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No Color Is My Kind: The Life of Eldrewey Stearns and the Integration of Houston
 
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No Color Is My Kind: The Life of Eldrewey Stearns and the Integration of Houston [Paperback]

Thomas R. Cole (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

1997

"Haunting and compelling . . . The author confronts some of the touchiest issues in the American psyche—race and ethnic identity and the understanding of Other."

—Robert H. Abzug, Director, American Studies and American Civilization Programs, University of Texas at Austin

No Color Is My Kind is an uncommon chronicle of identity, fate, and compassion as two men—one Jewish and one African American—set out to rediscover a life lost to manic depression and alcoholism.

In 1984, Thomas Cole discovered Eldrewey Stearns in a Galveston psychiatric hospital. Stearns, a fifty-two-year-old black man, complained that although he felt very important, no one understood him.

Over the course of the next decade, Cole and Stearns, in a tumultuous and often painful collaboration, recovered Stearns' life before his slide into madness—as a young boy in Galveston and San Augustine and as a civil rights leader and lawyer who sparked Houston's desegregation movement between 1959 and 1963.

While other southern cities rocked with violence, Houston integrated its public accommodations peacefully. In these pages appear figures such as Thurgood Marshall, Martin Luther King, Jr., Leon Jaworski, and Dan Rather, all of whom—along with Stearns—maneuvered and conspired to integrate the city quickly and calmly.

Weaving the tragic story of a charismatic and deeply troubled leader into the record of a major historic event, Cole also explores his emotionally charged collaboration with Stearns. Their poignant relationship sheds powerful and healing light on contemporary race relations in America, and especially on issues of power, authority, and mental illness.


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Product Details

  • Paperback: 285 pages
  • Publisher: University of Texas Press (1997)
  • Language: English
  • ISBN-10: 0292711980
  • ISBN-13: 978-0292711983
  • Product Dimensions: 8.8 x 6 x 0.8 inches
  • Shipping Weight: 14.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,110,222 in Books (See Top 100 in Books)

More About the Author


Thomas R. Cole is the McGovern Chair in Medical Humanities and Director of the McGovern Center for Humanities and Ethics UT Health in Houston. Cole graduated from Yale University (B.A. Philosophy, 1971), Wesleyan University (M.A., History, 1975) and the University of Rochester, (Ph.D., History, 1981).
Dr. Cole has published many articles and several books on the history of aging and humanistic gerontology. His book The Journey of Life: A Cultural History of Aging in America (Cambridge University Press, 1992) was nominated for a Pulitzer Prize. He is senior editor of What Does It Mean to Grow Old? (Duke, 1986), the Handbook of Humanities and Aging (Springer, 1992, 2nd edition 1999) and Voices and Visions: Toward a Critical Gerontology (Springer, 1993). Other co-edited books include The Oxford Book of Aging (noted by the New Yorker as one of the most memorable books of 1995), Practicing the Medical Humanities (2003).
Cole's interest in the life stories of older people has taken him into biography and film-making. In 1984, he encountered a hospitalized psychiatric patient who claimed he was the "original Texas integration leader." Their collaboration resulted in a book--No Color Is My Kind: the Life of Eldrewey Stearns and the Desegregation of Houston (1997) - and an accompanying film, The Strange Demise of Jim Crow, broadcast nationally on over 60 PBS stations and internationally by the State Department. The documentary received numerous awards and was nominated for a regional Emmy and a National Humanities Medal.
Cole's film, Still Life: The Humanity of Anatomy, was an official selection at the Doubletake Documentary Film festival in April 2002. This work explores the special yet unstated relationship between medical students in the anatomy lab and the people who donate their bodies for dissection. In 2001, Cole's writing workshop program for elders was featured in the PBS documentary Life Stories. In 2007, he co-produced Living with Stroke, a prize-winning film about the invisible world of stroke survivors.
Cole is senior editor of the book Faculty Health in Academic Medicine: Physicians, Scientists and the Pressures of Success (Humana, 2009), which explores the impact of the spiritual and economic crises facing academic health centers today.
Cole's work has been featured in the New York Times, National Public Radio, Voice of America, PBS, and at the United Nations. He serves as an advisor to the United Nations NGO Committee on Ageing, the Union for Reform Judaism and various editorial and foundation boards. In 2004-2005, he served as a consultant to the President's Council on Bioethics project on aging and was featured speaker at the AARP/United Nations Briefing Sessions on Aging in February 2009. His most recent book is the co-edited Guide to Humanistic Studies in Aging (Johns Hopkins, 2010). Cole has just produced a unique, collaborative, fictional text in narrative ethics: The Brewsters: An Active Learning Experience in Health Care Ethics (UTHEALTH, 2011), an online version of which is in progress. With Nathan Carlin and Ronald Carson, he is currently writing a textbook, Introduction to Medical Humanities for Cambridge University Press.

