Nines Lives is a multivoiced biography of a dazzling, surreal, and imperiled city, told through the lives of nine unforgettable characters and bracketed by two epic storms: Hurricane Betsy, which transformed New Orleans in the 1960s, and Hurricane Katrina, which nearly destroyed it. Dan Baum brings this kaleidoscopic portrait to life, showing us what was lost in the storm and what remains to be saved.
Nine Lives: Death and Life in New Orleans
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Book Description
The hidden history of a haunted and beloved city told through the intersecting lives of nine remarkable characters.
Amazon Exclusive: Dan Baum on Nine Lives
Hurricane Katrina was the kind of event a reporter waits his entire life to cover. It was especially satisfying doing so for The New Yorker. While newspaper and television reporters chased about feverishly in their attempt to feed the insatiable daily news monster, I enjoyed the time to go deep and peel back the tragedy in all its complexity. I wrote half a dozen short “Talk of the Town” pieces and two long articles over the following year.
The hidden history of a haunted and beloved city told through the intersecting lives of nine remarkable characters.
After Hurricane Katrina, Dan Baum moved to New Orleans to write about the city’s response to the disaster for The New Yorker. He quickly realized that Katrina was not the most interesting thing about New Orleans, not by a long shot. The most interesting question, which struck him as he watched residents struggling to return, was this: Why are New Orleanians—along with people from all over the world who continue to flock there—so devoted to a place that was, even before the storm, the most corrupt, impoverished, and violent corner of America?
Here’s the answer. Nine Lives is a multivoiced biography of this dazzling, surreal, and imperiled city through the lives of nine characters over forty years and bracketed by two epic storms: Hurricane Betsy, which transformed the city in the 1960’s, and Katrina, which nearly destroyed it. These nine lives are windows into every strata of one of the most complex and fascinating cities in the world. From outsider artists and Mardi Gras Kings to jazz-playing coroners and transsexual barkeeps, these lives are possible only in New Orleans, but the city that nurtures them is also, from the beginning, a city haunted by the possibility of disaster. All their stories converge in the storm, where some characters rise to acts of heroism and others sink to the bottom. But it is New Orleans herself—perpetually whistling past the grave yard—that is the story’s real heroine.
Nine Lives is narrated from the points of view of some of New Orleans’s most charismatic characters, but underpinning the voices of the city is an extraordinary feat of reporting that allows Baum to bring this kaleidoscopic portrait to life with brilliant color and crystalline detail. Readers will find themselves wrapped up in each of these individual dramas and delightfully immersed in the life of one of this country’s last unique places, even as its ultimate devastation looms ever closer. By resurrecting this beautiful and tragic place and portraying the extraordinary lives that could have taken root only there, Nine Lives shows us what was lost in the storm and what remains to be saved.
Amazon Exclusive: Dan Baum on Nine Lives
Hurricane Katrina was the kind of event a reporter waits his entire life to cover. It was especially satisfying doing so for The New Yorker. While newspaper and television reporters chased about feverishly in their attempt to feed the insatiable daily news monster, I enjoyed the time to go deep and peel back the tragedy in all its complexity. I wrote half a dozen short “Talk of the Town” pieces and two long articles over the following year. Even working for The New Yorker, though, covering Katrina and its aftermath became frustrating. The longer I stayed in New Orleans, the more I understood that huge as Katrina was, it is hardly the most interesting thing about New Orleans. New Orleans is the most unusual place I’ve ever been—complicated, sensual, self-contradictory, hilarious, infuriating—and it was the place itself, not the tragedy that befell it, that I wanted to write about.
So when my wife and I thought about writing a book, it wasn’t a “Katrina book” we had in mind. We finally settled on interweaving the life stories of nine New Orleanians—rich and poor and in between, black and white and in between, male and female and in between. Nine Lives begins in 1965, right after the last time a big part of the city flooded during a hurricane. By this we want to say: New Orleans was there a long time before Hurricane Katrina and it will be there a long time after. Katrina doesn’t show up in Nine Lives until past page 200.
We had two guiding principles: No bad guys, and all happy endings. All nine of these people are, in their own way, heroes. And while we could have ended any of their stories on a down note, we instead end all at a moment of ascendance. There are many ways of looking at New Orleans, but this is how we chose to do so in Nine Lives.
