From Publishers Weekly
Starred Review. Always thoughtful and heartfelt, Koethe's poems have become simply heartbreaking. Koethe—a 60-something professor of philosophy—writes meditative, introspective poems that have long encouraged comparisons to Wallace Stevens, and Stevens's poems of old age remain on his mind. But Koethe now makes his Stevensian techniques and his sinuous sentences serve a pellucid, omnipresent, all-American nostalgia, for the sights and streets where he grew up and for the promise of youth. Part one considers the sunlit San Diego of his childhood, the diminished Rust Belt aura of Milwaukee, where he lives, and the way that, in poems, anywhere can be everywhere: I wish the presence of the everyday could be enough, he muses. It isn't, though. It's something incomplete. Part two (a letdown) considers Berlin, where the poet lived for a year; part three (a triumph) investigates, in quietly and carefully metrical lines, the consolation of old age; the excitements of a remembered New York; the fun Koethe had at a dinner party (on 95th Street, in 1966) where he met Frank O'Hara, Kenneth Koch and John Ashbery; and the purpose of art and memory. That's what poetry is, the title poem muses, a way to live through time,/ And sometimes, just for a while, to bring it back. (Sept.)
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“Always thoughtful and heartfelt, Koethe’s poems have become simply heartbreaking. Koethe…writes meditative, introspective poems that have long encouraged comparisons to Wallace Stevens.” (Publishers Weekly (starred review))
“His best book yet...accessible and surprisingly powerful poems....you sense that Koethe slowly approaches death the way that he does lifewith an unusual and infectious lightness.” (Time Out New York)