Bob Dylan: "Johnny Cash's voice was so big, it made the world grow small... When I first heard 'I Walk the Line' so many years earlier, it sounded like a voice calling out 'What are you doing there, boy?' I was trying to keep my eyes wide opened, too." Read more musical excerpts from Chronicles, Vol. 1 on our Music You Should Hear page.
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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. When I Got Troubles | |||
| 2. Rambler, Gambler | |||
| 3. This Land Is Your Land | |||
| 4. Song To Woody | |||
| 5. Dink's Song | |||
| 6. I was Young When I Left Home | |||
| 7. Sally Gal | |||
| 8. Don't Think Twice, It's All Right | |||
| 9. Man Of Constant Sorrow | |||
| 10. Blowin' In The Wind | |||
See all 16 tracks on this disc
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| Disc: 2 | |||
| 1. She Belongs To Me | |||
| 2. Maggie's Farm | |||
| 3. It Takes A Lot To Laugh, It Takes A Train To Cry | |||
| 4. Tombstone Blues | |||
| 5. Just Like Tom Thumb's Blues | |||
| 6. Desolation Row | |||
| 7. Highway 61 Revisited | |||
| 8. Lepoard-Skin Pill-Box Hat | |||
| 9. Stuck Inside Of Mobile With The Memphis Blues Again | |||
| 10. Visions Of Johanna | |||
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See all 12 tracks on this disc
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Editorial Reviews
Amazon.com
Book-ended with an embryonic recording made by a high school friend and a live, boisterous take of "Like a Rolling Stone" less than seven years later, the fifth release in the Bob Dylan Bootleg series (and the soundtrack to Martin Scorsese's Dylan documentary of the same name) proffers just how far the folk idol turned rock star had come between his last year in a Minnesota high school and 1966's contentious UK tour. The double CD is sequenced chronologically and features 26 rare and unreleased recordings (most between 1961 and 1966), including 1959's muddied "When I Got Troubles,' reportedly the first song Dylan ever put to tape, and Woody Guthrie's "This Land Is Your Land," performed live soon after Dylan's arrival in New York. While the usual suspects are present--"Don't Think Twice It's Alright," "Masters of War," "Mr. Tambourine Man"--this collection unravels the unexpected, including an outtake from The Freewheelin' Bob Dylan ("Sally Gal"), captivating alternate takes of "She Belongs To Me," "It Takes a Lot to Laugh, It Takes a Train to Cry" and "Visions of Johanna" (with full band) and the ripping electric version of "Maggie's Farm" that throttled the 1965 Newport Folk Festival and carried Dylan over the genre-influencing threshold into generation-altering icon status. --Scott Holter
Recommended Bob Dylan
Product Description
Bob Dylan No Direction Home - Sealed US 2-CD album set
Customer Reviews
Most Helpful Customer Reviews
54 of 57 people found the following review helpful
Format:Audio CD
Oh man! This CD is just terrific!! I guess I need to write more though to turn out a decent review. Where to begin. "No Direction Home: The Soundtrack" is the 7th volume in Bob Dylan's archival Bootleg Series and is also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The double CD is chronologically sequenced and features 28 recordings, 26 of them previously unreleased and rare, (most from between 1961 and 1966), including "When I Got Troubles," which is supposedly the first song Dylan ever taped. Many of the tracks are alternate takes of his classic songs, along with some surprise live versions, like "Chimes of Freedom" and "When The Ship Comes In." What a phenomenal body of work created in just six years! This is a superb retrospective of that time.
