Nineteen Seventy Four (Red Riding: 1974, Quartet 1) [Import] [Hardcover]

David Peace (Author)

Book Description

Publication Date: September 3, 2009

Christmas bombs and Lucky Lucan on the run, Leeds United and the Bay City Rollers, The Exorcist and It Ain't Half Hot Mum. Yorkshire, Christmas 1974. Edward Dunford, North of England Crime Correspondent, has been sent to cover the case of the missing girl Clare Kemplay. He's convinced she's been murdered. When the little girl turns up dead in a ditch with swan's wings stitched into her back, Eddie's instincts prove right. But standing between him and the truth is a society riddled with corruption and brutality. Getting answers will mean a toss-up between his sanity and his life. Winter 1974's looking like a real season in hell.

Editorial Reviews

Amazon.com Review

From the very first page of David Peace's first novel, 1974, it soon becomes clear that something is rotten in the state of Yorkshire: a young girl is missing. The Yorkshire Post's young but disillusioned crime correspondent, Edward Dunford, is assigned to the story, while also coping with the recent death of his father and his return to his native Yorkshire after a brief and unsuccessful stint in Fleet Street. For the jaded Dunford, it's just another story; the only intrigue is whether the girl will be found dead or alive before Christmas--that is, until she is discovered brutally murdered, face down in a ditch with a pair of swan's wings sewn into her back. As Dunford follows the case, he begins to make a series of terrifying connections with a string of child murders, plunging him into a gut-wrenching nightmare of corruption, violence, sadism, blackmail, and sexual obsession--from the upper echelons of local government to the tacky heart of Yorkshire darkness.

As Peace's tale of corruption and conspiracy unravels, it becomes clear that 1974 is as influenced by Orwell's own bleak vision of Britain in 1984 as it is by the wonderfully evoked atmosphere of the mid '70s. The Bay City Rollers, Leeds United, It Ain't Half Hot Mum, and Vauxhall Viva's all make an appearance. The novel works at several levels, from the brilliantly unsentimental homecoming of the gifted, alienated northern son to a terrifyingly accurate portrayal of an insular, tribal community. The plot is complex and frenetic, and Peace often neglects loose ends, especially as he builds to an extremely powerful climax. Yet the dialogue is fast, witty, and violent; a must-read for fans of Yorkshire Gothic. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Starred Review. The first volume in Peace's Red Riding Quartet, a grim whodunit noir, will remind many of the bleak, violent work of James Ellroy. In 1974, Eddie Dunford has just been named crime correspondent for the Yorkshire Post. His first major assignment coincides with the death of his father, but his professional ambitions trump his family obligations. The case he's covering involves the disappearance of 10-year-old Clare Kemplay. When Dunford's digging unearths some similar unsolved cases, neither his editor nor the police welcome his efforts. After Kemplay's strangled and mutilated corpse turns up, an unknown source supplies Dunford with leads suggesting that some prominent officials and businessmen may be implicated in the crime. The staccato, choppy prose is a perfect mechanism for conveying Dunford's frenetic approach to his life and work. Peace (Tokyo Year Zero) doesn't pull any punches, and his uncompromising portrayal of his dark and conflicted protagonist will appeal to those who like their mean streets to be really mean.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Paperback edition.

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Product Details

• Hardcover: 304 pages
• Publisher: Quercus (September 3, 2009)
• Language: English
• ISBN-10: 1847245358
• ISBN-13: 978-1847245359
• Product Dimensions: 8.5 x 5.5 x 1.4 inches
• Shipping Weight: 1.2 pounds
• Average Customer Review: 3.6 out of 5 stars  See all reviews (30 customer reviews)
• Amazon Best Sellers Rank: #1,521,126 in Books (See Top 100 in Books)

More About the Author

David Peace is the author of the Red Riding Quartet, GB84, The Damned Utd, Tokyo Year Zero, and Occupied City. He was chosen as one of Granta's Best Young British Novelists of 2003, and has received the James Tait Black Memorial Prize, the German Crime Fiction Award, and France's Grand Prix du Roman Noir for Best Foreign Novel. In 2007, he was named as GQ (UK) Writer of the Year. He lived in Tokyo for fifteen years before returning to his native Yorkshire.

