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More from Richard Russo
Richard Russo's bestselling novels explore the tragicomic realities of small-town life with poignancy and humor. Visit Amazon's Richard Russo Page. |
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The main character in Nobody's Fool is Donald Sullivan, known more commonly as Sully. Sully is something of a free spirit, rarely thinking beyond the moment; now that he's sixty, he's feeling the effects of his short-sightedness; he has many friends but few real relationships, even with his son and his off-and-on again lover. Indeed, the closest relationship he has is with his landlady.
It's hard to describe this novel in terms of plot, since this is more a book about characters than a regular story. Russo is not interested in the standard beginning-middle-end structure of a novel; instead this book is almost pure middle. Plenty happens, but as in real life, few things are neatly resolved.
Russo is a brilliant writer and makes all his characters multi-dimensional. There are no good guys or bad guys here; even Sully, a likeable enough fellow, has some definite flaws. The way all these characters interact - Sully, his landlady Miss Beryl, his friend/worshipper Rub, his foe/friend Carl and the dozen or so others - is what makes this book so much fun. There is humor here, but this is not a comic novel; instead, it is a novel that does not fit well into any category.
For those whose tastes run beyond strict genre fiction, this is definitely a reccomended read. It just one indication of what a great writer Russo is.
I liked Straight Man very much. Then I went on to The Risk Pool and Nobody's Fool, which I read within a few months of each other about a year ago. Looking back it's hard to separate the two because of their similar setting and characters.
Both are wonderful. If there is the perfect novel, both The Risk Pool and Nobody's Fool are it. One night while I was reading Nobody's Fool in bed, I finished a paragraph and put the book down on my chest thinking that I had actually been touched by God; it was that unusual. I felt that I had experienced perfection. That has only happened to me once before.
Russo's chracters are "ordinary;" some would call them losers. Russo clearly loves them, and that is the wonder of these two books. When I tried to describe Russo's writing to an author friend, she said that a good writer leads his readers by the hand, but she said it sounded in this case as if Russo were leading his readers by the soul. I couldn't have said it better.
Please read this book.
I picked up a copy of Straight Man at a bargain rack a while back, and to this day that book remains one of my favorite contemporary novels of all time. It pokes fun of academia, political correctness, family turmoil and greed with humor and compassion.
Nobody's Fool comes in a close second. I absolutely loved the character Sully, the principled loser and antihero of the novel who seems to keep begrudgingly doing the right thing and doing his best to maintain order in a chaotic town. His idiotic but loyal sidekick, Rub, is a perfect comic foil, and the scenes of them scheming to make a few bucks are outright hilarious. Every character in the novel, from Sully's old landlady and her busybody friends to the humorless bartender and the familiar group of losers at Sully's numerous stomping grounds, are dead on accurate and believable. Russo writes the best dialogue of any modern writer I know.
The book, like most of Russo's fiction, peels back the layers of a small town in upstate New York, a town that somehow missed out on prosperity when the interstate drew travelers away, but Russo writes about the town and its inhabitants with humor and compassion. This is not the stark, depressing realism of a Russell Banks novel like Affliction. You will laugh out loud at Sully's shameful flirtations, and at Rub's considerable problems at home with his perpetually angry wife, while recognizing the truth in Russo's small town mosaic. Read Nobody's Fool and Straight Man, and you will be a Russo fan for life.