From Publishers Weekly
"Agnes is a very demanding person, she eats up the air," said a friend of choreographer, writer and cultural whirlwind Agnes de Mille. This biography is equally daunting. Easton, biographer of Sam Goldwyn, Jacqueline du Pre and Stan Keaton, has evaluated almost every dance movement, artistic exchange and tantrum of de Mille's 88 years. But far from being irksome, the detailed chronology gathers strength as its subject careens from wild success (Oklahoma and Rodeo) to chaotic failure (Sebastian lasted one night, and Come Summer closed after seven performances). Along the way, Easton doesn't neglect de Mille's equally unpredictable emotional life. Daughter of playwright William de Mille, niece of Hollywood's larger-than-life Cecil B. de Mille, she had a torturous relationship with her mother, Anna, that dominated her early career. Later, her 45-year marriage to Walter Prude, an executive of the Sol Hurok Agency, held together despite internal competition and marked divergence of personalities. The account of their last years together is deeply moving. Nor does Easton forget de Mille's almost accidental writing career. Her Dance to the Piper was a 1952 bestseller, and throughout her career, she always had a literary project under way. Her major life of Martha Graham was published in 1991, only two years before her death. This skillful portrait assumes a deep interest in the world of dance and musical theater. Photos not seen by PW.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
In To A Young Dancer (LJ 7/5/62, o.p.), de Mille once advised dancers to "try to consider the step as a whole, a long curve, and sustain throughout." Easton has considered the life and career of her subject as a whole, told the entire story, and sustained a richly detailed narrative that sparkles with the names of stars in the world of dance, theater, and film. Described in New York Newsday as "perhaps the best dancer ever to write and the best writer ever to dance," de Mille not only transformed the American musical with her choreography (Oklahoma!, Carousel, Brigadoon) and enlivened the ballet scene (Rodeo and Fall River Legend) but produced a number of notable books as well (e.g., Dance to the Piper, Da Capo, 1982; Martha: The Life and Work of Martha Graham, LJ 8/91). Thoroughly researched and written with the cooperation of its subject and her family, friends, and colleagues, this carefully crafted account of the life of one extraordinary woman belongs in all performing arts collections.?Carolyn M. Mulac, Chicago P.L.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.