Nixon in China

John Adams (Artist), Edo de Waart (Artist), Trudy Ellen Craney (Artist), Marion Dry (Artist), John Duykers (Artist), Stephanie Friedman (Artist), Thomas Hampson (Performer)

Product Details

• Performer: Thomas Hampson
• Audio CD (October 25, 1990)
• SPARS Code: DDD
• Number of Discs: 3
• Label: Nonesuch
• ASIN: B000005IYW
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (16 customer reviews)
• Amazon.com Sales Rank: #37,426 in Music (See Bestsellers in Music)

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  #13 in	Music > Classical > Featured Composers, A-Z > ( A ) > Adams, John
  #46 in	Music > Opera & Vocal > Languages > English
  #49 in	Music > Dance & Electronic > Techno > Minimal Techno

Customer Reviews

Most Helpful Customer Reviews

40 of 42 people found the following review helpful:

5.0 out of 5 stars The best new opera of the last fifty years, October 5, 2000

By	Jay Dickson (Portland, OR) - See all my reviews (TOP 500 REVIEWER)

There just hasn't been an opera of this intelligence or this sophistication written anywhere in the last half-century. Adams and Goodman make a thrilling and effective equation between what opera and political summits both do in their different ways: make the quotidian seem "larger than life" (to quote Nixon from his opening aria).

There's much to say about the technical sophistication of the work: the dense and rewarding allusiveness of Goodman's beautiful libretto, for example, or the wonderful ways in which Adams uses the repetitiveness of the minimalist mode for psychological purposes (such as Nixon's nervousness, Pat's near-hysteria, and Madame Mao's violent dogmatism). This production is quite fine, and enjoys a definitive Nixon in the person of James Maddalena, who makes the character by turns triumphant, clumsy, paranoid, tender, and poignant--just as we remember the real Richard Nixon. There are few more beautifully pillowy baritones than Sanford Sylvan, and he found the part of his career in Chou En-lai, the subtle and valiant Chinese premier: Chou's splendid first-act aria "Ladies and Gentlemen, Comrades and Friends" is the emotional heart of the opera, and Sylvan does it full justice. Carolann Page is a moving and heroic Pat Nixon, and does a superlative job with Pat's big scene in the second act (the most enigmatic but also touching part of the entire opera--in part because it moves towards the margins of the masculine political world elsewhere portrayed).

Of the leads, John Duykers and Trudy Ellen Craney fare perhaps less well than the others. Craney's tessitura is not entirely pleasant, yet nonetheless her spikiness well suits the part of the fiercely doctrinaire Chiang Ch'ing quite well. Duykers does seems out of his league somewhat as Mao T'se-tung--the role should be sung without effort and with great beauty of tone (to show that Mao's body may be failing him but his mind and spirit are as strong as ever), but Duykers is not the heldentenor of one's dreams. Still, this is--all in all-- a superb recording of a superb opera.

22 of 22 people found the following review helpful:

5.0 out of 5 stars An Important American Heroic Opera, April 11, 2001

By	Christopher Beecroft "Chris Beecroft" (San Francisco, CA) - See all my reviews (REAL NAME)

Nixon in China is a Heroic opera that has not lost its edge and beauty in the years since it was written. The music and words are finely crafted and bring out many of the emotions of wonder, hope, and self-doubt that one can imagine the Nixons, the Chinese, and the Americans went through during the historic visit to China. The music has a minimalist bent to it, but it is so much more than that. The Opera is lyrical, tuneful, and quite memorable. The singing is near perfect and well balanced between soloists. Librettist Alice Goodman created a wonderful text that is rich with poetry and imagery and simply inpired in parts. Chou En-lai's scenes (Ladies And Gentlemen, Comrades And Friends & I Am Old And I Cannot Sleep) contain music of supreme beauty and reflection. There are great arias by Nixon (Richard and Pat), Mao Tse-Tung, and Henry Kissinger that also deserve mention (but for brevity. The only thing sadly missing is the staging, which served well to heighten the work. The music and text is still fresh and current. I highly recommend what will eventually be recognized as one of the great operas of the 20th century.

17 of 17 people found the following review helpful:

5.0 out of 5 stars Dont miss this recording, July 29, 2000

By	Dr. M. Hogg (Child's Hill, London United Kingdom) - See all my reviews

When i went to see the recent English National Opera production of Nixon in China I went with a sense of mild curiosity and an expectation that i would be completely bored stupid by about halfway through the first act. Instead i left gushing with excitement and rushed out to get hold of a copy as soon as possible. For those of you unfamiliar with Adams, he differs a bit from other minimalists in that he is actually just an old fashioned romantic with modern trappings. Hence lots of tunes, lush harmonies and mainly tonal music. Even reminders of Richard Strauss. The minimalism serves just to make it all quite rhythmically driven. In this recording all the main parts are strongly cast. Even though Chairman Mao's wife is a little fluttery, she manages the high tessitura and awkward intervals of her showstealing act 2 aria with ease. Both of the Nixons feel at home in their parts.The Chinese premier phrases beautifully. The recording is well balanced and the performance solidly conducted, although occasionally a little more drive might have been in order. Overall this is an excellent recording of an opera that is infrequently performed and unjustly neglected. Listen to the seamless progression of big tunes during the act 2 ballet and you will be a convert to the cause.