No Better Than This

John Mellencamp | Format: MP3 Music

Product Details

• Original Release Date: August 17, 2010
• Release Date: August 17, 2010
• Label: New Rounder
• Copyright: (C) 2010 John Mellencamp. Under exclusive license to Rounder Records. Manufactured and distributed by Concord Music Group Inc.
• Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
• Total Length: 53:43
• Genres:
  • Rock
• ASIN: B003YOEVZ4
• Average Customer Review: 4.1 out of 5 stars  See all reviews (84 customer reviews)
• Amazon Best Sellers Rank: #10,719 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Most Helpful Customer Reviews

73 of 75 people found the following review helpful

5.0 out of 5 stars Don't Let Me Miss Anything August 17, 2010

By Rudy Palma

Format:Audio CD

With "No Better Than This" John Mellencamp deepens the rich, intimate simplicity of his last record, focusing on strong song craft. Recorded in mono, the album is disarmingly warm and inviting, giving the songs room to breathe with lo-fi, unadorned arrangements. T-Bone Burnett once again takes up production duties.

This is not an album that will ship a million records, but it is ripe for an audience looking for hearty Americana.

As time soldiers on so too does Mellencamp's persona. Like his contemporary Bruce Springsteen, he has become something of a retrospective malcontent with his 60s creeping up on him. He still harbors the restless spirit of a much younger man, calling out for social justice and pondering life's big questions straightforwardly.

In the heartbreaking, matter-of-fact "The West End," for instance, he proves himself a first-rate poet as he magnifies the vicious circle - the "broken promises" - that keep the oppressed immobile in contemporary society.

"For my whole life I've been down in the West End/It sure has changed here since I was a kid/It's worse now - look what progress did/Someone lined the packers out - I know who that is."

He also ponders the possibility of a better existence beyond mortal life on "A Graceful Fall" with a cynical eye:

"'Cause I'm sick of life, yeah, it's easy to do/When everything is so hard has been handed to you/Yeah I'm sick of life, it's been lost, it's been found/I will see you in the next world if there is really one."

The subject matter is not always harrowingly heavy, of course. Mellencamp waxes poetic on finding euphoria in life's most affirming moments in the upbeat title track and lead single, even though a bittersweet sense of urgency peaks out through the song's sunny surface - after all, time passes quickly.

"Give me clear vision and don't let me miss anything," he swiftly sings

Could Mellencamp have launched a commercially successful career with an album like this? Of course not. That does not discount it.

Whether he cannot shake pessimism in the face of life's obstacles ("No One Cares About Me"), explores the potential for a more fulfilling existence ("Save Some Time to Dream") or revels in the mystery of what cannot be changed ("Clumsy Ol' World") Mellencamp remains thoroughly and remarkably engaging throughout "No Better Than This."

He writes story songs that immediately grab and speak to people of all walks of life- the essence of American music.

44 of 47 people found the following review helpful

5.0 out of 5 stars John's Rounder Debut Hits It Out Of The Park August 17, 2010

By John Terry VINE™ VOICE

Format:Audio CD|Amazon Verified Purchase

Remember when John Cougar was the next David Bowie and T Bone Burnett was a guitar player in Dylan's "Rolling Thunder Revue"? Doesn't seem like all that long ago to me. John Cougar became John Cougar Mellencamp and finally just plain John Mellencamp. He went from "heartland rock" to roots rock and now he's made it all the way back to the roots of rock. T Bone has had a solo career that critics and devout fans sing the praises of. Then a little movie called "O Brother Where Art Thou" suddenly made him the closest he'll ever be to a household name. More importantly, he proved to the recording industry that record buyers would embrace roots music.
"No Better Than This" was recorded by John and T Bone during John's off days from a minor league baseball park tour he was doing with Bob Dylan and Willie Nelson. Recorded in mono, T Bone and John used places like Sun Studios and The First African Baptist Church in Memphis, the first African Baptist church in North America dating back to before the Revolutionary War. Also used was room 414 of the Gunter Hotel in San Antonio, Texas where Robert Johnson first recorded for Brunswick Records. "No Better Than This" is a live record with real musicians that feels real and sounds absolutely terrific. With "Freedom Road" and "Life, Death, Love and Freedom", it marks the high point of an American folk rock trilogy that shows John Mellencamp hasn't become a nostalgia act. Indeed, he may just be hitting his creative stride. An amazing piece of work.

15 of 17 people found the following review helpful

5.0 out of 5 stars His best in quite a while. August 17, 2010

By DanD VINE™ VOICE

Format:Audio CD|Amazon Verified Purchase

John Mellencamp has lately turned to folk/blues music, the likes of Woodie Guthrie, Robert Johnson, etc. This has, in many ways, been a fortuitous career move: he has crafted meaningful music that has delved into the heart of both Americana and humanity. However, it's also created albums that, while elegant and magnificent from an artistic standpoint, have been almost painful to listen to--music so dark and haunting that it must be taken in small doses.

NO BETTER THAN THIS is something of a breather, though not a passive one. Its lyrics are just as important and beautiful, but they are accompanied by a country/folk backbone that makes even the most downtrodden lyric ("I'm sick of life 'cause it's lost its form/I'll see you in the next world if there is really one") almost pleasant to listen to. Not that everything here is tears and frowns; "Save some time to dream/Because your dream might save us all," he croons in the opening number, and elsewhere (the title track, for instance) he seems relaxed and contended.

It's a false contentment, of course; even at his happiest, Mellencamp can't help but question the world around him. "Gee, it's a clumsy old world," he sings in the final track (and concludes with a wry chuckle); Mellencamp, like most of the great singer/songwriters before him, is in love with that clumsiness, with the imperfection of human nature. NO BETTER THAN THIS is a marvelous album; it's fun, it's catchy, and it's meaningful. Will it top the charts? No. But Mellencamp has more important things on his mind than record sales.