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Nod To Bob, A - An Artist's Tribute To Bob Dylan - Featuring Greg Brown, Guy Davis, Jack Elliott & M

VariousMP3 Download
3.8 out of 5 stars  See all reviews (22 customer reviews)

Price: $9.99
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Album Savings: $4.86 compared to buying all songs

  • Original Release Date: May 8, 2001
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
 
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  Song Title Artist Time Price  
Play   1. Love Minus Zero/no Limit Eliza Gilkyson 3:53 $0.99 Buy Track  - Love Minus Zero/no Limit
Play   2. Sweetheart Like You Guy Davis 5:16 $0.99 Buy Track  - Sweetheart Like You
Play   3. Clothes Line Saga Suzzy & Maggie Roche 3:15 $0.99 Buy Track  - Clothes Line Saga
Play   4. Girl Of The North Country John gorka 3:29 $0.99 Buy Track  - Girl Of The North Country
Play   5. Delia Spider John Koerner & Dave Ray 2:44 $0.99 Buy Track  - Delia
Play   6. I Want You Cliff Eberhardt 5:12 $0.99 Buy Track  - I Want You
Play   7. All Along The Watchtower Tom Landa & The Paperboys 4:23 $0.99 Buy Track  - All Along The Watchtower
Play   8. Dieu À Nos Cotés (with God On Our Side) Hart-Rouge 4:09 $0.99 Buy Track  - Dieu À Nos Cotés (with God On Our Side)
Play   9. Boots Of Spanish Leather Martin Simpson 6:16 $0.99 Buy Track  - Boots Of Spanish Leather
Play 10. Restless Farewell Norman Blake & Peter Ostroushko 5:35 $0.99 Buy Track  - Restless Farewell
Play 11. It Ain't Me, Babe Lucy Kaplansky 4:21 $0.99 Buy Track  - It Ain't Me, Babe
Play 12. Pledging My Time Greg Brown 3:44 $0.99 Buy Track  - Pledging My Time
Play 13. Tomorrow Is A Long Time Rosalie Sorrels 4:54 $0.99 Buy Track  - Tomorrow Is A Long Time
Play 14. Intro To Don't Think Twice... Ramblin' Jack Elliot 1:48 $0.99 Buy Track  - Intro To Don't Think Twice...
Play 15. Don't Think Twice, It's All Right Ramblin' Jack Elliot 4:04 $0.99 Buy Track  - Don't Think Twice, It's All Right
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Customer Reviews

22 Reviews
5 star:
 (9)
4 star:
 (5)
3 star:
 (3)
2 star:
 (4)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (22 customer reviews)
 
 
 
 
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23 of 23 people found the following review helpful:
4.0 out of 5 stars inconsistent, but when it's good it's wonderful, July 3, 2001
This is not the star-studded glory of the 30th anniversary concert, nor does it pretend to be. This tribute is just what it claims to be: a nod, that is quiet, respectful, tasteful. As such, the most understated and sensitive efforts contained herein are by far the most effective and poignant tributes to Master Dylan. By contrast, there are several attempts here to "improve" on the Dylan orignals in various ways, and these range from merely vapid to truly appalling. Lucy Kaplansky's saccharine "It Ain't Me, Babe," for example, misses the point entirely, with its righteous earnestness and too-precious false cadences. Also, while "All Along the Watchtower" has been successflly interpreted in a variety of styles, it doesn't seem to fit well in the Latin/Celtic fusion sound employed by Tom Landa & the Paperboys. And winning the award for most inappropriate Dylan cover since Franki Valli's "Don't Think Twice, It's All Right," we have "With God On Our Side," sung in French, by a man and a woman in harmony, in waltz time, with a major modulation in the middle. I'm not sure it's even POSSIBLE to corrupt the song further.

That said, there is quite a bit of beautiful stuff here. Eliza Glikyson starts off the set with an approriately sweet, yet still slightly stinging, "Love Minus Zero / No Limit," and in doing so is one of the only of the younger performers not to embarrass herself. The Roches demonstrate just how cool Dylan can be with their tongue-in-cheek "Clothes Line Saga," and Martin Simpson's effortless guitar on "Boots of Spanish Leather" is exactly right. Norman Blake's and Peter Ostroushko's "Restless Farewell" veritably improves on the original. Rosalie Sorrels is, of course, a proven force, and her version of the gorgeous "Tomorrow is a Long Time" is not only even prettier than the original, but also demonstrates a full understanding and appreciation of the song's power (something almost never accomplished in this collection, especially among the younger performers). And finally, in a moving tribute from one grizzled warrior to another, Ramblin' Jack Elliott's "Don't Think Twice, It's All Right" is both the thinnest arrangement (just the singer and his spare guitar picking, recorded live), and the most powerful performance, of them all. Jack's voice and phrasing, and his mastery of and intimacy with the song, prove he is clearly a man who has been there and back, and who understands that Bob has made the same trip. Listening to Jack sing Bob's song, you have to smile even as your eyes mist up at the thought of all those years. Jack's "Don't Think Twice" may or may not be the best version of the seminal song, but it's far and away the best thing here.

