Part 1 is a lengthy ethnographic description of musical genres that situates Haida music in the context of the Northwest Coast. Part 2 presents 128 songs, fully transcribed and analyzed and representing some twenty types, ranging from traditional genres such as peace-making and mourning songs to songs of personal expression composed during the modern period. Part 3 is a detailed musical and linguistic analysis of the songs presented in the second part. The integration of descriptions of these two facets of song—music and language—is the particular goal of the book. The volume is a substantive contribution to the ethnomusicology of native North America and will be of special interest to scholars concerned with vocables in Native American music.
