Northanger Abbey [Kindle Edition]

Jane Austen (Author)

Book Description

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Editorial Reviews

Amazon.com Review

Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.

Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber

From Library Journal

Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Copyright 1996 Reed Business Information, Inc.

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Product Details

• File Size: 290 KB
• Print Length: 242 pages
• Page Numbers Source ISBN: 0553211978
• Simultaneous Device Usage: Unlimited
• Publisher: Public Domain Books (April 1, 1994)
• Language: English
• ASIN: B000JML7YC
• Text-to-Speech: Enabled
• X-Ray: Enabled
• Lending: Not Enabled
• Amazon Best Sellers Rank: #1,660,868 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Most Helpful Customer Reviews

110 of 114 people found the following review helpful

5.0 out of 5 stars Absolutely delightful March 11, 2003

By Daniel Jolley HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:Mass Market Paperback

I approached this book somewhat warily, knowing that Northanger Abbey was to some degree a satirical take on the immense popularity of Gothic romances such as Ann Radcliffe's The Mysteries of Udolpho, a book I dearly love. Happily, Austen's means of poking fun at Gothic horror literature are far from mean-spirited and, as a matter of fact, can be delightfully humorous indeed. Her heroine, Catherine Morland, is by no means the type of heroine to be found in the giant tomes of Radcliffe and her indulgent imitators, as Austen tells her reading audience directly from the very start. "Almost attractive" on a good day, this unintellectual tomboy has reached her fifteenth year without inspiring a young man's fancy, nor would she be able to delight him with musical skill or even draw his profile in her secret notebooks if she had. Having encountered no strangers who would prove to be a lord or prince in disguise, her heroic ambitions seem stymied at best until fate steps in and grants her a stay of several weeks in the delightful town of Bath. Making her transition from naďve girl to equally naďve young lady, Catherine almost immediately falls quite in love with young Henry Tilney, while at the same time she becomes intimate friends with an older young lady named Isabella, whose inconstancy as both friend and intended beloved of Catherine's own brother eventually brings her much pain. To her intense delight, however, Catherine is invited by General Tilney, Henry's father, to spend some few weeks in his home, Northanger Abbey. Her joy at spending such private time in the company of her beloved and new best friend Eleanor Tilney is immense, but equally exciting to her is the chance to spend time in a mysterious former abbey of the sort she has read so much about.... Such Gothic romances as Udolpho have been the source of her recent heroic training, and she is wildly desirous and fully expectant of discovering hidden passages, dark secrets, frightening circumstances, and possibly even incalcitrant perfidy in the halls of her beloved's family home. Her overactive imagination runs wild in Northanger Abbey, bringing her a fair share of embarrassment, but the very sweet and tender sensibilities that fuel her fire for Gothic mystery make her all the more endearing to me. Catherine is remarkably innocent, and as such she is absolutely delightful in my eyes.

Much of the story does fit in with your typical Gothic novel, but the frightening and dismaying things Catherine eventually discovers are of a far from supernatural sort. Ever so gradually, a true monster slowly coalesces from the pages of this remarkable novel. I, like young Catherine, was somewhat overenthusiastic concerning the Gothic qualities of this adventure I feel I shared with her, and the truly despicable thoughts and actions of the book's villain did not immediately strike me as forcefully as they should have; the afterword by Elizabeth Hardwick included in my Signet Classic copy of the book, however, served to make me fully comprehend its import. Greed, selfishness, pride-these are the horrors of Northanger Abbey, and it does deeply hurt a reader of romantic sensitivity to stand idly by, unable to aid and assist a sweet young lady such as Catherine in her time of despair and emotional suffering.

Lovers of Gothic horror or literature in general will surely find nothing but delight in the pages of Northanger Abbey. Austen's critique of Gothic literature is quite subdued, and I actually find immense pleasure in the overindulgence the author sometimes employs in her attempts to satirize it. Written by Austen at a tender age (though not published until the year following her death), Northanger Abbey features incredibly human, complex characters full of wit and charm. The hidden motives of seemingly delightful friends is brought to light, teaching young Catherine as well as the reader a painful lesson in real life, yet romance stands at the ready to right the wrongs of self-interest, deception, and greed. I absolutely adore this novel and everything about it. Read more ›

59 of 62 people found the following review helpful

5.0 out of 5 stars A hilarious sendup of the Gothic novel August 22, 1999

By A Customer

Format:Mass Market Paperback

I used to love Gothic novels. I collected out-of-print Victoria Holt paperbacks, I had stuffed animals named after characters in Charlotte and Emily Bronte novels, but ever since I've read Northanger Abbey, I can't read a Gothic novel with a straight face. Jane Austen does a marvelous job of sending up convoluted scary novels (and melodrama in general) in this book, and creates her most masculine and fascinating hero, Henry Tilney.

