A vibrant Shakespeare that brings readers closer than ever before possible to Shakespeare's plays as they were first acted. The Norton Shakespeare, Based on the Oxford Edition invites readers to rediscover Shakespeare—the working man of the theater, not the universal bard-and to rediscover his plays as scripts to be performed, not works to be immortalized. Combining the freshly edited texts of the Oxford Edition with lively introductions by Stephen Greenblatt and his co-editors, glossaries and annotations, and an elegant single-column page (that of the Norton Anthologies), this edition of Shakespeare invites contemporary readers to see and read Shakespeare afresh. Greenblatt's full introduction creates a window into Shakespeare world-the culture, demographics, commerce, politics, and religion of early-modern England—Shakespeare's family background and professional life, the Elizabethan industries of theater and printing, and the subsequent centuries of Shakespeare textual editing.
--This text refers to an alternate
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William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as "an upstart crow, beautified with our feathers." Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Nice for a Paperback,
This review is from: Norton Shakespeare (Paperback)
This is a very nice collection of all of Shakespeare's works. There's information about each play and there are footnotes on the bottom of the pages to help you out. The only problem I had with this book was the paper for the pages is a little too thin and I wish the glossary had more words Shakespeare used in his works. I highly recommend this book.
2 of 9 people found the following review helpful:
5.0 out of 5 stars
The last great plays,
By
This review is from: The Norton Shakespeare, Based on the Oxford Edition: Romances and Poems (Paperback)
"The Winter's Tale"," Pericles" "Cymbeline" and " The Tempest" are generally classified as Romances. The Romance is taken to be a mixed form which has both tragic and comic elements. It usually concludes with a 'happy ending' a masque and a dance. But somehow the 'happy ending' is less harmonious than in the comedies. And there is a sense of a more forced complicated resolution.
The great Romances deal with the themes of Appearance and Reality, of Dream and Reality. As in all Shakespeare they are rich in incredibly beautiful poetry which redeems them even when they touch upon the absurd.
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