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Noah's Compass Hardcover – Deckle Edge, January 5, 2010


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Editorial Reviews

From Publishers Weekly

Starred Review. Like Tyler's previous protagonists, Liam Pennywell is a man of unexceptional talents, plain demeanor, modest means and curtailed ambition. At age 60, he's been fired from his teaching job at a second-rate private boys' school in Baltimore, a job below his academic training and original expectations. An unsentimental, noncontemplative survivor of two failed marriages and the emotionally detached father of three grown daughters, Liam is jolted into alarm after he's attacked in his apartment and loses all memory of the experience. His search to recover those lost hours leads him into an uneasy exploration of his disappointing life and into an unlikely new relationship with Eunice, a socially inept walking fashion disaster who is half his age. She is also spontaneous and enthusiastic, and Liam longs to cast off his inertia and embrace the joyous recklessness that he feels in her company. Tyler's gift is to make the reader empathize with this flawed but decent man, and to marvel at how this determinedly low-key, plainspoken novelist achieves miracles of insight and understanding. (Jan.)
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Review

Praise for Anne Tyler’s Noah’s Compass
 
“Everyone loves Anne Tyler . . . and her 18th novel will doubtless supply another reason.”
—San Francisco Chronicle
 
Noah’s Compass is immensely readable. It displays many of Tyler’s finest qualities: her sharp observation of humanity, her wry comedy; the luminous accuracy of her descriptions . . . Hers is a fine-grained art, whose comedy could easily coarsen into the self-consciously quirky. If it does not, this is because her surprises are rooted in character: it is human nature that she evidently finds infinitely fascinating and surprising, with its constantly unforeseeable capacity for change . . . [A] novel by Anne Tyler is cause for celebration.”
—Caroline Moore, The Sunday Telegraph
 
“Tyler reveals, with unobtrusive mastery, the disconcerting patchwork of comedy and pathos that marks all our lives.”
—Michael Dirda, The Wall Street Journal
 
“Dazzling . . . A beautifully subtle book, an elegant contemplation of what it means to be happy.”
—Elizabeth Day, The Observer, UK
 
“Fired from his job, Liam Pennywell moves into a small apartment and wakes up the next morning in the hospital with head injuries he can’t explain. What turns out to have been an attack by a thief leads to unexpected grace, as Liam is forced to engage more deeply with his family and with a woman who finds him irresistible.”
More magazine
 
“Pure pleasure”
—Helen W. Mallon, Philadelphia Inquirer
 
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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Product Details

  • Hardcover: 288 pages
  • Publisher: Knopf; 1 edition (January 5, 2010)
  • Language: English
  • ISBN-10: 0307272400
  • ISBN-13: 978-0307272409
  • Product Dimensions: 9.6 x 6.5 x 1.2 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (167 customer reviews)
  • Amazon Best Sellers Rank: #719,451 in Books (See Top 100 in Books)

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More About the Author

Anne Tyler was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. This is her 17th novel. Her 11th, Breathing Lessons, was awarded the Pulitzer Prize in 1988. A member of the American Academy and Institute of Arts and Letters, she lives in Baltimore, Maryland.

Customer Reviews

Her novels have such interesting and memorable characters.
shoegirl
In fact, he has two of them; one is physical and the other metaphorically dangles in front of him his much needed "compass" ...if he'll only recognize it.
Mary Lins
Like the title, this book simply bobs along, going nowhere, until it ends.
Derek Jager

Most Helpful Customer Reviews

228 of 248 people found the following review helpful By Michael J. Ettner on January 5, 2010
Format: Hardcover
I remember emerging from a New York City art museum, some years ago, after spending an hour looking at the artwork in a Richard Estes exhibition. Estes is a photo-realist painter of meticulously detailed urban scenes. As soon as I hit the sidewalk I noticed that storefronts, taxis, buses, office towers, the dome of the sky -- all looked different. I was seeing the world with new eyes, with more sharply focused vision -- an aftereffect of immersion in Estes' art. Most striking was a heightened awareness of the unique light that fills the streets of Manhattan. Everything was vivid.

A similar transformation occurs whenever I finish a new novel by Anne Tyler and return to the real world. Time spent with Tyler engenders new perceptions of the everyday physical environment. It also inspires a more generous understanding of human interactions, personal relationships, family dynamics.