 

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5 of 5 people found the following review helpful:
5.0 out of 5 stars More than just History, February 9, 2003
By 
REM (Houston, TX USA) - See all my reviews
This review is from: No Color Is My Kind: The Life of Eldrewey Stearns and the Integration of Houston (Paperback)
In a sense this is two books. While it starts with a discussion of how the author, a medical ethicist, was drawn to write this book about Eldrewey Stearns, the first 100 pages primarily tells the story of integration in Houston, Texas in the late 50s and 60s. It's a compelling and interesting story, but it is more compellingly told by the video that was made simultaneously with this book. That video, The Strange Demise of Jim Crow: How Houston Desegregated Its Public Accomodations, 1959-1963 is available from University of Texas Press (I can't find it on Amazon). The video includes interviews with many of the prominent actors in this drama and is always a favorite when I use it in my Introduction to US and Texas Politics class.
The second 100 pages of the book is about Eldrewey Stearns' life before and after the movement. Stearns was one of the leaders of the civil rights movement in Houston, but he is also someone who has struggled with mental illness all his life. This book provides a fascinating insight into the struggles the author goes through in trying to help Eldrewey and to understand this complex, flawed, yet sometimes heroic man. He also comes to considerable insight about himself through the process of trying to chronicle Eldrewey's story.
An excellent read, whether you are interested in the history of the movement or in getting an understanding of how it is to deal with mental illness.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Fascinating book about Houston, integration, and two men, March 27, 2002
This review is from: No Color Is My Kind: The Life of Eldrewey Stearns and the Integration of Houston (Paperback)
In the 1990s I spent two years traveling in Europe. One day in a Hungarian history museum I hit the wall: Here I was reading all about the Magyars, but I knew little about my own hometown--Houston, Texas--except whatever I'd been forced to memorize eons ago in grade school. Unfortunately, once I got back to Texas I found many of the local history books unbearable: "In 1832, Lamar So-and-So reined in his trusty steed at the banks of Buffalo Bayou." I gave up my getting-to-know-Houston project until recently, when I stumbled upon No Color is My Kind: The Life of Eldrewey Stearns and the Integration of Houston. This is easily the best book I've ever read about Houston history. Thomas Cole personalizes the story, makes himself visible as a person confronting his own ideals, frustrations, and personal myths. His subject, Eldrewey Stearns, is obviously no easy man to pin down. Stearns has troubles, and I'm afraid he suffers more than most people. However, the fact that the writer refused--or was unable--to paint Stearns as a perfectly noble (and flat) hero is, in my opinion, exactly why Stearns is such a moving figure and why this work is so much richer than the Daughters of the American Revolution (or worse, Daughters of the Confederacy) tributes that so many other books about Houston and Houstonians seem to be. Stearns is real, and Cole's depiction of him and his part in Houston's integration movement deepened my appreciation for African-Americans' struggles and their courageous stands.
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