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The Norton Shakespeare: Based on the Oxford Edition: Tragedies (Second Edition)
 
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The Norton Shakespeare: Based on the Oxford Edition: Tragedies (Second Edition) [Paperback]

Stephen Greenblatt (Editor), Walter Cohen (Editor), Jean E. Howard (Editor), Katharine Eisaman Maus (Editor)
5.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

0393931404 978-0393931402 April 1, 2008 Second Edition

Upon publication in 1997, The Norton Shakespeare set a new standard for teaching editions of Shakespeare's complete works.

Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the modern reader closer than before possible to Shakespeare's plays as they were first acted. Now, under Stephen Greenblatt's direction, the editors have considered afresh each introduction and all of the apparatus to make the Second Edition an even better teaching tool.


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Editorial Reviews

About the Author

Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Shakespeare, he is the author of eleven books, including The Swerve: How the World Became Modern; Shakespeare’s Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Practicing New Historicism; Marvelous Possessions: The Wonder of the New World; and Learning to Curse: Essays in Early Modern Culture. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize for Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.


Walter Cohen (Ph.D. Berkeley) is Professor of Comparative Literature and Chair of the Department of Romance Studies at Cornell University, where he formerly was Dean of the Graduate School and Vice Provost of the university. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles.

Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. Author of Shakespeare's Art of Orchestration, The Stage and Social Struggle in Early Modern England, Engendering a Nation (with Phyllis Rackin), and Theater of a City: The Places of London Comedy, she has edited six collections of essays, including the four-volume Blackwell's Companion to Shakespeare's Works. General Editor of the Bedford contextual editions of Shakespeare, Howard is Past President of the Shakespeare Association of America. She has received numerous fellowships and awards including Guggenheim, ACLS, NEH, Folger, Huntington, and Newberry Library Fellowships. At Syracuse University she received the Wasserstrom Prize for Excellence in Graduate Teaching and at Columbia University the University Graduate Mentoring Award.

Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She received the 1996 Roland Bainton Book Prize for Inwardness and Theater in the English Renaissance. She is also the author of Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Shakespeare, and a collection of criticism on seventeenth-century English poetry. She is a recipient of Guggenheim, NEH,  and ACLS fellowships.

Product Details

  • Paperback: 1168 pages
  • Publisher: W. W. Norton & Company; Second Edition edition (April 1, 2008)
  • Language: English
  • ISBN-10: 0393931404
  • ISBN-13: 978-0393931402
  • Product Dimensions: 9.1 x 6.3 x 1.3 inches
  • Shipping Weight: 2.1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #304,767 in Books (See Top 100 in Books)

More About the Author

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as "an upstart crow, beautified with our feathers." Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

 

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8 of 10 people found the following review helpful:
5.0 out of 5 stars Convenient, November 4, 2009
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Jennifer N. Goslee (Marco Island, FL United States) - See all my reviews
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I'm taking a shakespeare class, and bringing one of these books to class is much more convenient than carrying the giant onionskin all in one version.

The page numbers are of course different, but the pages are laid out exactly the same and contains the same introductory material as the one book version.

Definitely worth the extra 15 dollars this version cost, and it looks prettier on my bookshelf.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Great for Class, February 14, 2010
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I needed this for college and it's a splendid collection. The introductions are wonderful and the footnotes and glosses extremely helpful.
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0 of 2 people found the following review helpful:
5.0 out of 5 stars Excellent Value!, February 18, 2011
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I needed these books for a college class. I ordered from a textbook site and received one book for $51. This set is such a better value and I LOVE Shakespeare!
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