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The Nineteen Thirty-Four Edition Of Ziegfeld Follies: A Live, In-Performance Recording
 
 

The Nineteen Thirty-Four Edition Of Ziegfeld Follies: A Live, In-Performance Recording [Cast Recording, Soundtrack]

Fanny Brice, Eve ArdenAudio CD
2.3 out of 5 stars  See all reviews (3 customer reviews)


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Product Details

  • Audio CD (November 11, 1997)
  • Original Release Date: 2006
  • Number of Discs: 1
  • Format: Cast Recording, Soundtrack
  • Label: Aei
  • ASIN: B000000N67
  • Average Customer Review: 2.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #299,105 in Music (See Top 100 in Music)

1. Overture - The Orchestra
2. That's Where We Come In - Judith Barron & Ensemble
3. The Revolution - The Howard Brothers
4. Soul Saving Sadie - Fannie Brice
5. Water Under The Bridge - Everett Marshall
6. I Like The Likes Of You - Brice Hutchins & Judith Barron
7. Suddenly - The Orchestra
8. The Follies Chorale - The Howard Brothers Et Al
9. Countess Dubinsky - Fannie Brice
10. The Beat Of The Heart - Everett Marshall
11. Entr'acte - The Orchestra
12. What Is There To Say? - The Orchestra
13. The Last Round-Up - The Howard Brothers Et Al
14. That's Where We Come In (Reprise) - Judit Barron and The Follies Girls
15. Green Eyes - The Orchestra
16. The Maxixe - The Orchestra
17. Wagon Wheels - Everett Marshall
18. This Is Not A Song - Vivian Janis
19. Sarah The Sunshine Girl - Fannie Brice
20. Finale - Everett Marshall, Fannie Brice and The Entire Company
See all 21 tracks on this disc

 

Customer Reviews

3 Reviews
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3 star:
 (1)
2 star:
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Average Customer Review
2.3 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful:
2.0 out of 5 stars I second the vote; DON'T BE TEMPTED, September 5, 2002
By 
Tommy Peter (Baltimore, MD United States) - See all my reviews
This review is from: The Nineteen Thirty-Four Edition Of Ziegfeld Follies: A Live, In-Performance Recording (Audio CD)
My apologies to Amazon.com:

I'm basically just going to reiterate what the last reviewer said, but it should be said again. This recording may look cool, especially to the theater buff, on the outside, being the first known "live" recording of a show-and a Ziegfeld Follies starring Fanny Brice (The comedienne-singer famously portrayed by Barbra Streisand in "Funny Girl") at that, but the recording quality is so awful that it just isn't worth it. This isn't even the actual Broadway version; it's a 1935 touring edition with some Braodway cast members (Including singer Jane Froman) replaced by others and several songs cut. Not only that, but the complete show, though apparently it was all recorded, isn't even represented! The liner notes claim the comedy sketches (Including Brice's first "Baby Snooks" routine), apparently all played upstage and away from the microphone, sounded so bad that they were unreleasable. The "Snooks" sketch couldn't have sounded worse than Brice's "Countess Dubinsky" number which is inflicted on us here. I don't know much about the details of recordings and things, but I really wonder if this wasn't a bootleg (The CD cover even says it was never intended to be released) that some historian found, got all excited about, and attempted to release as a legitimate CD based on its historical value alone. Well, sometimes historical value just isn't enough. The show's got Brice and the standard "I Like the Likes of You," and even a finale (Apparently also different from the BRoadway finale), in which Brice and the cast reprise old "Follies" favorites like "Shine On Harvest Moon," "A PRetty Girl Is Like a Melody," and BRice's "Rose of Washington Square," but at best you'll just barely be able to make out what they're all saying and singing, and only if you turn the volume of your CD player way up. Pretty much NO ONE, regardless of knowledge or tolerance of sound quality in recordings, is going to be able to take this, so please, don't bother unless you feel you must beef up your cast album collection. I played it once and probably will never play it again. I ask you not to go so far as to buy so you can play it once. Just skip it.

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4 of 4 people found the following review helpful:
2.0 out of 5 stars Full Disclosure, Please!, January 14, 2002
By 
Thomas Bumbera (Maplewood, NJ USA) - See all my reviews
(REAL NAME)   
This review is from: The Nineteen Thirty-Four Edition Of Ziegfeld Follies: A Live, In-Performance Recording (Audio CD)
Two stars for historical value only. The recording quality of this disc is horrendous, despite restoration, and is for die-hard theater buffs ONLY, virtually unlistenable for everyone else.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars Vintage Follies Recording could have been done better, January 5, 2004
This review is from: The Nineteen Thirty-Four Edition Of Ziegfeld Follies: A Live, In-Performance Recording (Audio CD)
Let me begin by saying that, contrary to an earlier reviewer's opinion, the fact that this is the oldest known live show recording more than makes this CD worthwhile; it makes it a priceless document of Broadway history.

That being said, the CD reissue does have its flaws. In the interest of historical preservation/presentation, the ENTIRE existing recording should have been included (regardless of "quality"). This could have been accomplished by making it a two disc set. Admittedly, this would have pushed up the price, but realistically, this set is like the "Music from the New York Stage: 1890-1920" albums--no one but serious theatre buffs are even going to be interested anyway.

Whatever its flaws, the people at AEI must be commended for undertaking the project to begin with. We can only hope that someday the original discs will be rediscovered (the CD transfer was made from analog tapes copied from the discs years ago), or if not, that a new edition will be released containing all existing material.

To end, as a collector of vintage recordings, I can say that I enjoyed the CD immensely (even in its incomplete form) and would heartily recommend it to anyone interested in vintage musical theatre.

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