24 of 26 people found the following review helpful:
5.0 out of 5 stars
"Art is meant to disturb.", October 21, 2006
This review is from: No Trace: A Brock and Kolla Mystery (Brock and Kolla Mysteries) (Hardcover)
Barry Maitland's "No Trace" is a haunting and powerful police procedural featuring Detective Chief Inspector David Brock and Detective Sergeant Kathy Kolla. Brock and Kolla are members of a Major Enquiry Team looking into the disappearance of three young girls: Aimee Prentice, Lee Hammond, and most recently, Tracey Rudd, the six-year-old daughter of Gabriel Rudd, a controversial contemporary artist. Rudd lives in Northcote Square, a London neighborhood known for its cutting-edge artists and art dealers.
Maitland does a masterful job of juggling an enormous cast of colorful characters. Betty Zielinski is an apparently disturbed woman who lives near Gabriel Rudd. Although she claims that she has pertinent information that could help the police, no one is willing to pay any heed to "Batty Betty," as she is known in the square. Len and Bev Nolan, Tracey's grandparents, despise Rudd, whom they blame for the suicide of his wife, Jane, who was also their daughter. Fergus Tait, Gabe's art dealer, is an opportunist who encourages Gabe to immediately transform his grief into a new work of art, as he did after his wife's death.
Weeks pass without any leads. Suddenly, a series of homicides raises the stakes for the investigators. It soon becomes apparent that a serial killer is loose in Northcote Square. Could these murders be related to the abduction of the three little girls? Brock has his hands full dealing with these high-profile cases, especially since his superiors are breathing down his neck and pressuring him for results. Maitland slowly builds up tension as Brock, Kathy, Detective Inspector Bren Gurney, and the rest of the team desperately look for leads.
"No Trace" is one of the most dark and complex thrillers of the year. It has crisp dialogue, sharp descriptive writing, excellent depiction of police procedure, and deliciously sardonic humor. Maitland touches on a number of compelling themes and develops them beautifully: the selfishness of great artists, the political jockeying for power among law enforcement agencies, and the price that dedicated detectives pay for their devotion to duty. The author skillfully demonstrates that some apparently normal human beings are so cruel and insensitive to the pain and suffering of others that they commit horrific acts with little or no remorse. The plot becomes more and more intricate until it culminates in a breathtakingly clever and surprising, if not entirely realistic, finale. Still, Maitland pulls it off, and "No Trace" is itself a minor work of art.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
A good read, stacked to the skylights with grisly art and grislier murders and suspects and red herrings galore, February 28, 2011
...And that's mostly a good thing, I think, but also one that builds to a tale so intricate, intense and unnerving that I found I needed to take frequent breaks from all the convolution and let the latest twists and turns of the plot's progression sink in for awhile before going back into the fray.
But let me digress for a moment to say I'm Maitland fan dating back to the mid '90s, but there came a time--probably when the author was moving back to England from Australia and I was still shopping at brick and mortar bookstores--when the supply of new Maitland mysteries seemed to have dried up and eventually I stopped looking. It was only when a request came up for new mystery writer recommendations in an Amazon discussion group recently that I re-remembered Maitland, went on the prowl here, discovered he'd written several new Brock-Kolla mysteries while I wasn't paying attention and that Amazon had them. Which is how I now find myself playing catch-up, starting with this one seven long years after it was published.
This 8th in the Brock-Kolla detective series opens just after the abduction of the daughter of a well-known modern artist--the third girl-child in east London to have gone missing in recent weeks. The setting is an off-the-beaten-track neighborhood dominated by a combination gallery, restaurant and collection of artists' studios called "The Pie Factory." The cast of characters ranges from the merely quirky to the decidedly weird to the chillingly creepy and, before it's all over and the fate of the missing child is revealed, many will be suspected and several will end up dead, all of them under highly unusual circumstances. Brock's Major Enquiry Team really has their work cut out for them on this one and if you're the kind of mystery reader who likes to challenge yourself to figure out whodunit before the cops do, you've got quite a challenge ahead of you as well. But I suspect you'll find it worth it.
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2 of 2 people found the following review helpful:
3.0 out of 5 stars
A clever rant against the emptiness of conceptual and performance art, August 19, 2008
Maitland strives for more than death, plot and mayhem and makes a statement about the absurdity of pop culture and its paper heroes by writing a complete and satisfying mystery involving two likeable and believable heroes, an abundance of scoundrels, some grisly deaths and an ending bordering on the surreal.
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