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North American Grain and Milling Annual: 1997 [Paperback]

Melissa Cordonier (Editor)


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Book Description

November 1999 999616408X 978-9996164088

Edward Bond's version of Lear's story embraces myth and reality, war and politics, to reveal the violence endemic in all unjust societies. He exposes corrupted innocence as the core of social morality, and this false morality as a source of the aggressive tension which must ultimately destroy that society. In a play in which blindness becomes a dramatic metaphor for insight, Bond warns that 'it is so easy to subordinate justice to power, but when this happens power takes on the dynamics and dialectics of aggression, and then nothing is really changed'.

--This text refers to an alternate Paperback edition.


Editorial Reviews

Review

'Bond's greatest (and biggest) play ... it is even more topical now and will become more so as man's inhumanity gains subtle sophistication' The Times --This text refers to an alternate Paperback edition.

About the Author

Edward Bond is one of the great British playwrights of the twentieth/twenty-first centuries. In 1965 his grim portrait of urban violence, Saved, in which a baby is stoned in its pram, aroused much admiration as well as a ban from the Lord Chamberlain. His provocative plays including Early Morning (1969), Lear (1971), The Sea (1973), The Fool (1975), Restoration (1981), Summer (1982), The War Plays (1985) and Olly's Prison (1992)] continue to arouse extreme responses from critics and audiences. --This text refers to an alternate Paperback edition.

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