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Nobrow 6: The Double Paperback – March 20, 2012

1 customer review
Book 6 of 9 in the Nobrow Series

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About the Author

Sam Arthur & Alex Spiro are joint creative directors of Nobrow Press London.

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Product Details

  • Series: Nobrow
  • Paperback: 120 pages
  • Publisher: Nobrow Press (March 20, 2012)
  • Language: English
  • ISBN-10: 1907704191
  • ISBN-13: 978-1907704192
  • Product Dimensions: 12.1 x 8.6 x 0.5 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,440,830 in Books (See Top 100 in Books)

More About the Author

Robert Frank Hunter is a London based illustrator who works with traditional drawing and printing techniques to produce his other worldly picture narratives. Robert has worked on a wide range of personal and commercial projects and has collaborated with directors at Blink productions on a variety of animated and sculptural pieces.

Robert's childhood was split between the suburbs of New Jersey where deer would pass through the woods into the back garden, and a small house in the Midlands built by his father. Robert draws inspiration from the unusual tales his grandparents shared with him as a boy.

Robert has published a number of books with Nobrow Press including 'Map of Days', 'The New Ghost', and a collaboration with Maccabees singer Orlando Weeks called 'Young Colossus'. Other clients include the V&A, ASOS, Guinness, New York Times, Picador, Time and Phaidon.

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful By Forrest Aguirre on January 11, 2013
Format: Paperback Verified Purchase
This was my latest purchase in the Lowbrow vein and, while this volume leans more toward the illustrative Juxtapoz aesthetic than the more fine-art-influenced Hi Fructose (which is, frankly, my preference), it is still a good example of those who are carrying on in the tradition of lowbrow art. The schtick of a double-issue that features (on one side) cartoons about doppelgangers and other doubles and (on the other) illustrations about the same is well played throughout. Again, while these pieces and stories owe more to Underground Comix influences and graphic design than they do to the work of the Pop Surrealists, whom I tend to favor (such as Mark Ryden, Kathie Olivas, and Yosuke Ueno), there are exceptional illustrations by Tom Gauld, Roman Muradov, and Niv Bavarsky, as well as a very clever comic by Luke Pearson and other standouts by John Martz and Kevin Huizenga. With this issue, it looks like Nobrow is flying a rising balloon. Their press is putting out some pretty impressive graphic ditties, so pay attention! This issue of Nobrow is giving notice that there is more remarkable work to come.
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