"Noah's Compass" is among Tyler's least ambitious novels. Still, the book's pleasures are abundant, and the author is in full command of her craft. Some critics disparage Tyler as a play-it-safe miniaturist. They say she avoids grappling with the Big Themes of history and politics, existence and death. She's stuck in the quotidian. Yet even in this modest story, Tyler is not afraid to confront harrowing truths. The novel's protagonist, Liam Pennywell, observes: "We live such tangled, fraught lives . . . but in the end we die like all the other animals and we're buried in the ground and after a few more years we might as well not have existed." Could these words be a bone Tyler is throwing to ravenous critics? Probably not, as Tyler likely doesn't pay much attention to what others would prefer her to write about.
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72 of 77 people found the following review helpful By Mary Lins TOP 500 REVIEWERVINE VOICE on January 5, 2010
Format: Hardcover
Noah didn't need a compass, a rudder or a sextant because he wasn't going anywhere; he just bobbed along trying to stay afloat. Liam Pennywell, the 60 year old narrator of Anne Tyler's latest novel, "Noah's Compass", has been getting by without a compass for years. Alone, unemployed, a little lonely, closed off, thinking his life is behind him, Liam has what we call a "life-changing experience". In fact, he has two of them; one is physical and the other metaphorically dangles in front of him his much needed "compass" ...if he'll only recognize it.

To open an Anne Tyler novel is to open yourself to care about her characters and "Noah's Compass" is no different. I fell in love with Liam Pennywell and Eunice Dunstead, (a "rememberer"). Even Tyler's less loving characters are appealing through their all-too-human faults. Liam's stern older sister, his brisk ex-wife, and his three daughters, are all endearing in their own way. One never wishes evil on a Tyler character because they all reflect back something of ourselves. Her characters are familiar, archetypal and "Tyler-esque"; in all her novels we see people who are stumbling around in the dark. They don't even grope for their identities and their life purposes, those things just seem to fall upon them like odds and ends off an attic shelf.

One quirky character (a redundant term in Anne Tyler's world!) misquotes: "Those that forget the past are doomed to regret the present." Eventually Liam does take some ownership of his past mistakes, but will he use the insight to change his present? Will Liam wake up from his malaise and start living a full life? Will he grab his last chance at love? Will his life change? Should it? Is contentment enough?

The worst thing about a new Anne Tyler novel is the wait for the next one. In the meantime, I'll re-read "Noah's Compass" and several other of my favorite Tyler novels and I'll love them as much as I ever did, and glean new insights from each.
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16 of 17 people found the following review helpful By sb-lynn TOP 500 REVIEWER on January 23, 2010
Format: Hardcover
Summary and review, no spoilers.

This story is told from the point of view of 60 year old Liam Pennywell, who due to financial cut-backs has recently been let go from his position as a 5th grade teacher at a boys school. Liam didn't try all that hard to be spared this dismissal, and in fact Liam seems as if he doesn't care much about anything at all.

Liam has downsized from a spacious apartment in a nice part of town, to a small two bedroom in a seedier area. Like many an Anne Tyler character, he is looking back on his life and trying to figure out how he got here, and why he has not had the success he should have had, and why he is leading the life he is now.

During the course of this seemingly simple yet complex little novel, we are introduced to the cast of characters that make up Liam's past - his wives, his daughters, his own parents, and an oddball (this is Anne Tyler country) woman with whom Liam establishes a rapport.

There is not a lot of action in this novel. We don't go traveling very far, and the story takes place over just one year. Yet, Anne Tyler once again makes brilliant observations about people and what makes us tick. You may think your experiences and reflections and hopes and dreams are unique - but they're not. They are shared, and there were many moments in this book that just had me shaking my head in recognition and empathy. Her observations about aging are spot on.

The only criticism I have is that I was a bit unsettled at the end. I know that some of the complaints about this book have been about the ending, but I believe that Tyler is telling us something about memory - that truly seeing and understanding our past will enrich our lives and make getting old not just a wait for the end.

I recommend this book can it be enjoyed by anyone, but best appreciated by those 50 and older.
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