Amazon.com Review
The young heroine of
Nora, Nora comes from a long line of angst-ridden adolescents, stretching back through Holden Caulfield and Frankie Addams to Huckleberry Finn. Yet Peyton McKenzie certainly has good reason to be unhappy. Her household, in the small Georgia town of Lytton, is shadowed by the deaths of her mother and older brother. Her father, meanwhile, has withdrawn into mournful distraction: "When Buddy died in an accident in his air-force trainer, when Peyton was five, Frazier McKenzie closed up shop on his laughter, anger, small foolishnesses, and large passions. Now, at twelve, Peyton could remember no other father than the cooled and static one she had."
To withstand this mortuary atmosphere--not to mention a touch of small-town claustrophobia--Peyton has founded the Losers Club, where she and two other misfits share their daily doses of unhappiness. But everything changes when her cousin Nora shows up for a visit. This jaunty outsider is unlike anybody else in Kennedy-era Lytton, circa 1961:
The first thing you noticed about Nora Findlay, Peyton thought, was that she gave off heat, a kind of sheen, like a wild animal, except that hers was not a dangerous ferality, but an aura of sleekness and high spirits. There was a padding, hip-shot prowl to her walk, and she moved her body as if she were totally unconscious of it, as if its suppleness and sinew were something she had lived with all her life.
At first Nora's high spirits have a tonic effect, jogging both Peyton and her father out of their torpor. But her involvement in racial politics eventually rubs some of Lytton's citizens the wrong way--and puts her young cousin's loyalty to the test. Anne Rivers Siddons handles the narrative with a deft touch for local color (right down to the perpetual "three Coca-Colas in an old red metal ice chest"). But her feeling for her cast of characters is even better, mixing just the right proportions of delicacy and Southern discomfort.
--Anita Urquhart
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Siddons pulls off another smoothly written novel with ingratiating ease, despite an unpromising beginning. Readers may fear they're in the realm of the hackneyed reflections of To Kill a Mockingbird and A Member of the Wedding when they're introduced to 12-year-old, "thin, frail, queer and nervous" Peyton McKenzie. In the seventh grade in Lytton, Ga., Peyton has "no friends of her own age and gender," and spends her free time in the parsonage tool shed with 34-year-old Ernie Longworth, eccentric, erudite sexton and grave keeper of the Methodist church. The third member of their Losers Club is eight-year-old Boot, the handicapped grandson of Chloe, the McKenzies' black housekeeper. Peyton considers herself the consummate "loser" because her mother died the day after she was born, and her cool, distant father seems to hold Peyton responsible. When a beautiful red-haired stranger blows into town in a Thunderbird coup?, this too seems tritely familiar. Outspoken Nora Findlay, a distant cousin who smokes, drinks and doesn't wear a bra, is clearly out to shock the morally conservative community. Though Siddons doesn't deliver any thematic surprises in this well-worn genre, she does offer a neatly competent and engrossing story that captures the reader's sympathies despite its quality of d?j? vu, as she conjures up the social and racial attitudes of a small Southern town in the 1960s. Nora enthralls an initially reluctant Peyton, working magic on the girl's appearance, self-confidence, intellectual curiosity and moral vision, even as she scandalizes everyone else in town. But daredevil Nora is secretly vulnerable, as Peyton learns when her cousin confesses the heavy emotional burden she carries. Eventually, both Nora and Peyton experience the anguish of betrayal. In addition to her impeccable re-creation of Southern speech and atmosphere, Siddons captures the angst of adolescence with practiced skill, and she handles the rising drama of her plot so smoothly that the book has all the marks of bestsellerdom. Agent, Jennifer Rudolph Walsh at the Writers Shop. 250,000 first printing; author tour. (July)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
