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Noise Candy
  

Noise Candy [Import]

Bill NelsonAudio CD
4.8 out of 5 stars  See all reviews (5 customer reviews)


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Music

Image of album by Bill Nelson

Biography

Bill Nelson (born William Nelson 18 December 1948) is best known as founder, songwriter, singer and guitarist for Be Bop Deluxe. The band recorded five studio albums and one live album before Nelson disbanded the group to focus on his solo career.

Nelson began his recording career giggin with a number of local bands but got his break when John Peel played tracks from a solo LP entitled "Northern… Read more in Amazon's Bill Nelson Store

Visit Amazon's Bill Nelson Store
for 45 albums, discussions, and more.


Product Details

  • Audio CD
  • Format: Import
  • ASIN: B00006SF98
  • Also Available in: Audio CD
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,799,644 in Music (See Top 100 in Music)

 

Customer Reviews

5 Reviews
5 star:
 (4)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 10 people found the following review helpful:
5.0 out of 5 stars A box of wonder, April 20, 2004
By 
This review is from: Noise Candy (Audio CD)
If you're unfamiliar with Bill Nelson, this is a difficult start.

With six (count 'em: 6!) CDs in the box, one is offered a wealth of excess.

The music was recorded over a period of ten years, during what must have been Bill's biggest creative period. He release quite a number of albums through the 1990s. These tunes just didn't fit in to some of themes of those records. Uh... CDs.

But don't think this is a bunch of outtakes or tunes best left for the dustbin. All are first rate pieces of music.

The six CDs each have a different name & theme:

1). Old Man Future Blows the Blues

2). Stargazing with Ranger Bill

3). Sunflower Dairy Product

4). King Frankenstein

5). Console

6). Playtime

And each CD is at least an hour or more long, so we're talking one heady bit of output here.

The big number some may have heard on alternative or college radio is "Big Yellow Moon" on disc 2. Great stuff. But then there are many standout cuts, such as "Dreamland Avenue", "All This & A Girl Like You", "Existentialism", and more.

Music features Nelson's love affair with retro-1940s science fiction and technology. Less focus on pure guitar & more on flowing, lilting tunes. And his signature "found sound" vocals are evident on a few tracks (Bill will record voices from movies & TV, loop them, and use them in segments of his music).

Add to that, an extensive booklet of notes & lyrics, bound into a beautiful box to hold all six CDs, make this a must-have for any Nelson fan out there.

I'm telling you, it rarely strays far from my player...

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8 of 9 people found the following review helpful:
4.0 out of 5 stars not his magnum opus, but very pleasing, November 18, 2002
By 
This review is from: Noise Candy (Audio CD)
Strangers to Bill Nelson, of which there are undoubtedly too many, will probably never read this. The casual fan or adventurous-but-uninitiated will be unlikely to take the financial leap to a 6-CD box set. To those who are thinking about it, a word of caution....this is NOT the usual box set. It does not contain the "hits" (if such a word can be applied to Bill's wonderful past work) and assortment of alternate versions and live tracks. Rather, this is 6 CDs worth of unreleased material that did not make it, for one reason or another, onto any of Nelson's many solo releases in the 90s. For this reason, I do not think it is accurate to call this Bill's "magnum opus", as so many of the faithfull (and the record company) have. As good as the music on these discs is, it is necessary to remember that these are the tracks that did not make the cut, time and again, as albums were assembled for release by Nelson. It would be a disservice to Nelson to say that this CD is the summation of his life's work. The tracks that made it to the various 90s releases are, in the aggregate, better than these songs and soundscapes.

That being said, Nelson is well known for his quality control, and there aren't any clunkers throughout these 6 CDs. The music, roughly arranged with like-to-like styles on each disc, is a nice reflection of the various areas of interest that the always-inquisitive Nelson has pursued musically. Nelson's cast-offs are better than most people's top shelf stuff, so listening to Noise Candy is very enjoyable. At the end of the day, though, it needs to be listened to for what it is......and odds and ends collection that cleared out a big chunk of the Nelsonian tape vault so that he can again focus on the future (always a noble goal). Know all this going in, and you will get a kick out of this collection.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Box of Wonders, February 22, 2004
By 
This review is from: Noise Candy (Audio CD)
Ten years in the making, two years overdue after its original announcement, Noise Candy obsessed me in theory for at least a year and half and gave me a headache during the year following its final belated release. Yes it's an album of songs that "did not make the cut," but that does not mean it's a b-side or outtake collection: Nelson's muse is a voracious and ever-changing dame, and so the albums he assembled out of the sessions that produced these tracks--namely After the Satellite Sings, Weird Critters, Magnificent Dream People, and Atom Shop--are all self-contained works, just like each of the six discs that make up Noise Candy, and yet all the material in question is of top quality, more or less straight across the board. What's more, Nelson reworked, remixed, overdubbed and reshaped all of these tracks during a long incubation period--1990-2000--in order to produce a 6-part work of astounding cohesion. The resulting sound is a bubbling, airy, layered, and candy-colored swirl, with healthy doses of After the Satellite Sing's Eastern glow and Atom Shop's bluesy techno throb. The thing gave me a headache because it arrived in my life at the very apex of a several-year obsession with Nelson's work, and so I could not play the thing without worrying that I was not listening closely enough, or that the tracks I was listening to weren't the ones I wanted to hear--there were just so many (over 120!)--and I kept hearing tracks I thought I knew and that sounded odd to me: when would I ever absorb this thing! And now, after staying away from it for a year or so, I've returned to it, here in the winter of 2004, and it is a familiar land to me, a wonderland of detail and melody and techno-bliss. My Secret Studio, the 4-CD box set he released in 1995, is still the Nelson masterwork for me, but Noise Candy is a close second.
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