Don't think that Catherine Morland, the heroine, is just a naive kid. Her naivete is a necessary component of the novel, as it allows her to see the wider world with fresh eyes, provide a foil to the more worldly characters, and ultimately capture the heart of the hero.

And then there's Henry...he teases, he teaches, he forgives Catherine's regrettable fancies, knowing that he had a hand in encouraging them. He's witty, he's charming, he's kind of a slob, and he wears his greatcoats so well!

As in all her novels, Jane Austen provides a great host of hilarious supporting characters, in particular John and Isabella Thorpe and Mrs. Allen. I defy anyone not to laugh at John Thorpe's nonsensical and contradictory comments. One wonders how many such "rattles" wearied Miss Austen's attention to provide such a character study.

Great writing, great story, great characters...come to Northanger Abbey with a sense of humor and you will not be disappointed.

45 of 48 people found the following review helpful

5.0 out of 5 stars Charming Demeanor, Wickedly Funny December 9, 1999

By Emily Snyder

Format:Mass Market Paperback

" "I see what you think of me," said he gravely--"I shall make but a poor figure in your journal tomorrow."

"My journal!"

"Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings--plain black shoes--appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense."

"Indeed I shall say no such thing."

"Shall I tell you what you ought to say?"

"If you please."

"I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him--seems a most extraordinary genius--hope I may know more of him. That, madam, is what I wish you to say." "

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Northanger Abbey," the first, shortest, most satiric, and least read of Jane Austen's completed novels, is a delightful treasure that will make you quite literally laugh out loud (so beware bringing the book to the airport, as I did, lest you suffer strange glances for your smothered sniggers). Following the journey of the coming-of-age Catherine Morland and her misadventures in Bath to the "horrid" Abbey, Jane Austen presents us with perhaps her funniest sociological book, that proves not only that teens will be teens in any age, but that an overactive imagination is not always a blessing, and that love is often the result of being loved. Readers should keep on the lookout for the commentaries on novels, feminine wiles and homecomings from Austen herself - a technique subdued in her other novels. The cast also includes Jane Austen's wittiest hero, Henry Tilney (a.k.a.... "Da Man"), as well as a female foil more duplicitous than "Sense and Sensibility's" Lucy Steele. The Signet Classic edition boasts a good introduction by Margaret Drabble, perhaps better read after the text as a commentary. Best viewed as a comedic parody, "Northanger Abbey" is a pleasure to read, whether you are a long-standing member of the JASNA, or just dipping into the boisterous literature of the Regency.

Felicitous reading! Yours, &c., Read more ›

20 of 20 people found the following review helpful

3.0 out of 5 stars an unpolished first novel December 7, 2003

By erica

Format:Paperback

More lighthearted and less polished than Austen's other novels, "Northanger Abbey" is the chronicle of its heroine's adventures in turn-of-the-nineteenth-century British genteel society. Catherine, of marriageable age and reasonably attractive and well bred, goes on holiday to Bath, where she meets the gentlemanly Mr. Tilney and befriends the fickle Isabelle and her callow brother John. Her adventures in Bath and, later, in the home of her new acquaintances comprise the plot of Austen's mocking tale.

As usual, Austen is mocking the meeting-and-mating customs of then-contemporary Britain. But she is also mocking the gothic novels of the day: Catherine, influenced by the lowbrow literature she reads, is forever attributing dark motives to her acquaintances and skeletons to their closets. "Northanger Abbey" is unusual among Austen's works in that it attacks not only the society in which its heroine operates, but the heroine herself. Catherine is easily manipulated and slow to learn from her mistakes, and she bumbles into her eventual happy ending completely by accident, none the wiser for her troubles. And Austen makes clear, at the book's opening, that she does not wish to attack the novelists who write the books from which Catherine derives many of her false ideas: the error is Catherine's misapplication of the stories' lessons.

Although it was not published until after its author's death, "Northanger Abbey" is clearly a first novel. Its tone is different from the main body of Austen's work, and its quality is lower. While a pleasant read, the book is not particularly compelling and would probably be most enjoyable for Austen aficionados seeking a comprehensive study of her work.

More About the Author

Though the domain of Jane Austen's novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family's entertainment. As a clergyman's daughter from a well-connected family, she had an ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At twenty-one, she began a novel called "The First Impressions" an early version of Pride and Prejudice. In 1801, on her father's retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby, Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen's identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818.

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#86 in Books > Literature & Fiction > Literary

#8 in Books > Literature & Fiction > Classics

#85 in Books > Romance > Historical

#86 in Books > Literature & Fiction > Literary