Customer Reviews

Not Available [Vinyl]

5 star:		(18)
4 star:		(4)
3 star:		(2)
2 star:		(0)
1 star:		(0)

 

 

It is difficult, if not impossible, to capture a musical experience with words. Nowhere is this truer than with "The Residents" in general and "Not Available" in particular. Melancholy, mysterious, eerie, strange. These are a few of the words that come to mind as I sit here trying to describe the music on this disc.

Not available, as another reviewer commented, is a story about nothing. Or is it? It may have meaning so obscure that it simply appears to be missing. I'm not sure. After repeated listenings and a study of the lyrics I have come to think that the narrative (or non-narrative)has, at it's core, something to do with identity. Again, I'm not sure.

It may be that the combination of weird, atonal music and nonsense lyrics is more akin to a musical koan than a story. Like the Zen puzzles (what is the sound of one hand clapping?)the music of "Not Available" intentionally defies logic - the intent being to snap the chains of conditioned thinking.

Whatever it is or isn't, "Not Available" is a unique album and well worth however many pennies they are asking if you are interested in music unlike any you have heard before. The copy I own also includes selections from "Title in Limbo", a joint effort between "The Residents" and "Renaldo & The Loaf". This material deserves a review of its own. Weird and wonderful!

"Not Available", like most Residents albums, really knows how to press those "Timothy Leary" buttons. This album was a nifty companion to me at times that I would sketch artwork. Not for the faint of heart or mind. Open your mind to the humor, the horror, and the strangeness of this truly original piece of work. Grinding creepiness is a hallmark of these fine fellows. A must have for any true Residents fan! Get it...get it?

What's different about this CD than all the other pressings that have preceded it?

THAT'S the question. We all know that this is a Residents classic, and to this reviewer's ears, the best record they have put out in their 30+ year career. (Perhaps that's because it is the first Residents record I ever bought, way way back when it was released. But I digress.)

So what IS different? This CD adds over 7 minutes of material that has been removed from every other pressing. That's EVERY other release. To Residents fans, this is like Beatles fans finding a third side to "Abbey Road." (Before you go ranting in the comments section, telling me how ridiculous that analogy is; it's a JOKE, Beatles fans! A JOKE! Tee hee?) And YES, you can tell the difference. Especially in "The Making of a Soul," and "Never Known Questions." It is a remarkable version to hear. The other pressings' running time was a little over 35 minutes. THIS CD's running time is over 42. That's 20% more music. You read that correctly: 20% MORE!

But it does beg the question; what else are we missing from OTHER Residents classics? Are there more songs on FINGERPRINCE (their second best record in this reviewer's opinion)? Perhaps a fourth side? Why haven't they released "Meet the Residents" in its original mono, for example, with ITS original running time??
[12/7/11 update: The Residents DID, in fact, finally put out "Meet the Residents" on CD with its original running time. I don't think it's mono, but who cares? They finally restored what had been cut from the first pressing of 1,000 on vinyl. Is is possible that they read this review???? Ummm.... no. I highly doubt it. By the way... their new CD "Coochie Break" is fantastic!]

I'm glad the Residents, Ralph, and MVD are doing this. This reviewer, for one, thinks that the Residents are making a HUGE mistake by making their music available only by download (and through Amazon... though they ARE CD-Rs, or DVD-Rs as is the case with "Randy's Ghost Stories.") Residents fans are, mostly, people of a certain age (...ahem). The generation that wants a tangible product to listen to. We're not really into the whole "download-only" thing. When we could no longer get good ol' LPs, then CDs sufficed for years and years. And now the Residents tell us they're not releasing actual product anymore, but only downloads via their website. Perhaps that's why I'm so pleased with the job MVD Audio/Ralph did with re-releasing this seminal Residents album. [12/7/11 another update: they now have a store where you can buy CD-Rs, and I'm not too happy with the way they're releasing their new Ralph America limited editions, which the band said were not going to manufacture anymore. Guess what? The limited editions are baaaaack. And this reviewer is flabbergasted at they way they're being sold. Who ever thought that one day, The Residents would be concerned about making as much money for the LE CDs as possible? Are they, gulp, closet Capitalists?]

Please, please keep the new CDs coming! And the extra 7 minutes that had been originally edited out make this a double (or is it triple?) dip well worth shelling out for. And the sound quality itself is outstanding. Take note, MVD and Residents. Take note.

To sum it up: An absolutely essential release for every Residents fan. And without going into a review of the actual songs, compositions, lyrics, music (believe me; I'm well aware that other people, people much more qualified than I, have already done that), I do NOT consider it hyperbole to call this one of the most important records of the avant-guarde/no wave/new wave (or just plain alternative to top 40). Without overstating its impact on THIS reviewer, "Not Available" changed my life. So having seven extra minutes, to me, is a no-brainer as to whether or not to buy yet another CD pressing. I hope you take a chance. To paraphrase someone whom I have no idea, who originated the quote: Yes, the Residents [and esp "Not Available"] are an acquired taste. But it's a taste well worth acquiring.

