison has presented the audience with an insightful glimpse into urban life in Tele Aviv and the interplay between contemporary secularism and traditional religious lifestyles as it is lived out day to day.

My Rating: -4 ½ Stars-.

I'm a big fan of Israeli cinema. When you compare the quality of the stuff coming out of there vs. its population, you conclude quickly that it's a country that punches well above its weight. Near the top of the list, we have "Nina's Tragedies." This is not a solitary opinion - the film won Best _Everything_ at Israel's 2003 equivalent of the Oscars. Writer/director Savi Gavison has concocted an indescribable blend of dark humor, pathos, reality and fantasy. Star Ayelet Zurer is Israel's Ice Princess. She's a regal beauty with real dramatic acting chops. US audiences may know her from her role playing Eric Bana's on-screen wife in Steven Spielberg's Munich (Widescreen Edition).

Now, my list of "gotta see" Israeli films look like this:

The Syrian Bride
Time of Favor
Bonjour Monsieur Shlomi
Broken Wings
Late Marriage
Walk on Water
The Bubble
Nina's Tragedies
Yana's Friends

This movie is a great mix of lighthearted suspense and a rolling interaction between characters interplaying along as grief is managed and love that is meant to be unfolds. It is real, down to earth, clean and very witty.

This is one of those movies that, when all is said and done, it makes you want to ask "So what?" and "Who cares?" None of the characters has any truly redeeming qualities, the movie seeks to convey no real central compelling message. Most of the tragedies that occur to the protagonist (although it is difficult to discern who is the real protagonist here) are her own stupid fault, so again, who cares?
It does throw in a lot of gratuitous titillation, lots of skin and peeping tom stuff, perverty flashes and whatnot. I'm not sure why, but it does. Again, it left this viewer asking, So what? Who cares? What's so special, you gotta make a movie out of it?

To call this stuff soap... well, I don't want to insult decent soap producers. This movie is perfect in its artistic helplessness. Not a scene well played, not a character truly shown - and a pathetic pretence for something deep and epic about the meaning of life.

"Nina's Tragedies," a careful, slickly produced Israeli film, contains many tragedies about a young, pretty woman named Nina, but her tumultuous life is neither affecting nor very interesting. It's difficult to tell which characters we should care for; at times, Nina is the center of attention, but at other times it's a young boy, Nina's nephew, which the film seems to be about. And there are other characters who come in and out of the film-Nina's sister, boyfriend, husband-who appear to play pivotal roles for a short while, but then are forgotten about, leaving us to wonder what purpose particular scenes served.

In spite of all the muddled characters, Nina seems to be the most important character, if the large number of bad things that affect her is an indication of that. Her plights, her tragedies, begin with her boyfriend, Haimon. She's known him since high school, and they've been together for several years, but they fight constantly. Even though they don't get along, they decide to marry, and once they're married, we know nothing of their problems because Haimon is killed in a suicide bombing before we're shown anything about their married life. This incident causes Nina to become depressed, but her time of grief is tiresome and contrived; it was shown that she didn't get along with Haimon, that marrying Haimon was a mistake, and, if anything, she should be relieved by Haimon's death. Thus many events that follow after-Nina finds a man she wants to love but can't because of Haimon's memory-are frustrating and uninteresting, because we don't identify with her motives.

There's nothing wrong with having a tragic fool as the protagonist-in a recent French film, "Look at Me," many of the characters were foolish and tragic, searching for happiness and attention in places that provided none. But in "Look at Me," it was clear why the characters acted as they did; in "Nina's Tragedies," Nina acts foolishly and irrationally because the filmmaker does not make her emotions and character clear. Her actions, such as being attracted by a sentimental romantic after her husband's death, occur without any real understanding of her character, which make all of her actions bemusing, ultimately causing us to throw up our hands and call her an idiot, not just because she makes bad choices, but because we don't care about any of her tragedies and want the film to end.