Nobody's Son: Notes from an American Life (Camino del Sol) [Paperback]

Luis Alberto Urrea (Author)

Book Description

Series: Camino del Sol | Publication Date: August 1, 2002

Here's a story about a family that comes from Tijuana and settles into the 'hood, hoping for the American Dream.
. . . I'm not saying it's our story. I'm not saying it isn't. It might be yours. "How do you tell a story that cannot be told?" writes Luis Alberto Urrea in this potent memoir of a childhood divided. Born in Tijuana to a Mexican father and an Anglo mother from Staten Island, Urrea moved to San Diego when he was three. His childhood was a mix of opposites, a clash of cultures and languages. In prose that seethes with energy and crackles with dark humor, Urrea tells a story that is both troubling and wildly entertaining. Urrea endured violence and fear in the black and Mexican barrio of his youth. But the true battlefield was inside his home, where his parents waged daily war over their son's ethnicity. "You are not a Mexican!" his mother once screamed at him. "Why can't you be called Louis instead of Luis?" He suffers disease and abuse and he learns brutal lessons about machismo. But there are gentler moments as well: a simple interlude with his father, sitting on the back of a bakery truck; witnessing the ultimate gesture of tenderness between the godparents who taught him the magical power of love. "I am nobody's son. I am everybody's brother," writes Urrea. His story is unique, but it is not unlike thousands of other stories being played out across the United States, stories of other Americans who have waged war—both in the political arena and in their own homes—to claim their own personal and cultural identity. It is a story of what it means to belong to a nation that is sometimes painfully multicultural, where even the language both separates and unites us. Brutally honest and deeply moving, Nobody's Son is a testament to the borders that divide us all.

Editorial Reviews

From Publishers Weekly

Urrea's elegant, painful memoir completes the poet/novelist's Border Trilogy, following Across the Wire and By the Lake of Sleeping Children. The son of an Anglo-American mother and a Mexican father, Urrea muses on the frustrations and logical fallacies of anti-Mexican racism as he traces the often-forgotten multicultural origins of Anglo-American culture and language. Particularly moving is his account of his mother's horrifying experiences in the Red Cross during WWII. After being seriously wounded and witnessing the horrors of Buchenwald, she took refuge in San Francisco, where she met Urrea's father, the then blonde-haired, blue-eyed top security man to the Mexican president. By the time Urrea was born in 1955, though, the family was barely making ends meet in Tijuana, where they stayed until Urrea was three. In meandering, discursive portraits, Urrea chronicles his growth, from childhood in San Diego to a cross-country trip in writer Edward Abbey's car, during which he reminisces about the betrayal he felt discovering the anti-Mexican-immigrant sentiments of his favorite writer. Over time, Urrea's mother rejects her son's Mexican origins, even after he begins teaching at Harvard, declaring, "You are not a Mexican! Why can't you be called Louis instead of Luis?" Urrea's interests are not only in the personal but include, for example, the etymology of racist slang: Mexicans came to be called "greasers" because they had been the only people with the skills to grease the wheel axles of covered wagons traveling west; "gringos" because of "Green Grow the Lilacs," a favorite of American soldiers during the Mexican-American War. This is not, however, just a book about race. In fact, it's just as much about writing, and at its best Urrea's staccato phrases build up to a vivid, often brutal image.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

"Words are the only bread we can really share," is the peaceful conclusion reached by the author of these energetic and darkly humorous memoirs about a childhood divided between Mexico and the United States. The third part of the trilogy begun with Across the Wire (LJ 1/93), this book establishes Urrea's prominence among Chicano writers. Whether he is describing the politics of his bicultural family or the polarities of a place like Tijuana, he deftly dissects the bilingual jokes and clich?s of Chicano culture. The pace of the storiesAoften based on dialog and vivid anecdoteAis brisk. The content can be tender (e.g., when dealing with older female faith healers) or brutal (when describing the realities of borderland machismo). The essential tone, however, is of self-deprecating humor about the challenge of explaining a dual identity, a task he accomplishes with passion and understanding. Recommended for Latino literature collections.ARebecca Martin, Northern Illinois Univ., DeKalb
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 188 pages
• Publisher: University of Arizona Press (August 1, 2002)
• Language: English
• ISBN-10: 0816522707
• ISBN-13: 978-0816522705
• Product Dimensions: 6.4 x 8 x 0.5 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #101,392 in Books (See Top 100 in Books)

