34 of 35 people found the following review helpful:
5.0 out of 5 stars
Not for everybody but VERY much for some people..., February 17, 2000
By A Customer
If you respond at all to this gentle, loving, intricately detailed, and acute (but never hostile)evocation of late-Victorian London, the chances are good that it will become one of your favorite books. The humor is rather special, and I've found that some Americans simply can't "get into" Grossmith. As for me, I reread the book every year and the very thought of it can make me smile.
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33 of 34 people found the following review helpful:
5.0 out of 5 stars
Very funny read, February 15, 2010
I downloaded this book because it was free, not really expecting much from it. However, I'm glad I chose to read it because from the very beginning, it had me laughing. The main character just can't win: no matter what good fortune he has (which is very little) something hilarious always happens to ruin it for him. I really enjoyed reading this book and would recommend it to anyone looking for a good read.
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28 of 29 people found the following review helpful:
5.0 out of 5 stars
An Evergreen Comic Masterpiece., December 22, 1999
This book must be the most nearly perfect piece of comic writing in English, its humour gentle and subtle, its depiction of character, class, time and location flawless. It fixes forever the late-Victorian world of the respectable Lower Middle Class, populated by clerks, petty merchants and tradesmen, observing it with both objectivity and affection. It is splendidly read on tape by Frederick Davidson, whose assumed accent is perfectly gauged to reflect the upwardly-mobile aspirations of the Mr.Charles Pooter, the self-confessed nobody of the title, and which slips down the social scale by several notches in moments of stress and frustration. Though superficially simple, the construction of the narrative is complex in the extreme, with comic situations often being built up over a long period, and with clues carefully planted in earlier sections, only to come to fruition later. It is particularly impressive how the main characters - Pooter himself, his long-suffering and often silly but supportive wife Carrie and his exasperating son Lupin - emerge as rounded characters from apparently simple diary entries and achieve a realism and familiarity as great as any in more serious literature. The situations in which they find themselves - or rather get themselves - are not only ludicrously amusing, but also close to the normality of life as many live it, and one can often, uncomfortably, recognise one's self or one's friends in their reactions to them. What makes the Diary an enduring masterpiece is however the gentle and affectionate treatment of human weakness - and greatness. Pooter may be pompous, foolish and sometimes sycophantic, but he is also loyal, decent and honourable and his life, and his family's, for all its pettiness, also has its dignity. I first read the Diary over forty years ago and it has never ceased to delight me since - it remains a treasured bedside book to be opened at random - and this splendid tape of it is an ideal companion for long or short automobile journeys. (An interesting footnote is that George Grossmith, as a singer and actor, created many of the best known Gilbert and Sullivan roles on stage).
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