We were careful not to make Nine Lives the kind of "issue" book one must read to understand current events. We want people to read it for the same reason they read The Kite Runner or The Bridges of Madison County—out of love of the characters and a warm, delicious eagerness to see their lives unfold. New Orleans is above all, a fun place, and we tried to make Nine Lives as much fun to read. —Dan Baum
--This text refers to an out of print or unavailable edition of this title.From Publishers Weekly
Starred Review. Reporter Baum (Citizen Coors) arrived in New Orleans two days after the levees broke after Hurricane Katrina. He admits his initial accounts of the disaster were flawed, but with this captivating collection of nine linked profiles, Baum has rectified what he claims was his narrow interpretation of events. While covering Katrina and its aftermath for the New Yorker, I noticed that most of the coverage, my own included, was so focused on the disaster that it missed the essentially weird nature of the place where it happened. Baum begins the narrative with the 1965 battering of the Ninth Ward by Hurricane Betsy and concludes in 2007. He captures the essence of the city through the lives of nine characters over 40 years, bracketed by two epic hurricanes, people such as Billy Grace, the king of Carnival and member of New Orleans elite; Tim Bruneau, the city cop haunted by images of Katrinas destruction; and transsexual JoAnn Guidos, who finds a home and, following Katrina, a sense of purpose. Baum, an empathetic storyteller, has nearly perfectly distilled the events, providing readers with a sensuous portrait of a place that can be better understood as the best organized city in the Caribbean rather than the worst organized city in the United States. Baums chronicle leaves readers with a bittersweet understanding of what Americans lost during Hurricane Katrina. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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More About the Author
I'm a writer of non-fiction, the author of Gun Guys: A Road Trip (Knopf, 2013); Nine Lives: Death and Life in New Orleans (Spiegel & Grau, 2009); Smoke and Mirrors: The War on Drugs and the Politics of Failure (Little, Brown 1996); and Citizen Coors: An American Dynasty (Morrow/HarperCollins, 2000). I've been a staff writer for the New Yorker, and have written for Rolling Stone, Playboy, the New York Times Magazine and many others. I work with my wife, Margaret Knox, and we live in Boulder, Colorado. You can read about us -- and avail yourself of our editing and writing coaching -- at www.danbaum.com, www.margaretknox.com, or www.freelancersclinic.com
Customer Reviews
Most Helpful Customer Reviews
74 of 79 people found the following review helpful
Format:Hardcover
New Orleans is a city full of contradictions, a place out of context with the rest of America. It defies understanding, explanation, and most especially, classification. It's a quality the residents hold onto, this testament of uniqueness, even as the city has teetered time and again on the brink of destruction.
I've lived near New Orleans for most of my life. I'm a frequent visitor there, and, like everyone else who comes, I've fallen in love with its decadent grandness, its welcoming, leisurely way of life. All manner of humanity calls New Orleans home, and the city embraces them all. It's a unique place, out of step with the rest of America, and that is exactly why it is so important to save. This has never been truer than now, as the great lady teeters on her knees, still struggling, three years later, to rise from the devastation of Katrina.
Dan Baum, on assignment from The New Yorker after the storm, quickly learned all of these things. Along with his wife Margaret, he eventually moved to New Orleans in order to write a book, one which, using the timeframe between Betsy in 1965 and Katrina in 2005, captures perfectly what it means to love this city.
Baum chose nine people he got to know after the storm, conducting hundreds of hours of interviews, writing the story of the city through their eyes. They are from vastly different ends of the socio-political spectrum, ranging from the widow of a revered Mardi Gras Indian chief to the long-time coroner of Orleans parish, from a transsexual bar owner to a former king of Rex and pillar of the Uptown community. Their stories are unique, yet a common thread runs through them all - the deep, abiding love of this place, of the home New Orleans offers to each.
The author captures that love without being preachy or overly sentimental. New Orleans is far from a fairy-tale land of mutual respect, understanding, and tolerance. Poverty, desperation, and crime are huge, unending problems, and Baum acknowledges this by telling stories that are candid, real, and fraught with generations of loss and disappointment. They are also, however, stories of hope, of people who have risen, time and again, despite adversity after adversity.
