None to Accompany Me [Paperback]

Nadine Gordimer (Author)

Book Description

Publication Date: October 1, 1995

In an extraordinary period immediately before the first non-racial election and the beginning of majority rule in South Africa, Vera Stark, the protagonist of Nadine Gordimer's passionate new novel, weaves a ruthless interpretation of her own past into her participation in the present as a lawyer representing blacks in the struggle to reclaim the land. The return of exiles is transforming the city, and through the lives of Didymus Maqoma, his wife Sibongile, and their lovely daughter who cannot even speak her parents' African language, the reader experiences the strange passions, reversals, and dangers that accompany new-won access to power. All must change: Didymus, once a major actor in the resistance, making way for Sibongile's emergence as a political figure; Vera, working through the consequences of a lifetime's commitments to a new kind of relationship with a new man of the times, Zeph Rapulana.

Editorial Reviews

From Publishers Weekly

Nobel Prize winner Gordimer's novel follows two couples, one black, one white, and their evolving interaction with each other and with society during the unraveling of South African apartheid.
Copyright 1995 Reed Business Information, Inc.

From Library Journal

In the final days of the old regime in South Africa, antiapartheid activists are released from prison or return home after years of exile. Vera Stark, a white legal aid attorney representing the black community, recognizes many familiar faces from her youth, but she is shocked to see that they appear to have aged overnight. This unnerving experience causes her to reexamine her life. Known around her law firm as someone impervious to con games, Vera is ruthless in exposing her own lies and deceptions. She faces unpleasant truths about her marriages, her affairs, and the effect her actions may have had on her children. But rather than cling to the security of a flawed life, Vera finds that the rapidly changing political situation encourages radical personal change. None To Accompany Me shows Nobel prize-winning author Gordimer in top form. A powerful, thought-provoking, and timely novel that belongs in all fiction collections.
--Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 336 pages
• Publisher: Penguin (Non-Classics) (October 1, 1995)
• Language: English
• ISBN-10: 0140250395
• ISBN-13: 978-0140250398
• Product Dimensions: 7.6 x 5.4 x 0.8 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 3.4 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #542,552 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

14 of 17 people found the following review helpful:

5.0 out of 5 stars ReInventing Notions of National Identity, April 23, 2001

By 

Eric Anderson (London, United Kingdom) - See all my reviews
(REAL NAME)   

This review is from: None to Accompany Me (Paperback)

Nadine Gordimer's novel None to Accompany Me was published in the same year of South Africa's first Democratic election. The fact that these events coincided is an important influence on interpretations of the novel because of the personal and political significance of the event in relation to Gordimer. A preoccupation with the conflicting political parties reverberates in the consciousness of the South African characters who populate the novel because of the radical nature of this changing government. The characters are captured in a state of transformation where they must renegotiate their own sense of national identity. Gordimer lived through the age of apartheid in South Africa. She always renounced it, discussing its inherent flaws and misconceptions in her fiction and nonfiction. The fact that she defiantly chose not to exile herself in the face of political conflict while writing novels which were mainly in opposition to the National Party who enforced apartheid shows her unswerving commitment to an identification with being a South African citizen who works actively against racism. In a society such as South Africa that has a highly turbulent climate of racism Gordimer has found that a sense of "home" is an important component upon which to build an environment of equality. The physical nation is what its citizens have in common and, in negotiating boundaries, mental and emotional divides are laid out as well. Therefore, her emphasis on the importance of the land in her writing, how it is sectioned off, claimed and divided, represents the way South Africans have divided their national identity from having any singular meaning. Gordimer has represented in her fiction the levels of these boundaries between people and she has offered a constructive approach to possibly thinking of South African national identity as inclusive of difference while accepting the pragmatism of boundaries. In her early essays of the 1960s she shows a strong resolution that the inherently racist government would be replaced by a power which enforces greater equality. Yet, she also realized that the most important transformation needed to occur in the minds of the citizens of South Africa. They had to recognize the fact of racial difference but also acknowledge that everyone who lives in South Africa is entitled to equal citizenship.