This collection is inconsistent, surely, but if you skip over the self-righteous efforts of the new folkies to the musicians who have a clue, your patience is more than rewarded. As Ramblin' Jack Elliott says at the end of his piece, Happy Birthday, Bob.

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20 of 22 people found the following review helpful:
5.0 out of 5 stars Red House roster pays tribute to Bob Dylan, May 31, 2001
This is a great album, with a wide range of artists: Dylan predecessors Ramblin' Jack Elliott and Rosalie Sorrels, contemporaries Spider John Koerner and Dave Ray, newer names John Gorka, 2 of the Roche sisters, and others. Add bluesman Guy Davis, world-beat band The Paperboys, Quebec band Hart-Rouge, string legends Norman Blake & Peter Ostroushko, and UK folkie Martin Simpson and it's a varied and interesting album.

Most unsusual selection: Clothes Line Saga by Suzzy & Maggie Roche, originally on "The Basement Tapes."

Highlights are a very slow version of I Want You by Cliff Eberhardt, Tom Landa & The Paperboy’s Irish reel treatment of All Along The Watchtower, and Hart-Rouge’s French-language version of With God On Our Side. Spider John Koerner & Dave Ray offer Delia, the traditional song Dylan himself covered on his "World Gone Wrong" album. Ramblin’ Jack Elliott’s Don't Think Twice, It's All Right is the only live track (from 1990) on the CD, complete with a spoken introduction that's worth the cost of the CD.

Packaging: jewel-box in a slip-case; 20-page booklet with artist photos, bios & comments; credits

Format: CD; 15 tracks (14 songs-#14 is a 1:48 spoken intro); 63:09

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15 of 16 people found the following review helpful:
5.0 out of 5 stars Getting Real with Bob Dylan, December 4, 2001
By 
T. G. Palaima (Austin, TX United States) - See all my reviews
(REAL NAME)   
Superb interpretations of America's supreme musical genius. Each version here is 'real', the shining quality of even Dylan's flawed or tossed-off compositions. Standouts are Guy Davis' "Sweetheart Like You", Spider John Koerner and Dave Ray's "Delia", and John Gorka's "Girl from the North Country." If you can listen to Martin Simpson's "Boots of Spanish leather" without weeping for the beauty of it, you haven't got tears. The range of styles (cf. Tom Landa and the Paperboys doing "All Along the Watchtower" and Hart-Rouge doing "Dieu a Nos Cotes") reflects how Dylan has absorbed and transformed all genres of American music.

Dylan still appreciates the real and he certainly recognized that this 'birthday gift' was the real deal. Read, by contrast, Mikal Gilmore's interview with Bob Dylan in the November 22 Rolling Stone for Dylan's keen nose for phoniness.

Mikal knows what's what. His brother is Gary Gilmore, of Mailer's *Executioner's Song* fame and Mikal's own superb *Shot in the Heart,* which I have used in my war and violence courses. His attachment to the 'real' in life seems to have gotten Bob Dylan to speak in non-oblique ways about what he is about.

Well, there was the 1991 Lifetime Achievement Award at the Grammy's where Dylan was presented with a ridiculous proposal to have others (mainly pop phonies) sing a medley of his songs, and all he had to do was "show up." So he said okay.

BEGIN QUOTE

DYLAN: Then the Gulf War broke out. The Grammy people called and said, "Listen, we're in a tight fix. So-and-so, who was going to sing 'Times Are A-Changin',' is afraid to get on an airplane. So-and-so, who was going to do 'Like a Rolling Stone,' doesn't want to travel becuase he just had another baby and doesn't want to leave his family." That's understandable. But then so-and-so, who was going to sing, "It's All Over, Baby Blue," was in Africa and didn't want to take a chance flying to New York, and so-and-so, who was going to sing "All Along the Watchtower," wasn't sure he wanted to be at any high-visiblity place right then, because it might be a little dangerous. So they said, "Could you come and sing? Could *you* fill the time?" And I said, "What about the guy who's introducing me [Jack Nicholson]?" They said, "He's OK. He's coming."

Anyway I got disillusioned with all the characters at that time-with their inner character and their ability to be able to keep their word and their idealism and their insecurity. All the ones that have the gall to thrust their tortured inner psyches on an outer world but can't at least be true to their word....I just lost respect for them. There's a few that are decent and God-fearing and will stand up in a righteous way. But I wouldn't want to count on most of them.

END QUOTE

Count on "A Nod to Bob" instead.

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