Many people in the rest of the United States have questioned why we should rebuild such a place, crippled as it is by poverty and corruption. It takes spending time in New Orleans to learn its value, I suppose, to experience the unique magic that makes this city special. If you can't visit, however, read this book. Dan Baum has clearly seen and understands. Five Stars.
I've lived near New Orleans for most of my life. I'm a frequent visitor there, and, like everyone else who comes, I've fallen in love with its decadent grandness, its welcoming, leisurely way of life. All manner of humanity calls New Orleans home, and the city embraces them all. It's a unique place, out of step with the rest of America, and that is exactly why it is so important to save. This has never been truer than now, as the great lady teeters on her knees, still struggling, three years later, to rise from the devastation of Katrina.
Dan Baum, on assignment from The New Yorker after the storm, quickly learned all of these things. Along with his wife Margaret, he eventually moved to New Orleans in order to write a book, one which, using the timeframe between Betsy in 1965 and Katrina in 2005, captures perfectly what it means to love this city.
Baum chose nine people he got to know after the storm, conducting hundreds of hours of interviews, writing the story of the city through their eyes. They are from vastly different ends of the socio-political spectrum, ranging from the widow of a revered Mardi Gras Indian chief to the long-time coroner of Orleans parish, from a transsexual bar owner to a former king of Rex and pillar of the Uptown community. Their stories are unique, yet a common thread runs through them all - the deep, abiding love of this place, of the home New Orleans offers to each.
The author captures that love without being preachy or overly sentimental. New Orleans is far from a fairy-tale land of mutual respect, understanding, and tolerance. Poverty, desperation, and crime are huge, unending problems, and Baum acknowledges this by telling stories that are candid, real, and fraught with generations of loss and disappointment. They are also, however, stories of hope, of people who have risen, time and again, despite adversity after adversity.
Many people in the rest of the United States have questioned why we should rebuild such a place, crippled as it is by poverty and corruption. It takes spending time in New Orleans to learn its value, I suppose, to experience the unique magic that makes this city special. If you can't visit, however, read this book. Dan Baum has clearly seen and understands. Five Stars.
29 of 31 people found the following review helpful
5.0 out of 5 stars
A tribute to a city & a way of life -- and an outstanding achievement
March 1, 2009
Format:Hardcover|Amazon Verified Purchase
A doctor turned coroner, a band and music teacher, a transit system worker, an ambitious woman struggling to achieve a college education, a transexual bar owner and former college football player, a wealthy accountant... These are among the characters whose very disparate lives are woven together in this book that is about all of them and none of them; rather, it is about the city that they share, New Orleans.
"New Orleanians really want nothing more than for everything to stay the same," Dan Baum writes in his introduction to this compelling oral history of the city's misadventures over the last forty-plus years. As well all know, far from staying the same, everything in New Orleans underwent a seismic change in 2005, when Hurricane Katrina blew in from the Gulf of Mexico and along with the floods that followed, transformed the city's geography in every conceivable way. Its citizens were scattered all over the country, the lower Ninth Ward -- home to some of those whom Baum profiles in his book -- was destroyed.
While Katrina's devastation is the raison d'etre for Baum's book, the events of those horrible days in August and September, 2005 are simply the climax of the lives of the New Orleanians he tells the story through. Or perhaps I should say that his nine characters choose him to tell their tales of the lives they lived in the city that they loved and sometimes hated but couldn't imagine living without. It's the story of a city and of the many ways of life that coexisted within it, of the unique 'live for the day' ethos that prevailed there and its strong sense of community.
Once past the introduction, the reader never hears Baum's authorial voice again; each step in the evolution of New Orleans from the cleanup after the devastation of Hurricane Betsy in 1965 to the last thoughts about Katrina's legacy decades later is seen through the eyes of one of the people he profiles. We see Wil Rawlins struggle to rescue some of the parentless children growing up in the city's housing projects by introducing them to the wonders of New Orleans's musical traditions -- in particular the high school marching band. Ronald Lewis battles for equal pay for the (African American) men who repair the St. Charles streetcar line; Joyce Montana watches her husband transform the African American Mardi Gras traditions. Meanwhile, 'uptown', accountant Billy Grace faces his own battles, such as the scornful attitude the city's elite has for his efforts to build a business and create wealth of his own.