Disc 1 covers Dylan's early period, 1959 to 1965, from his last year as a Minnesota high school student through his years as the brilliant young troubadour, master folk singer, people's poet and the voice of protest in America. In 1960, Dylan dropped out of college and moved to New York, where legendary folk singer Woody Guthrie was hospitalized with a rare disease of the nervous system. Dylan visited with his idol regularly in the hospital and performed his signature tune, "This Land Is Your Land," soon after arriving in Manhattan. The CD features the Guthrie anthem, recorded live as well as "Song To Woody." Other outstanding cuts on the first CD include: "Sally Gal," adapted from "Sally Don't You Grieve" by Woody Guthrie, ("Freewheelin' Bob Dylan"), "Masters of War" and "Blowin' in the Wind" - Dylan's own protest songs, and alternate takes of "Don't Think Twice" and "It's All Over Now Baby Blue." I haven't heard "Dink's Song" in years and that's here too as is an early version of the old folk favorite "Rambler, Gambler." A great CD!!
Disc Two, however, is even more amazing - it ROCKS!! Here is Dylan's electric, raucous version of "Maggie's Farm," the one that tore-up the 1965 Newport Folk Festival....with hostility. He came onstage in a funky orange shirt and black leather, carrying an electric guitar, and proceeded to play music that was not folk. He performed "Like a Rolling Stone," this CD's final cut, (the Manchester 1966 version), right after "Farm," and when he began "It Takes a Train to Cry," the purists threw him out of the genre. Exit acoustic, enter electric! That's when Bob Dylan became an ex-folk singer and a modern day cultural icon, an artist who greatly influenced the music of his own and later generations...and he continues to do so. "Visions of Johanna" (with full band) is also featured here, as is the emotional "Ballad of the Thin Man," the almost psychedelic "Tombstone Blues," and alternate studio takes of "Leopard-Skin Pill-box Hat," and "Stuck Inside Of Mobile With The Memphis Blues Again."
You don't have to be a hardcore Dylan fan to appreciate this album. It is exceptional. Every track is special. And the CDs come with a 58-page liner booklet that includes rarely and formerly unpublished photos, essays and track-by-track analysis. A must have CD(s)!
JANA
Disc 1 covers Dylan's early period, 1959 to 1965, from his last year as a Minnesota high school student through his years as the brilliant young troubadour, master folk singer, people's poet and the voice of protest in America. In 1960, Dylan dropped out of college and moved to New York, where legendary folk singer Woody Guthrie was hospitalized with a rare disease of the nervous system. Dylan visited with his idol regularly in the hospital and performed his signature tune, "This Land Is Your Land," soon after arriving in Manhattan. The CD features the Guthrie anthem, recorded live as well as "Song To Woody." Other outstanding cuts on the first CD include: "Sally Gal," adapted from "Sally Don't You Grieve" by Woody Guthrie, ("Freewheelin' Bob Dylan"), "Masters of War" and "Blowin' in the Wind" - Dylan's own protest songs, and alternate takes of "Don't Think Twice" and "It's All Over Now Baby Blue." I haven't heard "Dink's Song" in years and that's here too as is an early version of the old folk favorite "Rambler, Gambler." A great CD!!
Disc Two, however, is even more amazing - it ROCKS!! Here is Dylan's electric, raucous version of "Maggie's Farm," the one that tore-up the 1965 Newport Folk Festival....with hostility. He came onstage in a funky orange shirt and black leather, carrying an electric guitar, and proceeded to play music that was not folk. He performed "Like a Rolling Stone," this CD's final cut, (the Manchester 1966 version), right after "Farm," and when he began "It Takes a Train to Cry," the purists threw him out of the genre. Exit acoustic, enter electric! That's when Bob Dylan became an ex-folk singer and a modern day cultural icon, an artist who greatly influenced the music of his own and later generations...and he continues to do so. "Visions of Johanna" (with full band) is also featured here, as is the emotional "Ballad of the Thin Man," the almost psychedelic "Tombstone Blues," and alternate studio takes of "Leopard-Skin Pill-box Hat," and "Stuck Inside Of Mobile With The Memphis Blues Again."
You don't have to be a hardcore Dylan fan to appreciate this album. It is exceptional. Every track is special. And the CDs come with a 58-page liner booklet that includes rarely and formerly unpublished photos, essays and track-by-track analysis. A must have CD(s)!
