Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of English and American Literature and Language at Harvard University. Also General Editor of
The Norton Anthology of English Literature, Eighth Edition, he is the author of nine books, including
Will in the World: How Shakespeare Became Shakespeare;
Hamlet in Purgatory;
Practicing New Historicism;
Marvelous Possessions: The Wonder of the New World, and
Learning to Curse: Essays in Early Modern Culture. He has edited six collections of criticism, is the co-author (with Charles Mee) of a play,
Cardenio, and is a founding coeditor of the journal
Representations. He honors include the MLA's James Russell Lowell Prize, for Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, the Distinguished Humanist Award from the Mellon Foundation, the Distinguished Teaching Award from the University of California, Berkeley. He is a fellow of the American Academy of Arts and Sciences and the American Philosophical Society.
M. H. Abrams (Founding Editor Emeritus; Ph.D. Harvard) is Class of 1916 Professor of English, Emeritus at Cornell University. He received the Phi Beta Kappa Christian Gauss Prize for
The Mirror and the Lamp and the MLA’s James Russell Lowell Prize for
Natural Supernaturalism. He is also the author of
The Milk of Paradise,
A Glossary of Literary Terms,
The Correspondent Breeze, and
Doing Things with Texts. He is the recipient of Guggenheim, Ford Foundation, and Rockefeller Postwar fellowships, the Award in Humanistic Studies from the Academy of Arts and Sciences (1984), the Distinguished Scholar Award by the Keats-Shelley Society (1987), and the Award for Literature by the American Academy of Arts and Letters (1990). In 1999
The Mirror and the Lamp was ranked twenty-fifth among the Modern Library’s "100 best nonfiction books written in English during the twentieth century."
Alfred David (Ph.D. Harvard) is Professor of English Emeritus at Indiana University. He is the author of
The Strumpet Muse: Art and Morals in Chaucer’s Poetry, and editor of the "Romaunt of the Rose" in
The Riverside Chaucer and, with George B. Pace, "Chaucer’s Minor Poems I" in
The Variorum Chaucer. He is the recipient of a Sheldon Travelling Fellowship and Guggenheim and Fulbright Research fellowships and past president of the New Chaucer Society.
Barbara K. Lewalski (Ph.D. Chicago) is William R. Kenan Professor of English and of History and Literature at Harvard University. She is the recipient of the MLA’s James Russell Lowell Prize for
Protestant Poetics and the Seventeenth-Century Religious Lyric and the Explicator Prize for
Donne’s Anniversaries and the
Poetry of Praise. Her other books include
Paradise Lost and the Rhetoric of Literary Forms,
Writing Women in Jacobean England,
Milton: A Critical Biography, and
The Polemics and Poems of Rachel Speght (editor). Lewalski is the recipient of Guggenheim and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences and Honored Scholar of the Milton Society.
Lawrence Lipking (Ph.D. Cornell) is Professor of English and Chester D. Tripp Professor of Humanities at Northwestern University. He received the Phi Beta Kappa Christian Gauss Prize for
The Life of the Poet. He is also the author of
The Ordering of the Arts in Eighteenth-Century England,
Abandoned Women and Poetic Tradition, and
Samuel Johnson: The Life of an Author and editor of
High Romantic Argument. Lipking is the recipient of Guggenheim, ACLS, Newberry Library, Wilson International Center for Scholars, and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences.
George M. Logan is James Cappon Professor of English Language and Literature (Emeritus) at Queen’s University and a Senior Fellow of Massey College in the University of Toronto. He is the author of
The Meaning of More’s “Utopia” and principal editor of the current standard Latin-English edition of
Utopia (Cambridge University Press), editor of More’s
History of King Richard the Third and of
The Cambridge Companion to Thomas More, and senior editor of the sixteenth-century section of
The Norton Anthology of English Literature. At Queen’s, he was Head of the Department of English for nine years and an award-winning teacher.
Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She received the Roland Bainton Book Prize for
Inwardness and Theater in the English Renaissance. She is also the author of
Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance revenge tragedies; and coeditor of
English Renaissance Drama: A Norton Anthology,
The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She is a recipient of Guggenheim, NEH, ACLS, and Leverhulme fellowships.
James Noggle (Ph.D. Berkeley) is Associate Professor of English and Whitehead Associate Professor of Critical Thought at Wellesley College. He is the author of
The Skeptical Sublime: Aesthetic Ideology in Pope and the Tory Satirists and is at work on a study of taste and temporality in eighteenth-century British discourse. He is the recipient of fellowships from the American Council of Learned Societies and the American Philosophical Society.
James Simpson (Ph.D. Cambridge) is Professor of English and American Literature at Harvard University and former Chair of Medieval and Renaissance English at the University of Cambridge. An Honorary Fellow of the Australian Academy of the Humanities, he is the author of
Piers Plowman: An Introduction to the B-Text,
Sciences and the Self in Medieval Poetry, and
Reform and Cultural Revolution, 1350–1547, Volume 2 of
The Oxford English Literary History.