Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of
The Norton Shakespeare, he is the author of eleven books, including
The Swerve: How the World Became Modern; Shakespeare’s Freedom;
Will in the World: How Shakespeare Became Shakespeare;
Hamlet in Purgatory;
Practicing New Historicism;
Marvelous Possessions: The Wonder of the New World; and
Learning to Curse: Essays in Early Modern Culture. He has edited seven collections of criticism, including
Cultural Mobility: A Manifesto, and is a founding coeditor of the journal
Representations. His honors include the MLA’s James Russell Lowell Prize for
Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.
M. H. Abrams (Ph.D. Harvard) is Class of 1916 Professor of English, Emeritus at Cornell University. He received the Phi Beta Kappa Christian Gauss Prize for
The Mirror and the Lamp and the MLA’s James Russell Lowell Prize for
Natural Supernaturalism. He is also the author of
The Milk of Paradise,
A Glossary of Literary Terms,
The Correspondent Breeze, and
Doing Things with Texts. He is the recipient of Guggenheim, Ford Foundation, and Rockefeller Postwar fellowships, the Award in Humanistic Studies from the Academy of Arts and Sciences (1984), the Distinguished Scholar Award by the Keats-Shelley Society (1987), and the Award for Literature by the American Academy of Arts and Letters (1990). In 1999
The Mirror and the Lamp was ranked twenty-fifth among the Modern Library’s "100 best nonfiction books written in English during the twentieth century."
Barbara K. Lewalski (Ph.D. Chicago) is William R. Kenan Professor of English and of History and Literature at Harvard University. She is the recipient of the MLA’s James Russell Lowell Prize for
Protestant Poetics and the Seventeenth-Century Religious Lyric and the Explicator Prize for
Donne’s Anniversaries and the
Poetry of Praise. Her other books include
Paradise Lost and the Rhetoric of Literary Forms,
Writing Women in Jacobean England,
Milton: A Critical Biography, and
The Polemics and Poems of Rachel Speght (editor). Lewalski is the recipient of Guggenheim and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences and Honored Scholar of the Milton Society.
George M. Logan (Ph.D. Harvard) is a Senior Fellow of Massey College in the University of Toronto and the James Cappon Professor of English Emeritus at Queen’s University, Canada, where he was head of the English Department for nine years and an award-winning teacher. He is the author of
The Meaning of More’s Utopia and principal editor of the Cambridge edition of
Utopia (Latin and English), editor of the Norton Critical Edition of
Utopia (3rd edition), More’s
History of King Richard the Third, and
The Cambridge Companion to Thomas More, and coeditor, with Gordon Teskey, of
Unfolded Tales: Essays on Renaissance Romance; he has also written a history of the Indiana University School of Music.
Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She received the 1996 Roland Bainton Book Prize for
Inwardness and Theater in the English Renaissance. She is also the author of
Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of
English Renaissance Drama: A Norton Anthology,
The Norton Shakespeare, and a collection of criticism on seventeenth-century English poetry. She is a recipient of Guggenheim, NEH, and ACLS fellowships.