Amazon.com Review
Robert Shelton, a critic for the
New York Times in 1961, caught an early Bob Dylan gig at Folk City in Greenwich Village and wrote an effusive review for the newspaper. The coverage in the
Times was a huge boost to the career of the then-struggling folksinger, and Shelton and Dylan became friends, seeing each other frequently around the Village folk scene. When Shelton, in the 1980s, finally got around to finishing his full-length biography of Dylan, he could draw upon a wealth of insider stories from the early days. The book is naturally strongest when describing Dylan's early career, from his coffeehouse gigs as a
Woody Guthrie disciple to the insanely high artistic peaks of the mid-'60s. A particularly engaging passage concerns a freeform interview Shelton conducted with Dylan as they flew high above the Midwest in early 1966; Shelton's memories of Dylan are essential reading for fans. Shelton saw much less of the notoriously private Dylan as the years passed, and the book loses momentum as he becomes less of an eyewitness and more of a distant observer, though Dylan's story is credibly told up through the mid-1980s.
--Robert McNamara
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Years in the making (some interviews conducted for it date back to the mid'60s), and much of it based on Shelton's personal experience, this hefty book supplants Anthony Scaduto's Bob Dylan as the definitive biography. Shelton was the popular-music columnist for the New York Times from 1958 to 1968, in which capacity he wrote the first attention-drawing reviews of Dylan's coffeehouse gigs in 1961; the position also brought him into close contact with many of the music-industry principals he writes about. A friend of Dylan's and a fan, Shelton succeeds in making this opaque and often irritating person comprehensible, even likable. Dylan has always shrouded himself in mysterioso antics, railed against inconstant friends and fallen into the trap of being one himself (notable instance: turning his back on Joan Baez) and delighted in giving out meaningless, perverse and nasty interviews. Shelton manages to locate the authentic Dylan: the pilgrim seeking enlightenment and salvation, the husband and father, the genius who wrote songs as beautiful as "Blowin' in the Wind," "Don't Think Twice" and "Knockin' on Heaven's Door," and as apocalyptic and prophetic as "Maggie's Farm," "Desolation Row" and "Hard Rain." The author incorporates a number of lines from Dylan's work into his text, which discusses the man's life and career under subject headings, a format that keeps him from following a strictly chronological order. The book is nevertheless comprehensive and clear. This is first-rate biography and a marvelous re-creation of the music scene of the '60s and later. The text is supplemented with brief analyses of every song, a song index, discography and bibliography, and 16 pages of black-and-white photos (not seen by PW. 50,000 first printing.
Copyright 1986 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.