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Nobody's Perfect: Billy Wilder: A Personal Biography [Hardcover]

Charlotte Chandler (Author)
3.2 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

October 22, 2002
"'Nobody's perfect' is the line that most sums up my work," Billy Wilder told writer Charlotte Chandler. "There is no comedy, no drama about perfect people."

Film is the Cinderella Art of the 20th century, and Billy Wilder was one of its most legendary figures. When he died recently, Wilder left behind an incredible celluloid legacy. "Sunset Boulevard, Some Like It Hot, Double Indemnity, The Apartment, Lost Weekend, Sabrina," and other Wilder films have become a part of our shared experience and collective memory.

In "Nobody's Perfect," Billy Wilder speaks for himself, in what is as close to an autobiography as there ever will be. Charlotte Chandler, author of earlier authorized biographies of Groucho Marx and Federico Fellini, met Wilder in the mid-1970s and began a friendship that continued until his death. Over the course of more than twenty years, she interviewed not only Wilder, but many of the actors and other creative people who worked with him. The result is this remarkable book, a very personal look at one of Hollywood's true creative geniuses.

In a life as dramatic as his films, Wilder survived World War I and escaped the Holocaust, though his mother and grandmother both died at Auschwitz. When he arrived in Hollywood, he found himself a writer without a language, a man without a country.

Wilder's great gift as a screenwriter soon became apparent, as did his easy rapport with actors. As a writer-director, he worked with such stars as Greta Garbo, William Holden, Tony Curtis, Barbara Stanwyck, Marlene Dietrich, Ginger Rogers, Gloria Swanson, Audrey Hepburn, Gary Cooper, James Cagney, Jack Lemmon, Walter Matthau, and Marilyn Monroe -- most of whom were interviewedfor this book.

He gave Garbo her laugh, Swanson her comeback, Holden his stardom, Lemmon a career, Matthau an Oscar, and contributed greatly to Marilyn Monroe's immortality.

Actors from Wilder's films talk enthusiastically about Wilder. Danielle Darrieux, the star of the first picture he directed, remembers him from 1933. Ginger Rogers tells how "The Major and the Minor" paralleled her own life. Jack Lemmon reveals how wearing a dress affected him as a man. Tony Curtis talks about what it was like to work with Billy Wilder -- and under Marilyn Monroe.

Chandler's conversations with Wilder and the others began when he was still a working director and continued through the time he was retired but didn't know it. A man of the 20th century, Billy Wilder lived into the 21st century, alone from his time, a legend forever.

This revealing and vastly entertaining book is a wonderful, timely tribute to this great writer-director, a legacy of Wilder's wit, insight, and remarkable wisdom.



Editorial Reviews

From Publishers Weekly

Everyone knows Wilder's reputation as a consummate storyteller who had one true or not for every occasion. Upon his death in March of this year, homages to the great director were filled with well-known anecdotes, passed along like great jokes. They were always funny and showed the filmmaker at his sharpest, but they also helped obscure the man behind a wall of wit and showmanship. This new biography from Groucho Marx and Federico Fellini biographer Chandler, which takes its title from the last line of Some Like It Hot, avoids this trap by simply letting Wilder talk at length. Unlike Cameron Crowe in his 1999 book of conversations with Wilder, Chandler keeps herself mostly in the background, popping up only occasionally to point out which actor had led her to interview which director, and so on. As a result, the book is a rich compendium of primary source material, containing interviews with Wilder himself, Kirk Douglas, Jack Lemmon, Shirley MacLaine, Ginger Rogers, Jimmy Stewart, Gloria Swanson and others. The book doesn't offer lengthy discussions of Wilder as a cinematic genius; readers will not find critical appraisals of Ace in the Hole or Sunset Boulevard. However, the author does richly document the making of some of Wilder's masterpieces and open the sluice gates for the voluble Wilder as well as the recondite storytellers mentioned above. Altogether, it makes for a comprehensive portrait of Wilder that goes beyond the witty stories. Photos.
Copyright 2002 Reed Business Information, Inc.

From Library Journal

Chandler (Hello, I Must Be Going: Groucho and His Friends; I, Fellini) here adds the late Billy Wilder to her list of celebrity subjects. Best known as one of Hollywood's most prolific writers, producers, and directors, Wilder grew up in Vienna and later moved to Berlin, where he became involved with German cinema. When the Nazis rose to power, he escaped to Hollywood. After covering Wilder's early years, Chandler devotes a chapter each to Wilder's best-known movies (e.g., Some Like It Hot and Sunset Boulevard). These chapters consist of transcribed interviews with Wilder and many of the stars he directed, which results in an unfortunate lack of technical information and context. Film students, then, won't find much to glean here. Chandler also skimps on Wilder's personal life (he was divorced and later remarried), rendering it uninteresting to general readers. This biography is similar in format to Kevin Lally's Wilder Times, discussing many of the same films. Chandler fails to unearth new details on Wilder, and her filmography is not as informative as Lally's. With other biographies on Wilder available, this is not an essential purchase.
Rosalind Dayen, South Regional Lib., Pembroke Pines, FL
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 368 pages
  • Publisher: Simon & Schuster; First Edition ~1st Printing edition (October 22, 2002)
  • Language: English
  • ISBN-10: 0743217098
  • ISBN-13: 978-0743217095
  • Product Dimensions: 9.6 x 6.4 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #579,430 in Books (See Top 100 in Books)