The result is something that only the strongest of writers and journalists could produce. The deeply personal narratives -- small chapters, each revolving around events, small and large, in the life of one of Baum's characters -- are interwoven to the extent that events in their lives dictate. But Baum never makes the mistake of trying to develop some kind of master narrative to which his characters' lives become subordinated. Instead, they speak for themselves. It reads as if Baum has been living alongside them for the last 30 or 40 years, privy to all their triumphs and tragedies as they happen. Oral history is a tricky format to work within: the risk is that the book starts sounding like nothing more than a straightforward Q&A between subject and author. In this case, Baum has produced something remarkable; a work in which the author steps to the background and lets those profiled tell of their own lives, in their own way, without judgment or comment. We are part of the moment on the high school gridiron when band teacher Rawlins sees his motley crew of surly students playing dented instruments, get carried away by the music. "Every rest was crisp, every beat precise. Some of them had their eyes closed. All of them were lost, utterly lost, in the music."
Similarly, the reader is able to get completely lost in Baum's writing and the power of the story he is telling. Long before Katrina blows into the nine lives he profiles, you find it impossible to put this book down. And when the hurricane arrives, it's as if it is happening to people you know and love. Even then, Baum avoids the tried and true images and creates new ones that are able to jolt the reader back into seeing the horror with fresh eyes. Writing about coroner Frank Minyard's decision to ride out the storm, Baum tells of the doctor looking out a window to see his "big black bull and donkey (walk) calmly up the road together through the driving rain. He realized that they were evacuating, as he should have done. Now the roads were impassable." When the storm ends, Minyard heads for the coroner's office. Hitting the flooded area, he carefully saves his ostrich-skin cowboy boots -- then swims his way to work.
It's impossible to do justice to this book in a review. Equally, the lives of those who Baum writes about -- and in particular Rawlins and his crusade to save the children that no one else cares about -- deserve the widest possible readership. This may be the best book purchase that you make all year.
"New Orleanians really want nothing more than for everything to stay the same," Dan Baum writes in his introduction to this compelling oral history of the city's misadventures over the last forty-plus years. As well all know, far from staying the same, everything in New Orleans underwent a seismic change in 2005, when Hurricane Katrina blew in from the Gulf of Mexico and along with the floods that followed, transformed the city's geography in every conceivable way. Its citizens were scattered all over the country, the lower Ninth Ward -- home to some of those whom Baum profiles in his book -- was destroyed.
While Katrina's devastation is the raison d'etre for Baum's book, the events of those horrible days in August and September, 2005 are simply the climax of the lives of the New Orleanians he tells the story through. Or perhaps I should say that his nine characters choose him to tell their tales of the lives they lived in the city that they loved and sometimes hated but couldn't imagine living without. It's the story of a city and of the many ways of life that coexisted within it, of the unique 'live for the day' ethos that prevailed there and its strong sense of community.
Once past the introduction, the reader never hears Baum's authorial voice again; each step in the evolution of New Orleans from the cleanup after the devastation of Hurricane Betsy in 1965 to the last thoughts about Katrina's legacy decades later is seen through the eyes of one of the people he profiles. We see Wil Rawlins struggle to rescue some of the parentless children growing up in the city's housing projects by introducing them to the wonders of New Orleans's musical traditions -- in particular the high school marching band. Ronald Lewis battles for equal pay for the (African American) men who repair the St. Charles streetcar line; Joyce Montana watches her husband transform the African American Mardi Gras traditions. Meanwhile, 'uptown', accountant Billy Grace faces his own battles, such as the scornful attitude the city's elite has for his efforts to build a business and create wealth of his own.