Due to the governmentally enforced segregation between the different races, citizens found that living in South Africa under apartheid caused a hypersensitive awareness of his or her own race. Gordimer is no exception to this and has spent much of her writing discussing where white people position themselves in relation to black people. She tries to think out how people can change their frame of mind to assimilate to the idea of a South Africa where people have an equal sense of national identity instead of trapping themselves within terms of binaries. She makes this clear in her statement, "If one will always have to feel white first, and African second, it would be better not to stay in Africa." What she seems to be saying is that to live peacefully in a nation you must accept you are entitled to be a citizen of that nation rather than an outsider who happens to inhabit it. This is a dilemma for white Africans who live under the image of "black Africa". To be African does not necessarily mean that you are black. This is something Gordimer has always vehemently asserted in her writing. It is in the fixed idea of "black Africa" that boundaries within the national identity are laid and Gordimer is committed to writing of Africa as inclusive of all the relations between its people of all colors. Both the National Party and the Inkath Movement stressed physical boundaries between white and black people. The impact they had on South African citizens over the 20th century encouraged the idea of a national identity divided by color. It is only with the end of apartheid and subsequently the first democratic national election that South Africans can evaluate the impact this division has had with hindsight and whether or not they choose to leave it behind.

A major theme of the novel is how to reconcile the ideological transformation taking place politically in South Africa with the personal notions of national identity formulated up to the present time. For people who worked to terminate apartheid, it is difficult to envision any progression when the primary motives of one's actions are committed to ending the politically instituted segregation. Personal actions were planned with thought of a watchful government eye. For the majority of the writing there could be no subject other than the institutionalized racism. It became a polemic for a political position whether direct or indirect that perpetuated itself in all the literature produced. Only now that apartheid has ended and a new political group has succeeded to power can South African individuals envision a future that is not strictly concerned with this national condition. Gordimer is trying to capture in None to Accompany Me the moment of this change through personal transformations: "Perhaps the passing away of the old regime makes the abandonment of an old personal life also possible. I'm getting there." Leaving an old notion of national identity behind may make possible the dispensing of an old sense of selfhood. This illustrates the uncertainty of the people who live under this changing government to decide upon how they will perceive their sense of self now that an essential factor of what they perceive to be their identity has changed. The primary subject of this novel then is the omnipresent transformations taking place in South Africa at that time ranging from the personal to the broadly political. This novel is an important work that captures a nation in the midst of dramatic change. It will teach you about the conflicts in South Africa if you have never read much about it before and prompt you to find out more.

8 of 9 people found the following review helpful:

3.0 out of 5 stars Thought-provoking but not always compelling, January 18, 1999

By 

Rick Hunter (Malone, NY United States) - See all my reviews

This review is from: None to Accompany Me (Paperback)

I do not know quite what to make of Nadine Gordimer's 1994 novel None to Accompany Me. Gordimer, past winner of the Nobel Prize for Literature, writes tellingly of her native South Africa, and of the uneasy relations between blacks and whites during the very recent past. This book tells the story of Vera, a middle-aged married white woman who is employed as a lawyer with a "liberal" organization dedicated to obtaining housing and land for the black majority. While Vera has "relationships" with many in the book, both black and white - including her current husband (a past lover); former husband; grown children; and black employees of her organization and political leaders - ultimately she makes herself a loner, with only her career and transitory relationships. I believe this is the source of the book's title - Vera has none to accompany her, and the reason for this appears to be her own lack of commitment to all save her cause. Gordimer writes with great insight and intelligence, and I very much wanted to enjoy this book more than I did. Her characters are finely drawn, allowing the reader to "get inside" their thinking; nonetheless, this novel did not always keep my attention. Because she is such a fine writer in general, and this book has so many flashes of brilliance and insight, I cannot discourage others from reading it. Perhaps I just am not the right reader for this book. (I recommend highly and without qualification her earlier novel July's People).

3 of 3 people found the following review helpful:

4.0 out of 5 stars A very thought provoking novel., November 20, 1998

By A Customer

This review is from: None to Accompany Me (Hardcover)

As a class project I had to choose a book by a foreign author. I was recommended "None to Accompany Me" I started reading it as soon as I got it. At first I was terribly confused and bored with the book, but enjoying a challenge I stuck it through and completed the novel. After finishing it I realized I didn't fully understand the purpose of the struggles contained within the pages. I did understand the personal lives of Gordimers' characters but the politics threw me a loop. I now am beginning to realize the tremendous writing ability this author really has. I may not have grasped the concepts at first, but now after reading a few reviews my eyes have begun to open up. This really is a good book.