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Customer Reviews

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8 of 8 people found the following review helpful:
5.0 out of 5 stars A WILD, ENJOYABLE READ ABOUT A MOST PERFECT DIRECTOR, February 8, 2003
By 
Alan W. Petrucelli (THE ENTERTAINMENT REPORT (ALAN W. PETRUCELLI)) - See all my reviews
(REAL NAME)   
This review is from: Nobody's Perfect: Billy Wilder: A Personal Biography (Hardcover)
There is no one wilder in Hollywood than Billy - Billy Wilder, that is.  And the new bio of him, "Nobody's Perfect: Billy Wilder: A Personal Biography," is as close to the "perfect" non-critical, fun history of a man and his movies. Written by Charlotte Chandler (whose previous works include "I, Fellini" and "Hello, I Must Be Going: Groucho and His Friends"), the tome is based on interviews she conducted with Wilder and his friends over a period of years. The result is a wonderful kaleidoscope of movies, politicians, actors, geniuses and louses. From Sigmund Freud to Louis B. Mayer, from Richard Strauss to Joan Fontaine, from Prince Yussupov to Walter Matthau --- Wilder knew them all. He is the man who put Marilyn Monroe over a subway grate, Jack Lemmon in a dress and Gloria Swanson in the most famous close-up of them all. The great beacon shining through the entire book is, of course, the wit and humor of the man.  Wilder is certainly one of the great comic directors of all time, and his legacy is astounding. By structuring the book around the subject's work in a strictly chronological manner, Chandler creates a picture of Wilder that is at once true and wildly engrossing. The early stories about journalism in pre-war Berlin are as fascinating as the later tales of success in glittering Hollywood. That the last 20 years of his life, arguably the most creative time in an artist's life, were spent without a single film project is the underlying tragedy of this book, and Chandler doesn't exactly dwell on it, but the painful reality is certainly there. We like to think of him as this way: Billy Wilder, Somebody's Perfect. (Submitted by staff member Stephen J. Finn)
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11 of 12 people found the following review helpful:
4.0 out of 5 stars An Enjoyable Look at a Supreme Opportunist, April 27, 2003
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This review is from: Nobody's Perfect: Billy Wilder: A Personal Biography (Hardcover)
My love of films came to fruition during a brief period when the "auteur theory" held sway in the 1960s and 1970s. Auteurist critic Andrew Sarris classified Billy Wilder in his "Less Than Meets the Eye Category," primarily because he was "too cynical for the more serious demands of middle-class tragedy (DOUBLE INDEMNITY) and social allegory (ACE IN THE HOLE). A director who can crack jokes about suicide attempts ... and thoughtlessly brutalize charming actresses like Jean Arthur (FOREIGN AFFAIR) and Audrey Hepburn (SABRINA) is hardly likely to make a coherent film on the human condition."

It was only as a result of seeing Wilder's films that I discovered what Sarris was really saying was that the director was both too versatile and too successful -- and it didn't help that his approach to directing films was as a writer rather than as a visual artist.

Reading Charlotte Chandler's oral history of Wilder's career, I was impressed with Billy Wilder's ability to be able to create iconic native masterpieces of film noir (DOUBLE INDEMNITY) and Hollywood Gothic (SUNSET BOULEVARD) without the benefit of growing up in the United States. While his later comedies (such as SOME LIKE IT HOT) owe much to his collaboration with Lubitsch, Hawks, and Mitchell Leisen, Wilder developed his own style of comedy and retained his ability to make good films well into his eighties.

In the chapter on SUNSET BOULEVARD, actress Nancy Olson makes an astute comment: "Billy said, 'Every character in SUNSET BOULEVARD is an opportunist.' It seemed to me that what he is saying is that this picture is not only about opportunism, but about ... the consequences of it."

A little light bulb went on in my mind. Wilder's films are all, in their own way, about opportunism. Walter Neff and Phyllis Dietrichson take advantage of each other for their own nefarious ends in DOUBLE INDEMNITY. In picture after picture, I see a pattern of characters using one another with interesting results, with the ultimate example being Kirk Douglas in ACE IN THE HOLE.

Chandler's interviews are mostly interesting, though the intrusion of plot summaries in the middle of each chapter is intrusive: These should have been relegated to the Filmography in the back of the book. I was disturbed that Chandler did not see fit to add any of her own observations about Wilder except insofar as to provide a segue for the many quotes. Still, it is both a useful and entertaining book and a valuable addition to the literature about this fascinating filmmaker.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Engaging story of one of the great figures of 20th century, October 6, 2004
Nobody's Perfect: Billy Wilder by biographer Charlotte Chandler is the personal and engaging story of one of the great figures of 20th century movie-making -- the legendary Billy Wilder (1906-2002). The great director perhaps best known for classics such as "Some Like It Hot", "The Apartment", "Sunset Boulevard", and many more, Billy Wilder narrates much of "Nobody's Perfect" in his own words, rendering it as close to an autobiography as any story of his life can be. A filmography complements this witty, insightful, life story of a creative visionary.
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Inside This Book (learn more)
First Sentence:
"I do not wish I had made something else out of myself." Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Billy Wilder, Jack Lemmon, Marilyn Monroe, New York, Sunset Boulevard, Audrey Hepburn, Museum of Modern Art, William Holden, Gary Cooper, Tony Curtis, Los Angeles, Front Page, Buddy Buddy, Cary Grant, Miss Monroe, Sherlock Holmes, World War, Bill Holden, Genevieve Page, Irma la Douce, United States, Edith Head, Gloria Swanson, Marlene Dietrich, Austro-Hungarian Empire
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