Customer Reviews

Most Helpful Customer Reviews

30 of 30 people found the following review helpful:

3.0 out of 5 stars Viscious and visceral (3.5 stars), August 16, 2001

By 

"scottish_lawyer" - See all my reviews

This review is from: Nineteen Seventy Four (A Five Star Title) (Paperback)

It is the fate of any new crime/thriller writer publishing "noir-ish" fiction to be beset by comparisons to James Ellroy. For the great unwashed that market modern fiction the ability to pigeonhole somebody by reference to a known quantity is too tempting to resist. Thus, Ian Rankin is Scotland's James Ellroy. And, for David Peace, those marketing him make reference to his Ellroy type qualities. Thus, "the Yorkshire Ellroy".

Well, to rid ourselves of the similarities. Peace, like Ellroy, writes fiction that does not baulk form dealing with the dark side of huamnity. His writing has a direct quality, that deals with brutal themes. The fiction, like Ellroy, is set in a real place (and - in his later work - draws on real events).

But, enough of the comparisons. Ellroy is a consummate stylist, his work finely honed over many years. This is Peace's first novel. We must not expect the same level as Ellroy.

However, this is very promising. It is a first person narrative, from Eddie, a journalist, whose father has recently died, and who gets caught up in a series of vicious child murders (some of the most disturbing imagery I have read is in the graphic descriptions of the crime scenes and forensic reports), local government corruption, blackmail, and corrupt racist police officers. On top of this Eddie has work problems, playing second fiddle to Jack Whitehead, the crime reporter of the year, and working with an editor, Hadden, that bows to Jack's greater ability.

This is a brutish view of the mid seventies, an unflinching look at a community that produced one of the UK's most notorious serial killers.

The first person narrative is generally well done, a startling stream of consciousness that product places, drops lines from songs, and has enough stylistic quirks to satisfy those that will write dissertations and theses of Peace's work in years to come. Sometimes it is too forced (it seems unnecessary to pepper pages with half remembered song lines and sadly remembered TV advertisements), and the violence of the imagery is disturbing. The characterisation is very strong, particularly Eddie, Hadden, Whitehead, and the one sympathetic police officer, Fraser (the latter three reappearing in Peace's Nineteen Seventy Seven). Plotting is handled well, and the novel is read quickly.

The novel is particularly strong on police brutality and corruption (another echo of Ellroy?). And in this regard the denouement is very powerful (although somewhat over the top).

This is an impressive debut, by no means perfect, but indicative of the promise Peace has started to fulfil in the later books in his quartet. It is not James Ellroy, Peace has his own unique voice. But this is heavily stylised noir-ish prose. Peace is one to watch.

If you enjoyed this read the later books in the series, or try some of the noir fiction by Vicki Hendricks.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Riveting Read, September 24, 2000

By A Customer

This review is from: Nineteen Seventy Four (A Five Star Title) (Paperback)

This book rips along at ninety miles an hour, from the first to the very last page. Not for the faint of heart or poorly-read, this is both a hardboiled and an erudite read, James Ellroy versus George Orwell. Peace has been singled out by the New York Times and George Pelecanos as one to watch and with good reason; this is a haunting tale of a journalist's quest to find the truth about three missing schoolgirls, written in original white-hot prose that careers between brutal and beautiful poetry, vividly recreating a bleak Britain during the strife torn Seventies. Word from the UK is that the sequel is even better. Hard to believe -buy this book.

11 of 12 people found the following review helpful:

5.0 out of 5 stars a bloody good boook, i say, March 17, 2000

By 

alexis R. (oregon, the united states) - See all my reviews

This review is from: Nineteen Seventy Four (Paperback)

...1974, Yorkshire, and Ed Dunford's got the job he wanted. Crime correspondent for the Evening Post. He didn't know it was going to be the season of hell.... When I first read this I really wasn't sure what to expect from this book, but the little blurbs on the back and the poem inside intrigued me, making me want to read this as soon as possible. I'm not the type of teenager who would normally pick this genre, but I'm glad I did. 1974, pulls you in by the first 10 pages, a little slow at the beginning but, well worth it. David Peace, I think captured the feeling and emotions perfectly. He has great, needed detail and description. "The whole bloody pack waiting for the main attraction, pens poised and tapes paused; hot TV lights and cigarette smoke lighting up the windowless room like a Town hall boxing ring on a Late Night Fight Night....". This is the first British book that I've read and I plan to read more, the British dialogue, was one of the really strong, emotional parts of the book, with out it the book, wouldn't be as good as it is. .1974 is the a brillant book, I know that it's word that is used a lot to describe more things that needed, But this book in one thing that truly deserves the title... Read this book, if you want to read a book, that you'll never put down, till it's over.