More About the Author

Luis Alberto Urrea, 2005 Pulitzer Prize finalist for nonfiction and member of the Latino Literature Hall of Fame, is a prolific and acclaimed writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph.
Born in Tijuana, Mexico to a Mexican father and an American mother, Urrea has published extensively in all the major genres. The critically acclaimed and best-selling author of 13 books, Urrea has won numerous awards for his poetry, fiction and essays. The Devil's Highway, his 2004 non-fiction account of a group of Mexican immigrants lost in the Arizona desert, won the Lannan Literary Award and was a finalist for the Pulitzer Prize and the Pacific Rim Kiriyama Prize. An historical novel, The Hummingbird's Daughter tells the story of Teresa Urrea, sometimes known as the Saint of Cabora and the Mexican Joan of Arc. The book, which involved 20 years of research and writing, won the Kiriyama Prize in fiction and, along with The Devil's Highway, was named a best book of the year by many publications. It has been optioned by acclaimed Mexican director Luis Mandoki for a film to star Antonio Banderas.
Urrea's most recent novel, Into the Beautiful North, imagines a small town in Mexico where all the men have immigrated to the U.S. A group of young women, after seeing the film The Magnificent Seven, decide to follow the men North and persuade them to return to their beloved village. A national best-seller, Into the Beautiful North, earned a citation of excellence from the American Library Association Rainbow's Project. A short story from Urrea's collection, Six Kinds of Sky, was recently released as a stunning graphic novel by Cinco Puntos Press. Mr.Mendoza's Paintbrush, illustrated by artist Christopher Cardinale, has already garnered rave reviews and serves as a perfect companion to Into the Beautiful North as it depicts the same village in the novel.
Into the Beautiful North, The Devil's Highway and The Hummingbird's Daughter have been chosen by more than 30 different cities and colleges for One Book community read programs.
Urrea has also won an Edgar award from the Mystery Writers of America for best short story (2009, "Amapola" in Phoenix Noir). His first book, Across the Wire, was named a New York Times Notable Book and won the Christopher Award. Urrea also won a 1999 American Book Award for his memoir, Nobody's Son: Notes from an American Life and in 2000, he was voted into the Latino Literature Hall of Fame following the publication of Vatos. His book of short stories, Six Kinds of Sky, was named the 2002 small-press Book of the Year in fiction by the editors of ForeWord magazine. He has also won a Western States Book Award in poetry for The Fever of Being and was in The 1996 Best American Poetry collection. Urrea's other titles include By the Lake of Sleeping Children, In Search of Snow, Ghost Sickness and Wandering Time.
Urrea attended the University of California at San Diego, earning an undergraduate degree in writing, and did his graduate studies at the University of Colorado-Boulder.
After serving as a relief worker in Tijuana and a film extra and columnist-editor-cartoonist for several publications, Urrea moved to Boston where he taught expository writing and fiction workshops at Harvard. He has also taught at Massachusetts Bay Community College and the University of Colorado and he was the writer in residence at the University of Louisiana-Lafayette.
Urrea lives with his family in Naperville, IL, where he is a professor of creative writing at the University of Illinois-Chicago.

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars Another fine book by America's best "unknown" writer, January 6, 1999

By A Customer

This review is from: Nobody's Son: Notes from an American Life (Camino Del Sol) (Hardcover)

Luis Alberto Urrea is among the finest living writers. He has written about the border in three books. Nobody's Son is the latest. But he is not regional, not limited to a single geographic area. In Nobody's Son he moves from Tijuana and San Diego, to the Southwest, and further north to the high plains, in what amounts to a continuing journey. A journey across the land, through memory, in exploration of spirit. Urrea's story is uniquely American--the child of a Waspy, Wonder Bread white mother and a muy macho! Mexicano father, his is the story of those differences that divide us and yet hold us inevitably together. He is America's best kept secret, its soul.

7 of 7 people found the following review helpful:

5.0 out of 5 stars life on both sides of the US-Mexican border., December 11, 1998

By 

Ned Trace (New York, NY USA) - See all my reviews

This review is from: Nobody's Son: Notes from an American Life (Camino Del Sol) (Hardcover)

Luis Urrea is the John Steinbeck of the border, offering a nostelgic, heartfelt, first-person experience of what it is like to grow up in two cultures, two cities (Tijuana and San Diego) and two worlds. He writes with passion, heart, and a gift for words in two languages.

6 of 6 people found the following review helpful:

5.0 out of 5 stars A journey through the heart of a writer., April 12, 1999

By A Customer

This review is from: Nobody's Son: Notes from an American Life (Camino Del Sol) (Hardcover)

From multinational beginnings impossibly diverse, Urrea leads us on a journey that explores how he became what he is, an American writer of the first order. Sometimes poignant, sometimes hilarious, always heartfelt, it is a wonderful journey for the reader. Before he can write from the heart, an author must first know his heart. Luis Urrea knows his, and shares it with us beautifully.