JANA
37 of 40 people found the following review helpful
Format:Audio CD
This two-disc set is everything you hope you'll hear when you attend a Dylan concert. There are a few quality rarities from the Dylan songbook, the requisite traditional songs, and a lot of songs that are ordinarily recognizable to almost anyone but given a new spin. Anyone who has been to a Dylan show knows the experience of spending two or three verses trying to figure out which classic song Bob has completely re-imagined. There's nothing quite so radical here, but it's fascinating to hear all of Dylan's different takes on songs that fans know by heart. The sprawling "Desolation Row" is almost country-fied!
Because it sticks to a short time frame, 1959-1966, the tracklist of 30 songs also has time to portray Dylan's growth, from the home recordings that open the first CD to the Blonde on Blonde and Highway 61 alternate takes that fill much of disc two. This is probably the most accessible of the Bootleg Series sets for casual fans, but true-blue, have-every-album fans will delight in the varied instrumentation and altered phrasing that pops up in song after song. A welcome addition to the Dylan discography!
Because it sticks to a short time frame, 1959-1966, the tracklist of 30 songs also has time to portray Dylan's growth, from the home recordings that open the first CD to the Blonde on Blonde and Highway 61 alternate takes that fill much of disc two. This is probably the most accessible of the Bootleg Series sets for casual fans, but true-blue, have-every-album fans will delight in the varied instrumentation and altered phrasing that pops up in song after song. A welcome addition to the Dylan discography!
51 of 60 people found the following review helpful
Format:Audio CD
This latest entry in Dylan's "The Bootleg Series" is the most satisfying since "Live 1966" (Volume Four). It spans the first known recording made by Dylan ("When I Got Troubles") in 1959 to the infamous "Judas" performance of "Like a Rolling Stone" in 1966.
"No Direction Home," interestingly enough, ends up being Dylan's answer to "The Beatles Anthology"--most of what we get here comes in the form of alternate takes of great album cuts. Disc One features the most new (officially released) titles, including the aforementioned "When I Got Troubles" and 1960's "Rambler, Gambler." Neither song is particularly good, but similar in quality to other first attempts at recording like The Beatles/The Quarrymen's "In Spite of All the Danger" or Elvis Presley's "My Happiness." Dylan's early nod to Woody Guthrie, here, a cover of "This Land is Your Land," shows him hitting his stride. Two early highlights from this disc are "Dink's Song" and "I Was Young When I Left Home," both which show how rhythmically dynamic a guitar player Dylan could be (in addition to being "a poet," he was/is actually a highly underrated guitarist). Arguably the best cut on Disc One is a live performance of "Blowin' in the Wind" that is powerfully sung by the young Dylan. Giving it a run for its money is "Chimes of Freedom," an often overlooked cut from "Another Side of Bob Dylan," which features some of Dylan's most affected vocals. The demo for "Mr. Tambourine Man," with Ramblin' Jack Elliott joining Dylan on vocals, is slightly disappointing, but still fascinating.
Disc Two is also a little underwhelming. It is easy to see why these takes did not end up on the albums they were intended for. The big disappointments here include a dull version of "Desolation Row" and a more sedate version of "Just Like Tom Thumb's Blues." "Blonde on Blonde" tracks "Leopard-skin Pill-box Hat," "Visions of Johanna" and "Stuck Inside of Mobile with the Memphis Blues Again" are here presented in alternate arrangements with slight lyrical variations. These takes are quite interesting, but do not improve upon the versions on the album. The two best cuts on the second disc include a fiery performance from the "Dylan goes Electric" show at Newport in 1965 ("Maggie's Farm") and a hot live version of "Ballad of a Thin Man" which shows just how possessed Dylan and the Band were during their 1966 tours. This set is awfully fascinating for Dylan afficionados, but there's somethin' happening here and most newcomers won't know what it is ...