The result is something that only the strongest of writers and journalists could produce. The deeply personal narratives -- small chapters, each revolving around events, small and large, in the life of one of Baum's characters -- are interwoven to the extent that events in their lives dictate. But Baum never makes the mistake of trying to develop some kind of master narrative to which his characters' lives become subordinated. Instead, they speak for themselves. It reads as if Baum has been living alongside them for the last 30 or 40 years, privy to all their triumphs and tragedies as they happen. Oral history is a tricky format to work within: the risk is that the book starts sounding like nothing more than a straightforward Q&A between subject and author. In this case, Baum has produced something remarkable; a work in which the author steps to the background and lets those profiled tell of their own lives, in their own way, without judgment or comment. We are part of the moment on the high school gridiron when band teacher Rawlins sees his motley crew of surly students playing dented instruments, get carried away by the music. "Every rest was crisp, every beat precise. Some of them had their eyes closed. All of them were lost, utterly lost, in the music."
Similarly, the reader is able to get completely lost in Baum's writing and the power of the story he is telling. Long before Katrina blows into the nine lives he profiles, you find it impossible to put this book down. And when the hurricane arrives, it's as if it is happening to people you know and love. Even then, Baum avoids the tried and true images and creates new ones that are able to jolt the reader back into seeing the horror with fresh eyes. Writing about coroner Frank Minyard's decision to ride out the storm, Baum tells of the doctor looking out a window to see his "big black bull and donkey (walk) calmly up the road together through the driving rain. He realized that they were evacuating, as he should have done. Now the roads were impassable." When the storm ends, Minyard heads for the coroner's office. Hitting the flooded area, he carefully saves his ostrich-skin cowboy boots -- then swims his way to work.
It's impossible to do justice to this book in a review. Equally, the lives of those who Baum writes about -- and in particular Rawlins and his crusade to save the children that no one else cares about -- deserve the widest possible readership. This may be the best book purchase that you make all year.
9 of 9 people found the following review helpful
Format:Hardcover
This is the most powerful and moving book that I have read in a good long while -- so much so that certain passages brought tears to my eyes. I looked forward to reading it every evening and regretted that it had to end. It is simultaneously heartbreaking and uplifting, and I already know that it is a book I will look at time and time again. This is journalism of the highest order, and it reminds us that the true drama is found not in Hollywood scripts, but rather in the lives of real people. I have recommended this book to all my friends and am pleased to be able to do so here. Thanks, Mr. Baum, for this wonderful piece of work.
Most Recent Customer Reviews
4.0 out of 5 stars
A Must Reed for any New Orleans friend
Great book about different aspects of lives and people with inside history of New Orleans and its people, before, during and after Katrina. Read more
Published 7 days ago by Skalis
2.0 out of 5 stars
Potential, but Tedious
This book had potential to be excellent. The author tried to share the backgroung of too many characters. Read more
Published 18 days ago by Diane Daugherty
5.0 out of 5 stars
Nine Lives: highly recommend!
what a great way to learn more about the culture and history of this amazing city! My son is at Tulane
Published 1 month ago by In love with the desert southwest
5.0 out of 5 stars
good book
Easy reading and entertainment for a few days. I enjoyed escaping the everyday world and slipping into the story of this book.
Published 1 month ago by cat woman
5.0 out of 5 stars
The real New Orleans
This is the nitty and very gritty examination of 9 fascinating characters who make New Orleans such a unique place. Read more
Published 1 month ago by Sally Hurme
5.0 out of 5 stars
wonderful insight into Katrina's impact
I felt privileged to learn about these people. Learning about how the different segments affected one another, and seeing how problems can evolve when people with good intentions... Read more
Published 2 months ago by Weber D.
3.0 out of 5 stars
Like listening to lots of NPR
There are some interesting passages in this book. But as I put this book down I am really scratching my head and trying to understand what it was about. Read more
Published 2 months ago by biscuit baseball
5.0 out of 5 stars
grabs you!
I was hooked on the HBO series "Treme"; sad when it was over; then I spotted this book. I became hooked on the book too.
Couldn't put it down. Read more
Couldn't put it down. Read more
Published 2 months ago by Dawn H
5.0 out of 5 stars
Lived through it....
this book tells it like it was.... shocking, gripping, heartbreaking, a struggle to get through life and yet most of us survivied and continue to love New Orleans
Published 3 months ago by M S Farrar
5.0 out of 5 stars
Great Book
A very interesting chronologic adventure. This book takes you in so many directions while at the same time staying true to the nature and flavor of New Orleans culture. Read more
Published 3 months ago by Wendy Lovett
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