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12 of 12 people found the following review helpful:
5.0 out of 5 stars
No Comparison, May 31, 2003
By A Customer
This review is from: No Protection (Audio CD)
Re-mixes and dub remixes are two different animals. Often, as is the case with Mad Professor's take of Massive Attack's Protection, dubs radically manipulate and reshape a recording. Dubs, and particularly those of the Mad Professor, should not be compared to the original, per se, but should be judged on their own merits. Remixes by non-dub producers play it rather safe in comparison. Which is fine, of course. To say that the Mad Professor "ruined" Protection, as several reviewers have, is incoherent. This isn't a slight tweak, this is a reworking, and a damn good one at that. No Protection is deep and spacey, with heavy bass. While there is a dark undercurrent, it generates plenty of warmth as long as you are not expecting the same plane of soulfulness found on Massive Attack's original. No Protection is one of the heaviest grooves of any downtempo album, and if you are in the mood, you'll feel it.
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23 of 27 people found the following review helpful:
3.0 out of 5 stars
Great concept, but lacking Protection's original beauty. . ., June 24, 1999
By A Customer
This review is from: No Protection (Audio CD)
When I first heard about a the dub version of Protection I nearly wet my pants (being a big fan of that album), but I held off for nearly two years while I built up my "proper" dub collection of various essentials and oddities from such greats as King Tubby, Lee Perry, Augustus Pablo etc. Finally I figured I'd buy No Protection. Boy was I dissapointed. This album lacks the charm that comes with any good dub record. It's stark, and devoid of the beauty that made Protection so great in the first place. This sounds like "dub by numbers" executed by a computer program. Gone (completely) are Tracy Thorn and Nicollette's beautiful vocals. They are brutally reduced to miniscule snippets and misplaced samples; a grave mistake on the Mad Professor's part. A dub artist making versions is supposed to accentuate the best parts of the track whether it be the beats or the melody or the vocals, and drop them in and out of sequence accordingly. The album lacks warmth. It's much too digital and clean cut. Random stabs of deafening static and distortion don't make a good dub record either; they only jar the ears and divert your interest. No Protection was a great idea to begin with, but didn't exactly deliver the goods. You'll either love it or hate it. My recommendation: just stick with Protection and buy yourself some real dub music.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Absolutely amazing. One of the best., July 21, 1999
By A Customer
This review is from: No Protection (Audio CD)
This CD hasn't come off my player for about 4 months. Definitely better than the original (and that's saying quite a lot). Most people I know are disappointed when they first hear it, expecting something altogether different. However, after three or four spins on their player, they can't take it off. A masterpiece.
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