"No Direction Home," interestingly enough, ends up being Dylan's answer to "The Beatles Anthology"--most of what we get here comes in the form of alternate takes of great album cuts. Disc One features the most new (officially released) titles, including the aforementioned "When I Got Troubles" and 1960's "Rambler, Gambler." Neither song is particularly good, but similar in quality to other first attempts at recording like The Beatles/The Quarrymen's "In Spite of All the Danger" or Elvis Presley's "My Happiness." Dylan's early nod to Woody Guthrie, here, a cover of "This Land is Your Land," shows him hitting his stride. Two early highlights from this disc are "Dink's Song" and "I Was Young When I Left Home," both which show how rhythmically dynamic a guitar player Dylan could be (in addition to being "a poet," he was/is actually a highly underrated guitarist). Arguably the best cut on Disc One is a live performance of "Blowin' in the Wind" that is powerfully sung by the young Dylan. Giving it a run for its money is "Chimes of Freedom," an often overlooked cut from "Another Side of Bob Dylan," which features some of Dylan's most affected vocals. The demo for "Mr. Tambourine Man," with Ramblin' Jack Elliott joining Dylan on vocals, is slightly disappointing, but still fascinating.
Disc Two is also a little underwhelming. It is easy to see why these takes did not end up on the albums they were intended for. The big disappointments here include a dull version of "Desolation Row" and a more sedate version of "Just Like Tom Thumb's Blues." "Blonde on Blonde" tracks "Leopard-skin Pill-box Hat," "Visions of Johanna" and "Stuck Inside of Mobile with the Memphis Blues Again" are here presented in alternate arrangements with slight lyrical variations. These takes are quite interesting, but do not improve upon the versions on the album. The two best cuts on the second disc include a fiery performance from the "Dylan goes Electric" show at Newport in 1965 ("Maggie's Farm") and a hot live version of "Ballad of a Thin Man" which shows just how possessed Dylan and the Band were during their 1966 tours. This set is awfully fascinating for Dylan afficionados, but there's somethin' happening here and most newcomers won't know what it is ...
Most Recent Customer Reviews
For the fan
Bob Dylan/ No Direction home-the soundtrack: All but two of the tracks here are previously unreleased. Read more
Published 6 months ago by J. Bynum
Bob Dylan Soundtrack CD Review
Great music from a great artist at the height of his career. Well worth buying and even more well worth listening to.
Published 6 months ago by Andrew R. Shapiro
Better than I could of expected!!!!
The item was shipped almost instantly. I got it on monday- ordered it Friday.
The c.d. was PERFECT condition, better than described. Read more
The c.d. was PERFECT condition, better than described. Read more
Published 21 months ago by Stephanie
Once Again, For The Aficionados
I have spilled no little ink on the question of the value of various bootleg products, genuine basement tapes, fake basement tapes, etc. Read more
Published on March 22, 2009 by Alfred Johnson
Magnificent! "...He is spoon-feeding Casanova the boiled guts of...
More of a companion to the Martin Scorsese picture than a traditional soundtrack, the seventh volume of Bob Dylan's magnificent "Bootleg Series" consists of 28 tracks of which 26... Read more
Published on February 19, 2009 by Docendo Discimus
New Ears
The first time I heard Bob Dylan was when Modern Times was playing in Borders. So without hearing the younger Bob Dylan I immediately concluded that I didn't like anything he had... Read more
Published on February 11, 2009 by C. Lopez
Master of Space and Time
Surely Bob Dylan is a master of space and time, existing simultaneously on several chronological planes. Read more
Published on January 24, 2009 by Laurence Upton
You Will Not Die, It's Not Poison
with the exception of the first couple of songs, Dylan's earliest recordings, which are not very good & was befroe he ever really found his voice, the rest of this double CD is... Read more
Published on November 26, 2008 by COMPUTERJAZZMAN
This is the album that got me into Dylan
Before I heard this album, I viewed Dylan as over rated and I did not understand what all the fuss was about. Read more
Published on September 28, 2008 by Joseph D. Land
uneven
I would disagree with anyone who says this isn't just for serious Dylan fans. I am one, and there's still a lot here I wouldn't want to listen to very often.... Read more
Published on March 9, 2008 by ingonyama
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