Nineteenth-Century Piano Music clarifies some theoretical concepts, debunks some longstanding myths, and above all, stimulates the reader's intellectual curiosity about the piano repertoire of the 19th century. While our emotions tell us that this repertoire is thrilling to hear and exciting to play, our intellect demands explanations, some of which are provided in the essays in this collection.
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Editorial Reviews
Review
Almost every chapter causes the reader to reexamine long-held assumptions regarding both familiar and unfamiliar repertory-one of the best possible results of reading such a varied collection of perspectives.
–Notes
[T]his textbook presents an aerobic workout for the mind that is sure to tone up flabby thinking...well worth the time and investment. You will find it a good read.
–The Piano Education Page
–Notes
[T]his textbook presents an aerobic workout for the mind that is sure to tone up flabby thinking...well worth the time and investment. You will find it a good read.
–The Piano Education Page
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Inside This Book
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First Sentence:
AS ANY FREUDIAN will tell you, discovering the latent unity underlying the manifest dream content is a most satisfying, cathartic experience. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Robert Schumann, Heinrich Schenker, Oster Collection, Der Jdger, Fanny Hensel, Cristina Capparelli Gerling, Felix Mendelssohn, Das Meisterwerk, Hans Keller, Beethovens Dritte Sinfonie, Cambridge University Press, G-Minor Ballade, Aeolian Harp, Clara Schumann, Das Wandern, Joel Sheveloff, Sebastian Hensel, Second Ballade, Alan Walker, Free Composition, The Mendelssohn Family, Violin Concerto, F-Minor Ballade, Larry Todd New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
AS ANY FREUDIAN will tell you, discovering the latent unity underlying the manifest dream content is a most satisfying, cathartic experience. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Robert Schumann, Heinrich Schenker, Oster Collection, Der Jdger, Fanny Hensel, Cristina Capparelli Gerling, Felix Mendelssohn, Das Meisterwerk, Hans Keller, Beethovens Dritte Sinfonie, Cambridge University Press, G-Minor Ballade, Aeolian Harp, Clara Schumann, Das Wandern, Joel Sheveloff, Sebastian Hensel, Second Ballade, Alan Walker, Free Composition, The Mendelssohn Family, Violin Concerto, F-Minor Ballade, Larry Todd New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 66
books:
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6
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- Free Composition (Der freie Satz) v. 1 & 2 by Heinrich Schenker on 5 pages
- Gender and the Musical Canon by Marcia J. Citron on page 88, page 89, and page 93
- Dictionary Of Music And Musicians (9 Volumes)) (Music Book Index) by Sir George Grove on page 53, page 85, and page 231
- Nineteenth-Century Piano Music (Routledge Studies in Musical Genres) by R. Larry Todd on page 202, and page 231
- Fanny Mendelssohn (Amadeus) by Francoise Tillard on page 87, and page 92
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- The Pianist's Bookshelf: A Practical Guide to Books, Videos, and Other Resources by Maurice Hinson on page 275
- Schubert the Progressive: History, Performance Practice, Analysis by Brian Newbould on page 88
- The Mendelssohns: Their Music in History by John Michael Cooper on page 274
- The Cambridge Companion to Beethoven (Cambridge Companions to Music) by Glenn Stanley in Back Matter
- Nineteenth-Century Piano Music (Routledge Studies in Musical Genres) by R. Larry Todd on page 353
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