This five-song symphonic cycle is by turns eerie, dissonant, hauntingly beautiful, and jaw-droppingly strange. This is music that inhabits some previously unexplored hinterland between pop dementia and avant garde classicism. Probably the best of the Residents' early records and my personal favorite. One of the most singular and eccentric records ever made.

Not Available is to me like a great piece of modern classical music. Without a doubt it's the finest thing The Residents have ever done. It's the only Residents album that I can say is a must have, although I do own almost all of their output from the early 70's through the mid 80's. The piece is tough to describe; it flows definitely, tells a story (about something ?), and can put a smile on your face for sure. I have not yet purchased the re-master, but it has to be better than the original release of this on CD, which was very poorly done. I still tend to listen to the vinyl as an alternative.

One of the most thought-provoking albums I have ever listened to... why? Because this is a concept album about absolutely nothing. Creepy organs and epileptic percussion (standard early-70s Residents) twitch and suppurate beneath long, complex, chanted narratives about -- nothing. I'm not saying it's shallow -- I'm saying it has the art of narration down, as a form; it knows what a story SOUNDS like through the phases of a telling; it understands the finer subtleties of how a plot is slowly, slowly unveiled -- and yet -- the words are provocative strings of nonsense which make a person think of everything and nothing all at once. Synapses fire, old random memories float to the surface of your mind like dead fish, you find yourself utterly enthralled with the proto-Lynchian universe inhabited by Edweena and her pet porcupine, and you might even start punctuating life in the outside world with phrases like "Welcome to the offshoots of Jupiter". But what the f**k are the offshoots of Jupiter? Ultimately, the album lives up to one of it's own chanted promises -- "some questions never known not even by many to exist" -- and leaves the listener burning with these unanswerable conundrums, in much the same way, I think, that Sade slowly but inexorably foists the responsibility for imagining his depravities onto the reader over the course of The 120 Days of Sodom -- by the end of the book, then, who is sicker -- Sade for having written it, or you, the reader, for having kept reading to the very end? Likewise with "Not Available" -- the Residents left me wanting to twist language and boggle everyone I met in the same way they had boggled me.

However-- that whole "story" supposedly behind "Not Available" is, I think, yet another one of the Residents' endless misinformations. It and "Eskimo" enhanced each other's mystery when released with the running-away-to-Europe story tagging them.

Anyway, I've had this album for close to 15 years and hav never gotten bored with its charms. Benefits greatly from CD remastering, and goes oh so well with the ol' kind bud.

This is the Residents second full length recording that was not to be released until its creator's had completely forgotten about its existence. The theory of obscurity in full effect. It was later released by the Residents management in order to fulfill contractual obligations after the Residents had disappeared with the master tapes of 'Eskimo'-- just days before Eskimo was to be pressed. Haunting, beautiful and bizarre. A certain kind of sadness prevails through most of the album with the Residents using a 5 part tone poem to ask some questions 'guaranteed to shake you up'. The album lets us take a peek at the Residents behind the eyeball masks where they ponder their own decision to live in obscurity.'To exist to show or to be shown is a question never, never known' There is an innocence and beauty to this album that can't be understated. Absolutely essential.

I've been buying and enjoying Residents album for years and I finally got my hands on this little number. All I can say is why did I wait so long? This album is great, ranking up there with other classic Residents ablums like Duck Stab (their best) and their most recent Demons Dance Alone. For one of their 70's albums Not Available is very accecable. Even non-Residents fans should be able to enjoy this delicious selection of music.

The improvements on this re-released album are startling. This is much clearer than the past ESD version with the extra cuts. True, you lose the cuts.. but you gain an astounding listen to this album in the way the Residents no doubt wanted it to be heard.

The music is very melodious, and very beautiful (how often do you hear that about this group?). While there may be an undertow of depression overall in the theme of this work, it does not mean that it is depressing in itself. The lyrics are amusing in parts.. but it can be seen as sad overall. I've had this album in LP and CD form for over 15 years, and I still haven't caught on to what the heck these fellas (gals?) are talking about. Not that it really matters.. because for a Residents fan, this fabled album is a highlight of their career.

Because of the overdue fix on the audio, this album is easily on my top 5 of the residents list.

I assume if you're reading this then you've heard of the Residents and how strange they are and are curious. "Not Available" may the one for you then. It's called an "opera", but don't let that fool you. There is no story, and the lyrics don't make sense at all. They aren't meant to. Let the strangeness wear off over a few listenings, stop trying to find "meaning" in the lyrics, and eventually the subtlety and real beauty of this recording will leave you weirdly moved. I own all the Residents' recordings up until about 1984 when they faded creatively, and this is the one I play most often, and the only one I actually invested in on CD. While the Residents are never outwardly angry on any of their albums (except the awful God in 3 Persons), they can be aurally jarring. This one has the least amount of that, opting instead for smooth, hypnotic minimalism, a few more acoustic instruments, and melancholy melodies. Go ahead, try it out. You know you want to. "Not Available" is as surefire as you're gonna get with these guys.