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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Got Blood?, December 30, 2006
Joe Pitt is the classic pulp fiction tough guy. Part private investigator, part leg breaker, all renegade. Joe Pitt is also a "vampyre".
Welcome to Charlie Huston's contemporary New York, a city where by night the undead walk among us, holed up in darkened Manhattan apartments by day. But But Houston's Dracula is about as similar to Bram Stoker and Transylvanian and bats as blood is similar to Kool Aid. Huston's blood-lusting wraiths of Manhattan are victims of an AIDS-like "Vyrus", aligned in cults operating in uneven detente in a twisted JR Tolkien nightmare society. Pitt, while living in the Greenwich Village turf of the politically correct and activist "Society" clan, remains independent, a rogue agent allowed to exist on the fringes of vampire-dom thanks to his rep for ridding the neighborhood of undesirables.
So following last year's "Already Dead", the tight-lipped Pitt returns, short of cash and more than a few "pints" low. It seems there is a new vampyre high loose on the streets of New York, wrecking some havoc within the clans. Pitt, desperate for work and in need of a new stash of hemo for the fridge, takes a contract from the Society clan's boss to track down the source of the strange and dangerous new drug. This leads Pitt to "the Count", a spoiled rich kid from Columbia playing vampire, complete with a trio of usually stoned vamp brides. Pitt's search for the stuff takes him north to Harlem and "the Hood" clan, home of the feared DJ Grave Digga and his Ecco Rhin-clad homeboys. With this backdrop, Huston spins a vicious - if somewhat convoluted tale - of inter-clan politics, setups, treachery and, true to the author's own rep, nonstop action. While "No Dominion" is not a sequel per se, it would be best to read "Already Dead" first, filling in some of the holes that Huston chooses not to repeat (at the risk of slowing down this episode).
Like his offbeat subject matter and anti-hero, Charlie Huston's lean prose, uncluttered by ordinary convention like chapters and quotation marks, follows no rules and, at least in terms of style, has no equal. Hip, irreverent, brutal, sometimes even thought provoking, Huston is not for everyone. But "No Dominion" is further proof that Huston, while unorthodox, is in a class of his own, and a very short list of today's top crime writers.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Vampyre Noir -- subtle maneuvers, May 13, 2007
In No Dominion, Joe Pitt has settled down a bit since Already Dead. The jobs have been few and far between but he's been doing okay -- except his stash is down to 3 pints, his girlfriend's HIV is getting worse, and she's wants to know what Joe does for a living. But that's just background as Joe's face is getting pushed through safety glass by a vamp hyped up on drugs. This is no small thing since the vyrus doesn't let vampyres get more than a light and fleeting buzz from drugs. So what's the drug that can get a vamp high? Who's making it? And where the heck are all these new vamps coming from?
No Dominion is noir squared. Joe Pitt is a vampire Sam Spade. Joe's a cynic but he can't help trying to do the right thing even when it means it might cost him everything he is. Vampyres are all about politics and territory. To learn what the new drug is and who is making it, Joe must travel out of his territory, and to do that he has to have the help of Terry, who wants to control him, and Daniel, who believes Joe should take his place when he dies. Joe is a holdout not beholden to any clan but picking up jobs and living free by Terry's whim in Terry's territory.
Pitt might not be a mover and a shaker in vampyre politics but he knows when he's being used and, even knowing, he allows it to get the job done. But in the end it just might cost him more than he's willing to pay. Huston continues to develop the character and the story unfolds allowing us to see how it works -- there are no winners here. There are those who are used and those who don't realize they are being used and those who make a choice for a better chance for others.
While you could probably pick this book up without having read Already Dead; there's a lot of backstory given in the first chapters to help out with the set up. However, the first book is excellent, so give yourself a treat.
There's no happy ending, just a visit to a place that's got to be worse than wherever you are now and that's got to make this world and this reality look better just by comparison -- and a nifty mystery to boot.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
A definite vampire read!, January 17, 2007
I've read the Henry Thompson series by Charlie Huston as well as Already Dead. They're all really solid novels. What makes them stand out is the narrative tone that the author takes with his leads. You really get a feel for what is going on inside of their head which puts you into the action.
That being said, I wouldn't bother reading this novel without having read Already Dead. It's a vampire novel but a toned down, gritty New York almost crime noir novel. And its good. I'd say that this novel had a few rough spots but overall, you're not going to be able to put it down. It's the continuing saga of Joe Pitt. It's got a fairly well fleshed out Vampire world in New York which is fun. I'd imagine that the author is going to continue to flesh it out in future novels which I will definitely have to read.
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